Zmoney by Bryan Lamb

[Video] RH First Look: ZMoney

The temperature continued to drop, hitting seven degrees as my photographer, Bryan Lamb and myself pulled up to Emma's, a restaurant on the west side of Chicago. As we drove west from the heart of the loop of Chicago down Route 64, the landscape began to change. Amongst a neighborhood with more storefronts closed or shuttered than not, Emma's is a bright light, with it's freshly-painted windows and well-kept exterior, a hand-written sign braving the bitter cold to announce the day's special of catfish. Walking in we were warmly greeted, with unexpected laughter erupting when we announced who we were there to see. "They here to talk to Z Money!" his aunt shouted in somewhat disbelief from behind the counter. It's hard to blame her, too.

The first thing I remember about Z Money is how frustrating it was to find a photo of him this summer when trying to post his music. Employing a homegrown marketing scheme, the west side artist, who only started rapping something like a year and a half ago and his team decided to drop two mixtapes, Heroin Musik & Rich B4 Rap side by side on the same day. The release and the songs it contained made Complex Magazine's David Drake take notice, quickly branding Z Money as an artist to know by including him on their list of "25 Artists to Watch Out For". No on had heard of him before that, he hadn't done an interview, few had seen his face; Z Money was largely a mystery.

To solve some of that mystery, Lamb and myself now found ourselves in front of two steaming plates of shrimp n' grits, the special at Emma's. The restaurant is owned and operated by Z Money and from what we could tell, staffed as well by family members. Named after his Grandma, the cozy spot serves soul food with a smile and some home made Kool-aid. You don't hear about a lot of 20-year-old aspiring rap artists who own their own company, let alone a restaurant. But, contrary to much of his lyrical content, Z Money is out to better those around him as his name continues to grow. Thanks to the folks at Vice, much of the country now in one way or another refers to Chicago as "Chiraq", a 'clever' marketing scheme to sell individual's realities as a product. Talking to Z, one can feel his passion for showing a different route, his penchant for being a role model and his hunger to continue to climb. There is talk of upping the game and releasing a trio of mixtapes later this year. For now, though, this young Chicagoan is reveling in life and preparing himself to be the next big thing from a city that has steadily produced some of the top up and coming artists in hip-hop over the past couple of years. Check out the full conversation I had with Z Money, below.

 


[Mixtape] Sulaiman: "Hook Line & Thinker"

Sulaiman is back with a fresh new tape to help his friends and family back in the midwest brave through (hopefully) the last few terrible months of winter. A few months back I found myself sitting and talking to Suli, discussing the new rise of the scene in Chicago, the jump-off of artists like Vic Mensa and Chance The Rapper and what it all means. Sulaiman stressed the thought process of artists coming from Chicago, the need to keep the talent flowing to make it a scene that rivals the coasts at the end of the say. The Treated Crew member has been in and out of the foreground of hip-hop, always a thinker and a lyricist. With that in mind, Hook Line and Thinker may just be one of the most appropriate album title in recent memory, certainly making more sense than Rick Ross's Mastermind. 

Produced by Doc Da MindBenda and featuring Dally Auston, Gzus Piece and Keenan Coke, the seven-song Hook Line and Thinker is a boom-bap-ish lyrical playground, with Sulaiman going off for bars. It's a refreshing project that will certainly make people once again take notice of Sulaiman. Check out the latest from Chicago, available for stream/download below.


Psalm One's

[Album] Psalm One: "Hug Life"

With all the talk of the violence in Chicago and 'Chiraq' this and that being hawked by out-of-towners on the daily, mucking up the Second City's image for personal gain, it can be easy to forget that there is still plenty of positivity in the city's streets. Chicago's first lady of hip-hop, Psalm One is out to challenge that dubious status quo with her latest project, Hug Life. A play on Tupac's seminal phrase all the way down to the "Hug Life" torso tat on the album artwork, the title is a juxtaposition of nuanced meaning that perfectly accents the message Psalm puts forth on her latest, perhaps most complete project to date.

Released via iTunes under Psalm's alter-ego Hologram Kizzie, the project is an examination of love, lust and the things that come from both. In a story for the Chicago Sun Times, Psalm characterized her different monikers and the roles they occupy as such: "Kizzie is a little — a lot — less inhibited than Psalm One,” the rapper detailed, pointing out that while her biblically derived handle is well suited to her all-ages content and humanitarian endeavors, being Hologram Kizzie “gives me a lot more freedom.” The project includes a who's who of Midwest up and comers and bedrocks alike, including the likes of ProbCause, Tanya Morgan, The Hood Internet, Young Josh of Flosstradamus and Lazerbeak and PO$ from DoomTree, among others. Hanging out at a West Town loft last weekend listening to the project, we listened through several times without noticing it had started from the top again, a true testament to a full-fleshed out project that hits the proper chords from start to finish. Check out Hug Life streaming below and pick up the full project over at iTunes!


[Video] Skrillex Unveils Chance The Rapper Collaboration

[Video] Skrillex Unveils Chance The Rapper Collaboration

Chance The Rapper took over the hip-hop world last year on the strength of his Acid Raps, and since the new year turned last month, it appears Chano isn't satisfied with handling just the rap side of things. After teaming up with Justin Bieber for "Confident", the Chicago MC has been rumored to be working with Skrillex in the studio quite a bit as of late, with the gossip being spread on the Internet with regular updates. Last night, in New York City at The Brooklyn Bowl, Skrillex decided to unveil his collaboration with Chance amidst a string of BK shows that have many calling his time out East a 'Skrillex takeover'. The track isn't like the EDM superstar's past connections with rappers, most notably 2012's "Wild For The Night" which was essentially a Srillex song with A$AP Rocky rapping over it. Here, we have something with distinctly juke elements that feature Chance sing-song rapping his way through the track. With Pop and Hip-hop seemingly on lock, Chance very well may be getting his EDM playlist in check, with a recently-announced set at Ultra Miami on deck. Check out the latest from Chance and Skrillex in this less-than-stellar video below.

[youtube id="BzZNoVJbGlM"]


The College Dropout 10 Years Later

When The College Dropout dropped, I was 13 years old and in 8th grade. Living in the suburbs at the time, there wasn't a lot for a young hip-hop head to really connect with. Ja Rule was rapping about the "thug life" with Ashanti and Irv Gotti, Ludacris was shouting for folks to "Get Back", T.I. had just hit the scene rapping about twenty-four inch rims and selling copious amount of drugs to make the dream work. Outside of Eminem, who at this point had entered the goofy days of Encore, there was little for me to relate to, and hip-hop began to feel out of touch. Rap had always been from the streets, but often had poetic sensibilities, easily interpreted by a cross-section of communities. We were in the midst of ringtone rap, until Kanye came along. Rap albums weren't considered among works of art in a larger spectrum, T.I.'s breakthrough album, Urban Legend was given a two out of five stars by Rolling Stone. Hip-hop had hit critical mass, it had jumped the shark, the Ying Yang Twins were serious players. I personally hadn't heard anything like "Slow Jamz" or "Through The Wire" in a long time. It was a hark back to the music my parents played growing up: a mix of soul and funk, all rolled together in Ye's signature sample chops. I remember watching MTV for hours in the days before YouTube to catch that collage video that was so Chicago, yet so different. I remember explaining Kanye to my Mom ('well he's a rapper, but he wears a backpack and talks about Chicago') I bought a hard copy of The College Dropout. There is a whole generation brewing right now that will never do that. I subsequently bought every Kanye album in hard copy until My Dark Twisted Fantasy. Kanye brought me back to hip-hop with The College Dropout, and likely shaped much of what I did after hearing it. It was the culmination of a sound that had been crafted by the likes of No I.D. and J Dilla, but which West was able to succinctly package together in one seminal piece of art. Chance The Rapper points a heavy finger Ye's way when influences come up, and he perhaps describes the feeling The College Dropout still evokes today with a line from his song "Tweakin" with Vic Mensa: "Bumpin' Kanye like it just came out". 10 year later, it's still good to that last clink of glass on "Last Call".

Statement from Kanye West on The College Dropout turning 10:

“Ten years ago today we finally released what had been my life’s work up to that point: The College Dropout.

I say “finally” because it was a long road, a constant struggle, and a true labor of love to not only convince my peers and the public that I could be an artist, but to actually get that art out for the world to hear.

I am extremely grateful to each and every person along that road who helped, lent an ear, lent their voice, gave of their heart to that project, and to all the projects that followed, and are to come.

I am honored and humbled by my fans, for the unwavering support and love over the past ten years. I wake up every day trying to give something back to you that you can rock to and be proud of.

Ten years later I am still the same kid from Chicago, still dreaming out loud, still banging on the door. The doors may be heavier, but I promise you WE WILL BREAK THEM.”


[Mixtape] ABGOHARD & Slater: "Rich Yung Pimp"

Lately, we have been hearing a lot of good coming out of the New York City collective "Inner City Kids" (ICK), and just before the weekend the world got the latest from the group's newest MC in ABGOHARD, who teamed up with Slater for a fresh new project in Rich Yung Pimp. The project is an interesting play between a pair of talented up and coming artists on the rise in a burgeoning east coast/New York City scene. Featuring production from the likes of Suicideyear, $1 Bin, Marlee B, Ryan Hemsworth, Rich Yung Pimps is as eclectic as it's title is stereotypical. The pair of artists are at the forefront of the next wave of New York City hip-hop that has emanated from what many have called a renaissance in the NYC scene. The project is boom-bap-ish, with more developed sensibilities, taking a step forward while keeping another firmly rooted in the sounds that curated the scene on the right side of the country in generations before them. It's a rap project, with both Slater and ABGOHARD handling crafty rhyme schemes with ease while ruminating over the ins and outs of the world around their heads. Check out the latest from ABGOHARD and Slater, Rich Yung Pimp, available for stream/download below.


[RH Interview] Rapsody

Rapsody

 

Three years ago, while a junior in the Journalism school at the University of Iowa, I hooked my first artist interview for a small blog I had established for a class. The artist’s name was Rapsody, then a new signee to super-producer 9th Wonder’s then-new imprint, JAMLA. At the time, she was full submerged in 9th's "rap boot camp" as she described it then, spending endless hours in the studio honing her craft with notes from him and the rest of the JAMLA team, who earlier this week released the collaborative JAMLA Is The Squad.

Three years later, the foundation she built through those long hours of study and practice have molded her into one of the craftiest lyricists in hip-hop today. Where she was the student then, she is now looked to by younger artists for inspiration and guidance, something she never could have imagined back then. Six projects have spanned the time since I last sat down to talk to Rapsody and each one has shown a calculated growth in everything from her delivery to her cadence. In a world where artists can go from no one to the front of a magazine seemingly overnight, the North Carolina native is a bit of a throwback to a time when the art was more important than Youtube views and Twitter followers. I ran into her last month at a JAMLA event celebrating the addition of Chicago artist Add-2 and caught up over the phone recently to discuss the what the past few years have been like since we last sat down for a Q+A. Check out our full conversation below.


Grading The 2014 Grammy Winners

Pharrell Williams, Daft Punk, Nile Rodgers

So, back in December, around the time the Grammy nominations were officially announced, I wrote a post titled "Grading The Grammys" where I gave my two cents on what I thought of the nominees, who I thought should win and who I thought actually would win. The music industry equivalent to filling out an NCAA tournament bracket in March, I watched yesterday as my picks were scuttled fairly quickly. Using the mentality that it is better to recognize many rather than few and spread an award rather than smother one artist with them, my choices for Grammy winners was a bit different from what actually went down last night in LA. Read on to see who I thought would win, who actually did and how that makes me feel, here below.

Record of The Year

Nominees:

- "Get Lucky" - Daft Punk & Pharrell Williams

- "Radioactive" - Imagine Dragons

- "Royals" - Lorde

- "Locked Out Of Heaven" - Bruno Mars

- "Blurred Lines" - Robin Thicke Featuring T.I. & Pharrell

Actual Winner: "Get Lucky" - Daft Punk & Pharrell Williams

My Prediction: “Royals” – Lorde

Breakdown: I read somewhere in the lead up to this year's Grammys that the award show could very quickly devolve into a sort of Lifetime Achievement Award for Daft Punk, who did have arguably the song of the year in "Get Lucky" which seemed to be on an endless loop throughout the Summer. "Royals" certainly had its own run, but looking back it was somewhat ridiculous to think she could overtake Daft Punk.