Review: Are The Migos Doing It for The Culture?
The majority of the hip-hop community loves Migos. They are one of the few constants in rap music. Take Off, Offset and Quavo have dropped their official 2nd album, Culture and it's definitely more than I expected.
Are Migos albums and mixtapes that different? No. However, I will say that the labeling of the "Mumble Rap Era" has forced some of your most hated artist to step up to a level that has made their music infectious and undeniable. The beats are hard. The words are clear; and there are even a few clever lines throughout Culture.
There are some true bangers on this album. "T-Shirt" "Get Right Witcha" and "Deadz" featuring 2 Chainz will stay on repeat. I expect all of these songs to be in every DJ's playlist. We're at the point where any DJ could do a 30 minute Migos set and that would be the highlight of the night. I'm sure "All Ass" is going to ring off in a lot of strip clubs this year. "Call Casting" is a dope joint. They bring the bars out on this one. Definitely in my top 3 on this project.
All the above added with the Childish Gambino stamped "Bad and Boujee" equals the Migos running the clubs for another summer. It's not a fluke. These guys are the "Turnt Gawds" of the game.
I was expecting DJ Khaled to say too much, but he gives just enough on the "Culture" intro. Guccie Mane makes a solid appearance on "Slippery". It's always good when Gucci works with the young guys he inspires.
We went from thinking "Versace" was pure trash to loving "Bad and Boujee". Like it or not, Migos will be around for as long as they want to be. Quavo is becoming the front man, but to be honest, they will always be the ultimate example of strength in numbers. Migos are some of the prominent culture creators of this era. They talk the street life and the dope game like hundreds of our other favorite rappers. They also bring the turn up and hip-hop has been about rocking the party since Kool Herc was in the park. That is what hip-hop has always been about. Respect to Migos. Give Culture a chance.
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[Review] Childish Gambino "Awaken, My Love!"
Awaken, My Love! is proof that Donald Glover can do absolutely anything in entertainment, and truthfully you'd be the odd man out if you didn't like it. He can rap, stand up comedy, sing, act, write TV shows...seriously anything, and it's all above average. Awaken, My Love! is no different. This album is throwback soul and it's probably going to lose a lot of his younger fans. But who cares man, it's dope!
This album reminds me of the documentaries I've seen about the '60's movements and the free love, and the sounds of that era. I listen to this and visualize women burning bra's, the Panthers marching [or "rioting"] and soul singers overdosing on heroine ["Boogieman" and "Zombies"]. It's soul power for the new millennium and it's a great message in song on this album ["Have Some Love" and "Stand Tall"]. Your uncle is going to want to burn his reefer slow to this, and your parents are going to get up and slow-dance after hollering, "HEEEEYYYYYYY! This real music right here!"
You might be able to leave it in when "Terrified" comes on. Just a thought.
Awaken, My Love! is the love child of Prince, Hendrix, Pharrell, Sly, The Family Stone and Lenny Kravitz. I couldn't really pick a "must-listen-to song" for this project. You really just have to let it play, and if you got an ounce of soul in you; You're going to like it. In a time where a lot of R&B sounds like melodic rap on a trap beat and the running theme is "f**k these h*es, if I can't f**k these h*es", Childish Gambino gave us a timeless album that is going to resonate with you on a day when you're in a "I don't want to hear that bulls**t" mood.
Not many artists can capture a sound from an era they weren't born in yet, make it sound current. But, somehow Childish Gambino managed to do that phenomenally with this album. This is a far cry from Camp, Because The Internet and STN MTN/Kauai, but the instrumentation, production and vocals front to back on this album are amazing!
With all the respect in the world, this album is dope and many will give this critical acclaim. Many people will probably tell you that you need to listen to this album. I wholeheartedly agree, but I'd still much rather hear 'Bino rap. Here's to hoping a great project with BARS is on the way in 2017.
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Just wanted to share that because it's one of the greatest covers ever in life. Donald Glover can really do anything, dog. It's unfair. It's just unfair.
[Review] Post Malone "Stoney"
The greatest part about music of this era is that you can't put it in a box and say "this is that and that's all it can be." The average artist of today will try to rap, sing, produce, play instruments and write for Kanye West. One of the best examples of at least 4 out of the aforementioned 5 is Post Malone and his official debut album Stoney.
"White Iverson" was quite a while ago, especially the way music moves today, but that definitely wasn't all this young man had. Depending on what you like, White Iverson may be the best or worst song on this album.
"Deja Vu" feat Justin Bieber for me is the hottest track on the project. On the low, Bieber is top 5 in traditional R&B and a lot of y'all need to step your game up if that statement hurts your soul. Also really like the "Up There" joint.
"Feel" featuring Kehlani is a pretty dope track that one day you are just going to put it on repeat, then either drive or sit with it playing at a moderate level. "Too Young" is a groovy joint with some reckless bars from Post. I'm not mad at it though. "Congratulations" with Quavo is just another reason why I have already reserved my seat on the Quavo Bandwagon. This one could be big if Post and his team put a push on it. Another very nice joint is "Yours Truly, Austin Post".
Stoney is a little contemporary country and a little bit rock n' roll. It's also got a little soul, and of course hip-hop influences. You can ride to it, smoke to it, throw a chill little gathering with turn up spurts, and it's definitely something that is lady-friendly, especially if they are casual listeners to all genres of music. There are no "bad songs" on this album, but there are a few "it's just not for me" songs. Listening to this project front to back, Post Malone could be the next Kid Rock without the "Merica-edge" if he wanted to be. I think to maximize his potential, he should definitely stay away from the fickle and forgetful hip-hop audience. Stoney is a good album. If you like music in general you will definitely appreciate it.
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[Review] The Game "1992"
Last year, The Game dropped enough songs on The Documentary 2 and 2.5 to take about 2 years off. With the release of 1992, he proves that he's doing anything but relaxing.
1992 was one of the most pivotal years in Black America, especially if you lived in California. This is the year of Snoop Doggy Dog's debut, the introduction of The Chronic album, Ice Cube's Predator dropped, and Too Short put out Shorty The Pimp. Then you have the historic yet tragic L.A Riots, spawning largely from the Rodney King verdict. Add all of that to the California earthquake and The Lindhurst High School shooting and you can already see, there's a lot to talk about.
The Game takes himself in and out of 1992 as a young and impressionable. This Game is not really sure what kind of man he should be. That is, until tragedy and survival mode kicks in. He also speaks as a man who's come to terms with his involvement in a lot of f****d up ish. "True Colors/It's On" "Young Ni**as" and "Bompton" are prime examples of this as well as "Savage Lifestyle".
Game is still on that West Coast gangsta s**t but it doesn't feel glorified. Instead, it feels more reflective. At times he sounds like he's just happy to be alive, with a little survivors remorse attached to that happiness. It's also time to realize that hit singles and coaching from the greats aside, The Game really raps and raps a lot. I still don't think he can go bar for bar with Jadakiss, but you can't rap for 11 years at the level he's rapping and not gain respect, as well as benefit of the doubt that you truly are doing the bulk of your pen work.
You can't talk 1992 and west coast rap in the early 90's without some reference to Ice-T ["True Colors"] and DOC ["Bompton"]. Homage is paid to both, as well as crate digging for samples from Soul 2 Soul, ["However Do You Want It"] Marvin Gaye ["Savage Lifestyle"] and Grandmaster Flash and The Furious Five ["F**k Orange Juice"].
This album really does feel like the 90's. "I Grew Up On Wu-Tang" is a great track that any Wu, hip-hop or Game fan should love. To show some of my age listening to this album made me remember a lot of the old West Coast rap videos and movies I saw growing up. I never made it to Cali in the 90's but you can get a real feel for the lifestyle there at that time through this album.
Of course, we can't forget "92 Bars" which kicked the buzz off for the release of this project. The somewhat odd parallel of "street ish" becoming "rap ish" inspired bonus bars at the end of this track for Meek Mill. The same Mill who, mainstream wise, can't seem to catch a break for what is closing in on 2 years now.
Does Beef sell records? No. I don't really think it ever has. Great music has, though. The Game may have dropped another album that belongs in the top 5 of his discography. Unfortunately, it dropped in a time where the current generation of artists and listeners only want to hear something specific. They want to see and feel product relatable to themselves. They don't feel the need to know much about what came before them. 1992 is a dope album from a cemented artist who really has nothing to prove. The Game may be the only "big homie" that is actually trying to make great music right now. Other big homie's need to follow suit.