Foxy Brown "Ill Na Na" Album Anniversary
One of the most heated, vicious and real rivalries in hip-hop was set to begin with winter just around the corner. The date is November 19, 1996, and Foxy Brown was about to drop her debut album, Ill Na Na.
So, why does the rivalry start here?
Because this album releases 7 days after Lil Kim’s debut album, Hardcore.The Kim vs. Foxy rivalry is layered. Here we have two women from Brooklyn, both with sex driven, gangsta lyrics who are trying to be number one in the rap game, much like the men they created their music with, Biggie, Jay Z and Nas. There is even some debate over “Who did you hear first?” We’ll dig into that all at a different time. Right now it’s time to focus on the Big Bad Mamma and her NaNa
What we can’t do is gloss over the fact that in 1996 Foxy Brown helped birth what I like to call “the feature run” before her debut album had even came out. Spring/Summer 96 Foxy had 2 hit singles out. One with Case ["Touch Me, Tease Me"]and one with Jay Z ["Ain’t No"] and she was seen as the star on those tracks. Then she had a strong close out verse on the Nas posse cut, “Affirmative Action”. People may talk about how the math is wrong now, but in 1996 until about 99, I was actually hearing people refer to that verse as being iconic.
I remember it first clicking that “Ill Na Na” was slang for “good p*ssy” and I nearly blew a gasket! My exact words were: If a woman is calling her album “Good Pu$$y, then I've got to listen!” And listen I did. Did it have the same affect on me as Kim’s Hardcore? No. Foxy’s album was more gangsta than raunchy. She struck me as a girl that might sell dope or rob a dude and come home to her man and make him eat her "ill na na". It was intriguing but not really that sexy to me.
When this album first comes on, it’s virtually a Def Jam promo commercial. They promote CRU “The Dirty 30” and Cormega “The Executive”. Totally confusing to me. Moreover, based on what I was expecting, the actual intro “Chicken Coop” wasn’t really an exciting build up.
Then Foxy gets right to the bars. No surprise that it felt as if Nas' little sister was rapping on “Letter To The Firm”. As the album goes on she continues to rap her a** off. How could she not pay homage to LL Cool J and working and writing with Havoc of Mobb Deep and with a guy by the name of Shawn Carter aka Jay Z? In Fact, Jay helps write the bulk of this album. Does Foxy do some of her own writing? Yes. Does she sound like the female Nas when she’s not sounding like the female Jay Z? Yes. However, it works a lot better than many would think.
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Fact: Ill Na Na did better than Reasonable Doubt and they were both written in the same year. Foxy Brown was in higher demand than Jay and from a mainstream perspective, Jay gave Foxy the Lob for his first single and it worked better for her, in the short term.
More Facts: Since this album, Jay hasn’t quite captured the same level of success with another female rapper.
Foxy had two hits with “Get Me Home” and “I’ll Be” on this album. The title track with Method Man should have gotten a bigger push and the tracks around the the singles are displays of great rhyming that many couldn’t rival verse for verse.
I won’t throw this album in the realm of “classic”, but you can’t deny that the Na Na was indeed pretty Ill. Foxy Brown had one of the best breakout years for any artist in rap period. 1996 alone is why her name is still noteworthy till this day.
Salute to Foxy Brown and her notable debut album.
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Check out another Ruby Hornet/Cam Quotes Album Anniversary here.
Is Nicki Minaj Really 'The Queen' of Hip-Hop?
Let's face it, Nicki Minaj has never been one to shy from controversy or public discourse. She's sexual, abrasive, and at times, down right raunchy, but now that Lil' Kim is pregnant, the public is in need of the next "super femcee". In much the same way that the public is regularly appeased by the rolling out of one addition to our daily lives that make things "diverse" (think Howard Cain's candidacy, the new 'hispanic' Bachelor, Wes Welker at receiver) that are placed there to end the 'controversy' of their absence. In short, if we have one person/thing that's different, we've covered our bases. It's this line of thinking that has vaulted Nicki Minaj to the forefront of females in hip-hop and has raised plenty of talking points on whether she deserves it.
Just before the weekend, Minaj returned from relative silence to drop the song and accompanying visual for "Lookin Ass N**ga." It's a powerful lyrical undertaking that calls to mind her ruthless verse on 2010's "Monster." It's a riveting, bone shaking verse that make plenty of statements and conjectures for the game to take note of, but does it really make Nicki deserving of the 'top female title'? And is she the best image to portray?
Before we get carried away, let's back up. It's an age-old tale in hip hop that anyone without a Y chromosome is placed into a separate category called "female rappers". From there, it splits into two distinctly different camps. For sake of the argument, let's call them the Lauryn and Kim camps, the former being Ms. Hill and the latter, Lil' Kim of Bad Boy fame. Female artists, much more than their male counterparts, are subject to fitting into one of two stereotypes: artistic or ratchet. Either you have the ass to go with the shaky bars and the money that comes with it, or you focus on the craft and sacrifice the fame and money. Female artists have always been highly marketed in hip-hop as sex objects, Lil Kim thrust her pelvis at more front rows than many working girls in attempts to sell records and Nicki Minaj is shrouded by rumors of drastic plastic surgery to achieve that continent-sized backside. But what about the artistry? Sure, Nicki has tremendous skill, that is exemplified in the "Lookin' Ass N**ga" video and beyond, but would she have the same impact, would she be referred to as the best female rapper, if she didn't have the assets?
Artists like Rapsody, Rah Digga, Angel Haze and Jean Grae represent several generations of female artists brave enough to not exploit their femininity for a superficial commercial success. Nicki Minaj is widely regarded as the best female MC in the game, regardless of the fact that her last label project was 2012's Roman Reloaded which, despite debuting at No. 1 thanks to the Cash Money push, was described by Randall Roberts of the LA Times as a "disjointed, artistically confused" album. As much as I can appreciate the skill with which Nicki addresses how people approach her, but how much can she really complain about people looking at her ass when she promotes it more than a Thursday night NBC sitcom? Anyway, my point is, Nicki can do her thing for sure, but I'd rather see someone else get the spotlight for once.
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