Goku fights Frieza in Dragonball Z

The 10 Best Dragon Ball Z Fights

With the newest iteration of Dragon Ball anime, Dragon Ball Cho (or Dragon Ball Super), looming over the horizon, let's take a look back at the anime that kicked off the childhoods of lots of boys from my generation. I remember discovering Toonami at my aunt's house (because my family didn't have cable), and it changed my life. It was a cartoon were spiky haired dudes punched other dudes in the face, and sometimes their hair color changed. DBZ helped usher in a second anime boom and helped foster an environment where Japanese shows like One Piece and Naruto could thrive.

It was pretty much impossible to cut down some of DBZ's best fights from its 291 episode run (though if you're a newcomer to the series, I'd recommend the quicker version Dragon Ball Z Kai which only lasts 167 episodes or Dragon Ball Z Abridged, which is even better) to a mere ten, so I had some rules set. These ten fights don't include the films, the original Dragon Ball anime, nor does it include the sequel show GT. This is just a list of pure DBZ punchy goodness.

So, here are the 10 Best Dragon Ball Z Fights.


Quentin Alexander performs on AMERICAN IDOL XIV

[American Idol-izer] Top 5 Perform

We lost my post from last week thanks to some technical hiccups, so I'll do my best to catch you up to why I feel so awful about what went down this week. So Quentin Alexander, one of my favorites from the get go thanks to his interesting style and vocal talents, seemed to be fighting against the AI system when he got into a verbal match with Harry Connick Jr. It wasn't as bad as the producers claimed as Quentin merely said the thought of one of his close friends going home sucked, but they just wouldn't let it go. As history dictates, American Idol voters usually don't vote for contestants that speak back to the judges. They don't like what seem to be confrontational people. But the worst part of it all, is that the producers clearly wanted Quentin to go home and were bending the show this week in the others' favor.

After weeks of captivating performances, Quentin was unceremoniously sent home. That altercation recived more attention than anything else this season, and producers wanted to make sure Quentin got sent home before he got into the Top 5, and was allowed on AI's ever shrinking Summer Tour. From replaying the altercation clip, to repeating Rayvon's performance once it was assured he was in the bottom two, to showering praise on the other contestants despite major, major flubs, Quentin sang first in both #IdolSave performances rather than in alternating order like with Joey Cook last week, and Ryan even claimed Quentin said he "gave up" after Rayvon's final performance.

It was just all around ugly. Let's get to everyone else during an "Arena Anthems" week that only had a few songs that'd qualify.


Joey Cook performs on American Idol XIV on American Classics night

[American Idol-izer] Top 6 Perform

This was an intense week. At this point in the competition, stuff gets very complicated. Contestants start singing more than once, and now with the extra #IdolSave rule this year, they call it Top 7 night as they include the eliminated contestant's final performance. It was just a weird, weird night. Especially so for the poor eliminated finalist who now knows that they have to perform for the save about 45 minutes into the show. Then they have to drag themselves around for two whole performances in the hope that America likes them enough to vote on Twitter for them. For that reason, I can understand why we might need to use #SaveQuentin next week.

You see, right after Quentin Alexander found out he was the last person safe for the week, he had a sour face after his performance (which I'll get to in a bit). When Ryan asked him about it, Quentin said "This sucks. We have two of the best vocalists [in the bottom (Joey Cook and Rayvon Owen)]. My best friend [Joey Cook] is sitting there. This whole thing is wack. But I’m going to shut up right now." It was awkward, and totally what American Idol is made for. He's just an emotional kid, who's even officiating Cook's wedding, and he was sad more than angry over the show itself. It's obvious he knew someone has to go home every week. But Harry Connick Jr. was not having any of that.

Right before the commercial break, Connick blurted "Quentin, if it’s that wack, then you can always go home, because Idol is paying a lot of money to give you this experience. And for you to say that to this hand that’s feeding you, I think that’s highly disrespectful." Quentin, getting a chance to defend himself, approached the judges' table aggressively but politely noted "When I said that this was wack… it sucks to see two people that I’ve grown to love go home. That’s what I mean by it being wack. So I’m not disrespecting this competition… I’m glad I got to clarify it for you." Holy moley. Quentin's probably going home. AI has a track record of sending contestants that talk back to the judges home the next week.

And that set the tone for rest of the evening. This week's theme was the broad "American Classics" where the first song was supposedly chosen by America and the second all their own. It only got weirder from here.


Tyanna Jones performs on American Idol XIV

[American Idol-izer] Top 7 Perform

Man, I'm so sorry I wasn't here to cover last week for you all (I moved cross country). So much went down last week, and with so little space here, I can't cover it all. Daniel Seavey finally went home (he was bad, folks), Idol introduced a feature from its big competitor The Voice with the #IdolSave (sort of as an apology from using the save too early in the season, I guess), and Kelly Clarkson was all sorts of fabulous.

Now it looks like we're moving away from the theme weeks as this week is a general "Billboard Top 100 Hits" featuring Florida Georgia Line and Jason Derulo as guest mentors. The whole night was filled with single shilling performances, and it was the first time in a long while that felt like a current competition. For once, it felt like whoever wins this can actually survive on the radio. Unfortunately, that meant the mentor critiques weren't as strong as they were in past episodes. I know Florida Georgia Line is a big name right now, but after hearing what they had to say to the contestants I question their musicality entirely. Jason Derulo wasn't too bad though.

Also, Iggy Azalea and Jennifer Hudson performed for some reason. It was a totally sour way to bring Hudson back. I know she's not a winner, but she deserved better than this. Then again, at least she fared better than Ruben Studdard and Candice Glover last week. Yikes

Anyway, let's break down the Top 7.


Still from Nicki Minaj's Anaconda music video

Video Saved the Radio Star: How YouTube Pulled Off What MTV Couldn't

In 1981, MTV revealed their very first music video, the ironically titled "Video Killed the Radio Star" by The Buggles. In that single moment, the age of visual media exploded and radio began its decline into obsolescence. To this day, most of what you'll find playing on radio is the same recycled Top 40 hits over and over again. For an artist to gain any type of fame, it used to be that they'd have to work to get their single on the radio, and after a few weeks of play, get to have a music video on TV. Fortunately, that's not the way it works anymore.

With the rise of the Internet age, video sites like YouTube helped revolutionize the music video medium. While it may have damaged the music industry in terms of revenue, it's been pretty damn great for the rest of us. With every video wanting to become the next "viral" sensation, music videos are finally doing what they were intended to do and make us want to buy music again.


Jane the Virgin promo shot

Television Has Been Good to the Latino Community Lately

As cinema continues to struggle with Chicano representation, let alone portray the Spanish community in a non-stereotypical fashion, television has been quietly (and sometimes, not so quietly) making headway toward better treatment of its Latino characters. With more members of the community producing and writing for television, the wealth of fully fleshed out characters has been more noticeable than ever.

Not every show needs to be about Latinos, nor have a Spanish actor forced in a show outside their comfort zone just to make a point, I just want other forms of media to realize that we're here and ready to show off.

Promo still of ABC's Cristela

With non-traditional services like Netflix, Amazon, and Hulu taking more of the advertising money, traditional television is learning to capitalize on the increasing Latino demographic. With under 3% of English and Spanish speaking homes watching Spanish-only television, and the population's buying power totaling somewhere around $1 trillion, TV shows that cater to the demo are rewarded with high ratings and revenue. That doesn't mean pandering will work for the audience, however, so no show can be churned out for a quick buck just because. Take ABC's recent, and far less memorable Killer Women, for example. A reboot of the Argentinan novela Mujeres Asesinas, produced with Sofia Vergara (who once noted in an interview that she started getting roles once she dyed her hair brown and chased after traditional "Latina" characters like in Modern Family) among others, the show was an American set program starring Canadian actress Tricia Helfer. It basically removed all of the origin's Argentinian identity and that was enough to cause its demise. A public assimilation turned failed experiment was obviously the wrong direction.

That's why a show like Cristela, a middling sitcom full of Latino characters, can be one of the most popular comedy debuts last fall (second only to Black-ish, which further illustrates the need for a wider cultural umbrella) and can practically take over ABC. It's one of the few shows on the big three networks that's explicitly for the Latino audience. The only reason I don't rally behind it, however, is because the whole thing rings false. It's a particularly loud cry for attention, and an obvious pull for money. But not every successful Latino program of the last season was as loud as this. One show proved we can have both a Latino influenced program, with a strong multi-cultural voice, and be intelligently subdued about it to make it digestible for those outside the audience. There's no need to alienate our community further.

The CW, a network making fine strides toward delivering multi-faceted television with capable, "nerdier" programs like Arrow and The Flash, tapped into something great with Jane the Virgin. An incredibly personal, emotional, and cultural program, Virgin demonstrates how a show can both be a positive representation of its culture, without alienating viewers outside of it. It may be a slight parody of the Spanish telenovelas that inspire it (which also lets a new audience know how great the genre can be), but has yet to feel degrading or belittling within its current run of episodes. Gina Rodriguez, earning herself a Golden Globe in the process, has developed the titular Jane with a Latina background that doesn't make up the entirety of her characterization, unlike recent efforts like Fox's Gang Related. With the Latino community's evolution, as less Latinos are bilingual and more non-Latinos become invested in the growing population's culture, television networks are slowly learning that it's okay to cast Chicano actors and not have that be their only quality. We're done playing the "gang leader" or the "prostitute" or "drug kingpin." It's okay to give us boring roles too.

Disney's Princess Elena of Avalor

It must be weird for me to argue that I love Latino characters that aren't explicitly Latino, like maybe a guy named "Jeff" who just works in an office or something, but that's the current trend we South and Central American ethnicities are heading in. Jane the Virgin is just one big example, but TV shows are casting Latino actors in other shows and don't make a big deal out of it. Take Brennan Meija in Power Rangers Dino Charge, for instance. He's a Latino character (last name's Navarro), but that's not even remotely important to the heroics at hand. Or Disney's Sofia the First, which is Disney's first Spanish princess. Her distinct European looks make Disney pass her off as a more non-ethnic Princess, but that doesn't matter since we're soon getting a second effort with Princess Elena of Avalor getting her own show in 2016.

Disney revealing their Latina princesses through TV shows rather than cinema reflects the current attitude the majority of the community has. As cinema struggles to utilize and give us multi-ethnic heroes and villains, television is currently taking a progressive stance and gives the community more of a voice. Sure I'd like more non-white showrunners and network heads, but after all of these years of struggling to find strong Latino voices on TV I'll take what I can get it. Television has been good to my community lately, but I hope we're not just the flavor of the month.


David Hasselhoff performs an 80's Medley on American Idol XIV'

[American Idol-izer] Top 9 Perform

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Wow, American Idol. Just when I thought you couldn't be less cool, you go and prove me wrong. Proving just how out of touch you are you go and have David Hasslehoff "perform" at the open. Sure having Boy George as guest mentor for "80's Week" is damn cool, but this was just weird. It's not like the 80's are the height of nostalgia anymore. Any quick look through Buzzfeed shows you the Internet is in a 90's mindset, and for most of the kids on Idol right now, they have no idea what these songs are let along know who sang them.

But beyond the Hoff, and a surprise performance from Salt N' Pepa, tensions were high for the contestants. Now with the Save gone, two people were going home and the others were left to perform tired 80's songs. It wasn't a good place for anyone to be in. But, let's get through this together.

Let's see how the Top 9 hassled the Hoff.


Qaasim Middleton performs for the Judges' Save on American Idol XIV

[American Idol-izer] Top 10 Perform

Ah, Movie Week. It's American Idol at its corniest. While I wish the show would do away with theme weeks altogether for the sake of staying current (next week is 80's Week, so that's not happening anytime soon), sometimes we do get some startlingly great performances. This week was not one of those times. A week full of out of tune performances (I must be sounding like a broken record at this point), surprising voter turnouts, Kenny Loggins, Jennifer Lopez promoting her single for Dreamworks' Home with a laser light show dress, and two weeks in and the judges have already used their magical save.

I mean, really? Two weeks? This has happened once before with Casey Abrams back in Season 10, but that was a totally deserving choice. Here? I just can't accept it especially after seeing the hokiest, toneless performance I'd seen this season.

But first, here's everybody else.