Post-apocalyptic media is growing a bit long in the tooth. Granted, I’ll still show excitement over any film that hones in on the sci-fi element of a world devastated by some unknown disaster, but changes and alterations to the formula are much needed. When I read Z for Zachariah featured a love triangle set in the South following some untold incident, I was hooked. The minimal cast featuring 2013’s break-out actress Margot Robbie, Chris Pine, and Chiwetel Ejiofor didn’t help with my excitement.

[youtube id=”a_Kay2ldHEY”]

Z for Zachariah
Director: Craig Zobel
Rating: N/A
Release Date: January 24, 2015 (Sundance)

Robbie stars as Ann, a Southern Christian woman who is left alone to fend for herself after her family left to find survivors, but never came back. During one of her scavenges, she comes across John (Ejiofor) bathing in a waterfall poisoned with radiation. Ann is able to rescue John and nurse him back to health, and the two understandably are drawn to one another. Just as the sexual tension is about to come to a head, they are approached by a mysterious man, Caleb (Pine), who threatens the serenity between John and Ann. Whereas John is an atheist, both Caleb and Ann share the same religious beliefs, and emotions are thrown out of sync as both men attempt to balance their respective attraction to Ann with their duties for survival.

With the film kept to three primary actors, each are given ample opportunities to shine. However, and not as a knock against Ejiofor and Pine, but Robbie shines in her performance, building upon her stunning performance in the aforementioned The Wolf of Wall Street. Robbie was able to deftly balance a complex array of emotions that define her Ann with equal parts innocence, strength, and desire for finding love. Ejiofor’s John also balances a sense of security and protection towards Ann while slowly revealing a dark and violent side, while Pine’s Caleb is surrounded by mystery that leaves audiences with a feeling of skepticism over his true intentions.

Z for Zachariah’s strengths are in its cast’s performances, yet it leaves you wanting more. My gut reaction following my screening of the film, outside of tremendous praise for Robbie’s performance, was that it would find acclaim through festival circuits, but wouldn’t attract much mainstream attention outside of Robbie’s involvement. However, as I’ve written this review, I found myself enjoying the film more than I initially did. In saying that, Z for Zachariah may be one of those films that will grow on you as more time passes. If you’re expecting instant gratification, you’ll ultimately be let down.