Anna Agosta Unleashes Her "Greenhouse" EP
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Anna Agosta is one of the Chicago music scenes next big R&B/Soul acts. She wields a powerful but sultry voice along with deceptively clever songwriting to create a deeply personal project in "Greenhouse". The quality production and raw talent cannot be ignored.
The harmonies on the lead song "Surrender" rope the listener in and the beat drop instantly gives one the feeling of a new journeys beginning. The next track "Lucky" features warm guitar and live drums while showcasing a raw sound in the percussion. Anna balances all of her problems within the scope of understanding that she's "lucky to be breathing and thinking about these things". A noble message to say the least. Her lead single "Never Fall" gets a facelift production wise, while maintaining the songs calm, mature essence. "Unforeseen Fate" is a stripped down barebones ballad that touches the soul. Anna slows it down, incorporating a beautiful guitar interlude and breakdown in the production halfway through. The arrangement moves with conviction, much like someone moving on to another chapter in their life. She closes out the album with "Reaching", leading off with a tasteful touch of electric guitar. Reminiscing on the moments in her life that have led her to this place.
"reaching, reaching onward
reaching through,
windows of reflections I will use,
oh you tell me, thank you for allowing me to move".
Why shouldn't Chrisette Michele perform at Inauguration 2017?
The mild news hitting the wire this past week is that of Chrisette Michele performing at President-Elect Donald Trump's Inauguration, on January 20, 2017.
Although the "woke" thing to do right now is to mount up for a "witch hunt" and point out the "cooning and buffoning" within the black delegation; I would like everyone to back away slowly, and respect Chrisette Michele's decision to perform at Trump's Inauguration.
The funny, yet sad thing about this announcement is that Chrisette didn't have enough "die hard fans" to spark consistent viral outrage for 48 hours. People want to criticize, but they don't want to support. They also don't necessarily have a better alternative for her and her career. This reason alone is exactly why she should do the inauguration. Sure, she is popular, has had success, and she does tour and make great music. Still, for one reason or another it's not reaching the masses at the rate I'm willing to bet her label nor her team desire.
For the last decade, Chrisette has been on Def Jam. A staple that has done nothing but support and shed light on some of the greatest artist ever in the world of hip-hop and R&B. She's put out 5 albums in that span of time and, I know for sure, some know her solely as "the woman on Aston Martin Music". That's not a good thing. She was also on Jay-Z's "Lost One".
A very serious reality is that we are in what is deemed the "microwave popcorn era" of music where hit songs become "old news" within 3 weeks. The only thing that has stuck in the last calendar year is the love or hate for Donald Trump. With that said, why wouldn't a talented artist on a historic label, with no gold or platinum albums or solo number 1 singles in 10 years perform at one of the biggest moments of 2017?
This may be the moment that truly exposes Chrisette Michele's music to an audience that never heard of her. A paying audience just might say "that woman is really good". She'll certainly get more shows at a better rate to provide for her artistry and family. I remember when Chrisette was one of the first faces of "neo soul". You know, that genre that black folks left behind once Erykah Badu took a break and Chris Brown and Trey Songz became horny young men.
I see no bad in this move for her, and I don't hate people for supporting Donald Trump. I am not hurt when people of color want to talk to him. Now I will add, I am not going to be upset at an under-appreciated artist seizing a moment. This particular moment in time will be historic whether people like the move or not. It's easy to say "it shouldn't be about the money" or "all business isn't good business". That is, of course, when you're not a professional recording artist. Relax. It's a performance. Not an endorsement or an advocation of anything Trump does or says. Did we do Michael Jackson this way when he met with Reagan?
To Chrisette Michele. Although you don't need my validation to make a business decision; I respect your decision as both a human being and an artist. I want you to do great and hope the upcoming moment leads you to a prosperous 2017.
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[RH Photos] Erykah Badu Headlines Taste of Chicago
Photos by AngieStar Photo
Day two at the Taste of Chicago brought in warm, sunny weather, and new wave of more people to enjoy the fest. Aside from all the food, Grammy Award-winner Erykah Badu set the tone for the evening as the night's headliner to a sold out show, and it was amazing.
Opening the night was Trombone Shorty & Orleans Avenue, who brought the crowd to their feet in true New Orleans jazz fashion. Troy "Trombone Shorty" Andrews and his long time band, Orleans Avenue, brought a charismatic and relentless drive to continually bridge music's past and future to the stage, including new tracks from their third album, Say That To Say This, out September 10. Co-produced by Andrews and Raphael Saadiq, it truly sounded like nothing else out there, as Andrews, guitarist Pete Murano, bassist Mike Ballard and drummer Joey Peebles stride forward in their unique musical evolution. In a smooth transition, Erykah Badu came to stage with an instrumental rendition of "The Healer", easing into "Out My Mind, Just In Time". Badu continued on with so many of her most classic songs, along with live beat making, and an often witty commentary in between tracks. Ending the night with "Window Seat" at dusk brought the night to close gently and ever so entertainingly.
If you missed the show, and Badu's signature unique attire, check out some photos here:
[Video] Lili K & Peter CottonTale Perform "Highlight The Moon" at Truth Studios
It's been a minute since Lili K and Peter CottonTale got together to produce one of the my favorite jazz/soul albums of the past couple of years in Metal Petals, the 2012 release that established both artists as names to know, especially among the fertile and growing Chicago scene. The pair linked up while in Los Angeles at Truth Studios to re-hash one of the more sonically-rewarding track on the project in "Highlight The Moon" which gets a more down home, instrumental feel here with CottonTale on the keys. Lili shows off the voice we all know and love, while also demonstrating new tweaks in her vocals that make the latest version of "Highlight The Moon" ever more entrancing. The Milwaukee-born songstress has played in the background quite a bit as well, adding her vocals to tracks by Chance The Rapper and Vic Mensa on their latest projects Acid Rap and Innanetape, but here she continues to prove that she is a solo force behind the microphone. Lili and Peter are both back and forth from the coasts as they work on her follow-up to last year's My Favorite Things EP. Watch the full video, streaming below.
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