Femdot Delivers on Delacreme 2
With the release of Femdot's project Delacreme 2, fans have the largest collection of songs from the young Chicago artist since 2017. Themes such as coming of age, the cost of achieving your goals, and finding yourself in the world are prevalent. "Learn Yourself" is literally spelled out by the track list.

The transitions are meticulously placed throughout the entire project. From the intro, "Lost" to the second track, "Exit" the abrupt change forces your attention. Fem prefers to allow the choir and beat to build up before rapping on songs such as, "Your Love". The space created by the airy vocals, in the first minute and half, creates a unique dynamic before delivering a hard hitting verse.
"Three semesters just from a new peace of paper that stated your educated and cant dedicate your time to a certain field in a craft in a certain way." This line from, "No Scholarships" depicts the DePaul graduates feeling towards music when his degree isn't related.
Check out the full project on all streaming services.
Chief Keef Drops Surprise EP Ottopsy
From his beef with Tekashi 6ix9ine to shots being fired at his hotel in New York, Chief Keef was all over the news last week. Apparently none of that was enough to phase Sosa, who released a surprise EP called Ottopsy at midnight last night. 2018 has been a busy year for Chief Keef, Ottopsy is his 5th release since March.
At only 5 songs long Ottopsy is a succinct project, but Keef shows his versatility with each track riding a different wave, from banger "Gang Gang" to the heavily autotuned "I Need More". Even though the news around Chief Keef has been filled with references to 6ix9ine the album doesn't address the beef between them. The EP only has one feature, coming from Chief Keef's cousin Tadoe on "Randomly".
Ottopsy is available on all streaming services.
[RH Interview] Jack Larsen
At 22 years old, Chicago’s Jack Larsen brings a loss of innocence to the table—creating a nostalgic sound through his alternative pop music. With a melodic songwriting ability, Larsen is able to capture wistful stories in his coming-of-age work. Growing up an hour away from Chicago, Larsen first began making his name on the scene by releasing songs that he made in his bedroom during high school. As an introverted music junkie, Larsen has used the internet to collaborate with other self-proclaimed bedroom artists across the country including Brockhampton’s own Kevin Abstract. We sat down with Jack to find out where his music comes from and where he’s trying to go with it.
rubyhornet: I know you’ve been asked this a ton of times but, how would you classify yourself?
Jack Larsen: That’s a question that I still don’t even know. I would definitely say like indie-pop, but there’s some future R&B just through the effects that I use are pretty futuristic or avant-garde, plus I draw from a lot of R&B influences, new-age as well as old.
rubyhornet: Any artists specifically?
Jack Larsen: On the R&B front? I love PARTYNEXTDOOR, his old shit. When I heard that I really wanted to sing because it was such a new sound that was so fucking good. I don’t know like the classic R&B stuff because I didn't grow up on it; I grew up in a different environment.
rubyhornet: What’d you grow up listening to?
Jack Larsen: My dad and mom would play a lot of Beatles, Crosby Stills and Nash… My first favorite song was "Our House" by Crosby Stills and Nash. And then when I first got my iPod, I was in 4th grade--that’s when I first got iTunes, and the first album I bought was 3 cheers by my chemical romance. I grew up on that emo/pop pop/punk. They were the queen of pop-punk, they were really bohemian, free-spirited and theatrical, so I loved My Chemical Romance. Even now, I still have a pop influence that stems back to them being pop in the punk game, like a darker pop. I feel like pop’s everywhere, so I would listen to them and then get into other music just through iTunes. I would explore iTunes for so many hours just finding people.
rubyhornet: You weren’t on limewire?
Jack Larsen: I wasn’t on limewire. My parents would track the computer so I couldn’t do any of that shit. Plus, I think I was a little too young for the limewire age, like to understand how to do it.
rubyhornet: So, you like making out. In your lyrics and videos it seems like making out is a pretty strong theme.
Jack Larsen: Obviously. Who doesn’t like making out? Also the intention was there because if I wanted to make a coming-of-age project, I had to think of stuff that related to coming of age experiences and I think making out is something that everyone when they’re younger is looking for their first make out. It’s definitely a young adult, teenager experience that helps you grow as a person you know?
rubyhornet: So, is that who the album is for, young adults?
Jack Larsen: I didn’t want it to be trapped to this young adult crowd because I want other people to listen to it as well. All of these songs were written at an age where they all made sense in my life so because I wrote it at like 19-20 years old--it’s probably going to attract people that age and I’m okay with that.

Photo by Sala Johnson
rubyhornet: I think maybe, with making out it’s interesting because it is a younger experience, but it also seems less aggressive, kind of more innocent. I think that you really balance between masculinity and affection throughout the album.
Jack Larsen: That’s just who I am, I’m a very feminine person. I don’t know, I’m not really a strong, in your face kind of guy, you know?
rubyhornet: Well, I don’t think it’s really feminine, it’s just don’t think it’s macho, it’s just a different kind of masculinity.
Jack Larsen: Exactly. That’s kind of why in these lyrics i’m kind of innocent, but with the art I want to look hard as hell. Just kind of scowl at the camera, because it kind of touches on that whole masculinity question, which is why in the art I want to come off as more masculine.
rubyhornet: It’s cool, it’s a redefinition of masculinity that’s happening as a larger social movement of questioning it, like with brockhampton for example.
Jack Larsen: Well that’s kind of why I am who I am, because of my relationship with them. Ever since I first met Kevin when I was 17, I was a senior in high school. Just being friends when him and then the rest of the group showed me a really interesting part of who you can be. I grew up in a very well-off suburb, lots of wealth in the community, and it was pretty much exclusively white. So you know, I didn’t grow up with a lot of diversity or other thoughts, it was very closed minded. So, I took to the internet and just started reaching out to people, then meeting all of them really opened up my mind, and I feel like I’ve definitely grown to see a lot of different parts of life and who you can be as a person.
rubyhornet: So you guys met on the internet? How did that happen?
Jack Larsen: My friend showed me a song, and so I DMed him (Kevin Abstract) saying, “I really like your stuff, if you ever want male vocals on a song I’d be down,” and then he sent me the track that went on his first album, 27, which I recorded to.
rubyhornet: So the internet is a big part of your presence and growth
Jack Larsen: Yeah. That goes back to me growing up in a town where sports are the main focus and art gets shoved aside. And I was kind of blinded to that;I played sports for so long and didn’t even touch art. But the internet was kind of my escape to new thoughts and new ideas, and it’s like my home now, you know? I love the internet.
rubyhornet: It’s easy to feel like an outsider on the internet though. It takes a sense of boldness to just message someone saying, “hey, I sing and I like what you’re doing. Maybe we can work together.”
Jack Larsen: Yeah... I don’t know if I would even do that today. I’ve had a few people follow me since Push-Ups that I really admire, and I haven’t messaged them yet because I kind of feel like, back then me and Ian we were bots so young that we were looking for anyone to work with but now we’re at an age where it’s like, “who’s this annoying person in my messages?” I guess I was more confident back then; the internet is very intimidating. I feel like social media has also changed since I first messaged Kevin years ago, it’s just a whole other world now. The internet was innocent.
rubyhornet: That’s also how you met Chris Hatam?
Jack Larsen: Yeah that’s how we met. I think he heard the song from Kevin’s album. That’s how I met a lot of people. We’ve just always clicked with what we wanted to make so he came up to Chicago for a week last summer, and that’s how we created the foundation for the EP. And then he left and I just recorded it in my dorm for the rest of the year.
rubyhornet: So it’s true bedroom-pop in that sense
Jack Larsen: Well yeah, Mike took what I made and beefed it up, but I recorded and did my mixing and all the effects in my bedroom. Then I finished up last November.
rubyhornet: Dream collaborations, if you could work with anybody who would it be?
Jack Larsen: I would say my idols, but I don’t even feel like I would make a good song with them right now. One artist I want to work with is Knox Fortune, probably because we have a similar indie-pop vibe and I like what his recordings sound like a lot, they’re really good. I dug his album. He does a lot of pitch shifting and I do a lot of pitch shifting, just modulating your voice and doing cool shit like that. I think we could make something really cool. That’s a realistic collaboration though, not really a dream. I don’t know, if I had Kanye call me up right now, man…
rubyhornet: Would you go?
Jack Larsen: I don’t know… I probably would, but dude…

Photo by Bridges
rubyhornet: What I really like is the honesty in your EP. I think the insecurity with relationships throughout it is really relatable. There’s a line specifically where you say, “stop looking under the bed,” that really struck a chord in me because it’s kind of childish but also very true and something that doesn’t really go away and not really something that goes away. Was that a goal of yours to talk about insecurity?
Jack Larsen: Oh yeah, on “Break” in particular. I was really inspired by Sufjan Stevens’ Carrie & Lowell--it’s one of my favorite albums of all time. He’s just super blunt with his lyrics. I was like alright, I need to make a song where I’m just super blunt and upfront about my childhood and growing up in general. The song took three months to write because I wanted to be really specific with all the lyrics to make sure it told a story. I was making the video at the same time, even before the song was finished, just shooting my life because I knew it would match the song in my head. So yeah, lines like, “stop looking under your bed,” or, “hand me a t-shirt, I know you have one at the foot of your bed,” are specific lyrics that resonated with childhood or growing up. All of that was purposefully written about growing up.
rubyhornet: It’s cool because the way that that video is shot is so vintage.
Jack Larsen: Yeah I bought a super 8 camera and film, then shot it and sent it to California. The other part was just handycam, digital 8, and then I mixed both together.
rubyhornet: wow that’s really cool. And it’s works with the idea of bringing childhood experiences into modernity and addressing how it’s still there underneath everything else. Even if you’re all bad ass and tattooed and running around being a punk there’s still a sense that you’re a kid and looking under your bed.
Jack Larsen: that’s just me.
rubyhornet: Who are you production influences?
Jack Larsen: Jai Paul, he’s been reclusive. He’s this British pop-artist who is Indian, so he has all these Indian influences in his music and he got signed to XL. There was this whole controversy about his album getting leaked on Bandcamp in 2012, and ever since then, he’s been gone. But he’s one of my biggest influences. I would say Frank [Ocean] is always going to be inspiring. And Sufjan Stevens; I think it’s because we both have soft voices I really resonate with him too. I’ve always wanted to belt, but I can’t be that singer. I’ve had to accept the fact that my voice is warm and soft, and I have to build around that.
rubyhornet: What color is your music?
Jack Larsen: Color? I would say a blue-ish green, kind of like the album cover. Also, the posters that are up now--the gold and pastel blue--those are really cool colors that I think reflect the music well.
rubyhornet: Tell me about the “Break” video.
Jack Larsen: That was just me and my girlfriend. If I wasn’t in the clip, I was shooting, if she wasn’t in the clip, she was shooting. Until the very last scene, we had one extra person help, Daniel Ruiz, who helped with the car scene where I was in the road, and he helped with the scenes where I was lip-syncing in the magnifying glasses. So, he came in at the end, but in the beginning, it was just me and my girlfriend. I put all the clips together, like I learned Final Cut and kind of learned as I made it. I had it in my head for sure. I knew I wanted to do a montage because that’s how you do coming-of-age, you know? Show your life. So I knew I wanted to do that, but there were elements that came later on like the magnifying glasses. I thought they would look cool for the cover, and then we put them in the video too.
rubyhornet: Fashion is something that is obviously important to you. What’s your approach when it comes to your style?
Jack Larsen: I just follow people if I like how they look. I take ideas from different people and put it on myself, just like art in general. You kind of copy in your own ways and make it your own. I’ll just look every day at what’s new and follow people on Instagram that I like. But I like to study brands a lot so I look at people who design the clothes to get inspiration for what to wear. I didn’t really get into that until later in my life, like 4 years ago. Before that, I had no clue about anything with clothes.
rubyhornet: Is there anything else that you want to say?
Jack Larsen: “Push-Ups” is out now. I feel like it’s a good introductory album. Up next, I’m working on new music. My friend from Canada came, and we were working on a lot. Chris just moved to Chicago, so we’re gonna get a ton of music done. And I’m working on my live show. You’re gonna see a lot more of me.
[RH Interview] ADot
I had the pleasure of sitting down with ADot yesterday while he was back in town from LA. For those of you who are not familiar, ADot is a Chicago born rapper with a few short projects out. He is well known for his hazy instrumentals and deep smooth vocals. Check out a few questions below I pulled from our Interview!

rubyhornet: Pusha T or Drake?
ADot: Drake, everyone listens to Drake. As soon as he puts out new material, everyone who’s hating on him now, will be back listening to him. Drake is winning regardless.
rubyhornet: Thoughts on the new Ye Album?
ADot: I like the last song, "Violent Crimes." I listened to it coming back from LA, but Kanye really lost me with all that Trump shit.
rubyhornet: What should our readers know about ADot?
ADot: I’m not a clout chaser. I would rather move like a ghost than be in the headlines. I make music, but I don’t really care about all that other shit.
rubyhornet: Where does your name come from?
ADot: I used to play a lot of Gears of War in high school, where I was in a group called Ace League. KDot was also popping at the time. My name is Armani, so all of those factors combined led to my name.

rubyhornet: Tell us about your tattoos.
ADot: I have the moon on my finger and face. Usually I write and record my music at night. My old room had a nice view of the moon, and something about it is aesthetically pleasing to me. I also had trouble sleeping a lot. The playboy bunny tattoo, I also have on my face, is because they're one of my favorite logos. I used to buy so much Supreme and they always collaborated.
rubyhornet: Relationship with Lyrical Lemonade?
ADot: I shot a video with Cole Bennett in 2013/2014. It was one of his first videos. Lil Jake hosted a few of my tracks. All of those guys are cool as hell. They look out for the people they started working with in the beginning. I recently did a shoot for them where I got the Lyrical Lemonade hoodie I’m wearing now.
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rubyhornet: Where does the Mac Demarco influence come from?
ADot: "Another One" is one my favorite songs by him. The synths sound like I’m playing a spacey arcade video game. I play a lot of videos games. I like being alone a lot, or with my girlfriend. Being around people all the time is draining.
rubyhornet: Favorite video games?
ADot: Fortnite, Bloodborne, Final Fantasy XV, Kingdom Hearts, and a lot of RPGS. MW2 will always be the best Call of Duty, but the newer Call of Duties are kind of trash now.
rubyhornet: Who’s in your playlist right now?
ADot: Gunna, Young Thug, Juice WLRD, Lucki, and then my homies Lerado, Freako, Kush, and myself.
rubyhornet: What should fans be on the lookout for?
ADot: A lot of videos. The "Heartattack" video for sure. Along with experimenting with new sounds.
Akenya Shares New Track "Decay"
For years Akenya has been the secret ingredient that has added jazz-fueled soulful vocals on some of Chicago's hottest artists songs. She went on tour with Noname last year and has recorded with Saba, Smino, Elton and more. She just released her first track as a solo artist in two years. Check it out.
Ajani Jones Takes Another Step Forward with "Bloom" Video
"Spitting at these open mics, I was killing."
Ajani Jones is special. I'm not even going to front like I am not invested in his career, like I didn't discover his music through my AEMMP Hip Hop Class, like I didn't connect with Ajani on a personal level, and like I didn't sign him to Closed Sessions. We're not idiots, and the handful millions of you reading this are not stupid. So that's out of the way...
Last night, as the music industry was in Wyoming or watching the playoffs, Ajani Jones released his new video for "Bloom", a beautiful track off his recently released EP, Cocoons. As Ajani says in the second verse, "I spit it for the people that's on EBT". That message is at the heart of "Bloom", a track that is about keeping your head up, and waiting for the time when everything pays off. Ajani is certainly ready for that time, and Strpmall did an excellent job of bringing this record to life visually, packing Ajani's theme of self-discovery into this video.
I'm out of words... Watch this clip below.
https://www.youtube.com/watch?v=FAHGsP7FqQY
Kanye West's New LP Is Set In This Moment, And All The Moments Come Before It
"It was all part of the story, even the scary parts."
Last night, Kanye West flew a lot of people out to Wyoming and live streamed his new album, aptly titled, Ye. We already knew the LP would be seven songs (the God number), and that it was the second in a full line of new releases from the G.O.O.D. Music roster. There was a lot of skepticism heading into this album, much of it centered on if this album would truly appear on time. I think that Pusha-T's LP arrival last week set aside some of the doubts on the Kanye's album hitting properly on June 1st. But alas, following Mike Dean's promise of defecation everywhere, Kanye hit play, streamed his LP and now it is on streaming services everywhere.
Admittedly, I'm only on my second listen to the LP, probably too early to make a real judgment or in-depth review. One thing I know, The LP is set in the present and will stand as a capsule of what will be remembered as an odd and significant year for Kanye West. "I got dirt on my name, I got white on my beard, I had debt on my books, it's been a shaky ass year", he raps on "No Mistakes". Self-titled LPs are personal and exploratory by default. On Ye, Kanye embraces his impulsiveness and continues a theme brought up in his interview with Charlamagne The God that he feels his mental breakdown was in fact a "break through". He raps on "Wouldn't Leave", "I used the same attitude that done got us here, I live for now, I don't know what happened after here."
I think that's a good line to symbolize a lot of the album, and Kanye's career. He's built a huge fan base and influence off voicing his opinion. When that opinion matches his fans and what we think, he has tremendous success. When it goes against common ideas, he suffers huge setbacks and is abandoned. That is another theme running throughout the album as he talks about former friends, and others that have written him off - also something that can be found as early as College Dropout. It's clear that no matter how high Kanye ascends, he still sees himself as the underdog, still struggling to get out his ideas, "Thinking like George Jetson, but sounding like George Jefferson."
Through it all, Kanye is still game for it. "No Mistake" uses a Slick Rick sample to illustrate that point - "tell all my dogs that been down, we're back up again." I woke up and scanned through the Twitter Moments (I kind of just threw up in my mouth writing that), someone wrote that this LP sounds like much of his back catalog all fused together, and I can see that a little bit. "No Mistakes" and "Wouldn't Leave" sound a lot like "the old Kanye", that many fans yearn for. "Yikes" draws parallels to MBDTF a little bit and also enforces that theme that he accepts the good and the bad of himself and this journey, and I think this album is somewhat telling the public that they must accept all the parts as well. But to me, Ye is a new work meant to be evaluated in the now, in the time since Kanye "turned TMZ to Smack DVD". Much of the project is reflective, he speaks a bit on recent events, his growth on how he perceives and interacts with women, and his struggles with mental health that kick off the LP on "I Thought About Killing You".
I'd be remiss if I didn't mention how everything that's happened outside of the music influences how I started listening to this album. I still don't know what to make of the last few months and seeing Kanye in that MAGA hat. That shit hurt, for sure. But there's part of me that is still a fan of Kanye's music and wants this album to be excellent, and to really speak on things. There's a surface level commentary on recent events, but Kanye does not give us any "aha moment" or at least it not presented clearly and easily where all of his actions are now clear. Perhaps he is still working through that. Perhaps he wants us to work harder to understand. Perhaps it's just not coming. There's a lot to go through in only seven songs, and if you've been a Kanye fan since the early days like I have, this one will take multiple listens to process.
You can start that process below.
Mamby On The Beach Preview
Summer in Chicago means one thing, it's festival season. Mamby On The Beach is arguably the festival that embraces the season the most, with attendees partying all day on the beach with their favorite artists. There's a good mix of local and national talent on the bill this year and here's who we're excited for.
Saturday
Common
Sunday
Mamby On The Beach, happening June 23 and 24, 2018 at Oakwood Beach.








