[RH Photos] The Orwells at Schubas (6/20/2014)
Photos by AngieStar Photo
Rock and Roll: a term used time and time again amongst people of all ages. For my parents and their friends, its definition was once one of rebellion and even an edge for danger. The pelvic thrusts of Elvis Presley, Mick Jagger’s wild movement around the stage, the grunge tones of Nirvana: these were the performances that made the crowds move in a way that lead people to think of scandal. But as the years advanced, technology did as well, and electronic synthesizers began to take over such a genre filled with the beautiful lust of sin. My generation has grown up in a world where bass beats composed on a computer are looked upon higher than the strumming of a bass guitar. As a result, people don’t even know what to do at concerts anymore. The music may be excellent, but the performance doesn’t captivate. The problem with a lot of music today is the emphasis on the roll and much, much less on the rock.
The Orwells, however, seem to be brought together in some way in order to change that. This past Thursday, on June 19, the group of young performers from Elmhurst held a special release party for their sophomore album Disgraceland at Schuba’s Tavern in Chicago, IL. Winners of a contest held by WKQX Chicago populated the audience that eventually filled the entirety of the intimate venue, and many fans eagerly waited for these guys to come on.
The clock strikes 8 and an impatient audience finally gets what they’re waiting for. After a brief introduction from the radio station, The Orwells took the stage, with lead singer Mario Cuomo quickly congratulating the crowd on their radio contest victories then switching into his signature, almost hypnotic, performance. The group rocked a few songs as the crowd jumped around a bit, but it wasn’t enough for Cuomo. “Man, they were right when they said that people who listen to the radio don’t know how to move, just driving in their cars all of the time,” said the lead singer as he feigned the action of driving a car. With every imaginary turn to the right or left, the crowd became more and more entranced into the mosh-movement that The Orwells are known for (even shutting them down at Bonnaroo this previous weekend). The collaboration of the band's steady rise into the rhythm of the next song and Mario's insanity was enough for the guys to take control.
The crowd from here on out grew with rowdiness with each and every note that the band would send out. Alternating from songs on their first album Remember When and those from their latest, the group had no reason to question that the crowd was loving every second of it. The placement of a thong from a fan on a face and the rolling around on the stage floor may seem like oddball antics for a singer, but they actually just are the usual for Cuomo. However, a pretty blonde in the front row managed to make this blonde maned wild child calm down for a few beats, and a lot of time was spent flirting with her from the stage. Despite a few heart breaks from other eager females who stood beside this lucky lady, this interaction, I think, added some great entertainment for everyone in the crowd. No performer disappointed, but I must say that Matt O’Keefe’s performance caught my attention more than maybe it was intended to. His guitar skills were mature in every essence, and it was as if every beat was becoming a part of his blood flow. Most people would think having a wild performer like Mario would cause some problems, but the band doesn’t seem to mind the diverted attention.
Unfortunately, all good things come to an end. The final notes were played out, and the band members put down their instruments to exit off the stage and back out onto the street. Before they even left the stage completely, the demand for an encore was chanted out by the crowd. As O’Keefe, Corso, and the Brinners took over the stage, a switch was done. What at first appeared to be Mario in a t-shirt change and straighter hair was revealed to be his own brother. A moment of confusion ensued for the crowd as this seemingly identical man walked around with the other band members when Mario himself entered with another twist. Being carried with him upon the stage was a young woman dressed in black lingerie and her legs wrapped around his waist. If I’m not mistaken, this is the same young lady who was featured in their “Dirty Sheets” music video. Regardless, the audience went NUTS as she began to move and grind up on him for a minute. The girl departed as the band began to play "Cheap Beer" by Fidlar, a band they opened for last fall. A few middle fingers later, the song was concluded, and the guys officially exited for the evening.
It’s truly hard to explain the atmosphere that The Orwells bring with each and every performance. There is an electricity that spreads from the stage to the back of the room; a shock that I hardly ever feel when I see performers live. Seeing their set back at Lollapalooza in 2013, I knew that these guys were going to lead to something absolutely incredible, and their rise since then has only been on a sharp incline. If you don’t come out from one of their shows looking like a battered man or woman, then you obviously Orwelled wrong. Rock and roll should always feel like this wild, vicious animal that your parents would never want to approve of, and it’s refreshing that they can understand that.
[SXSW Interview] The Radkey Brothers Are Bringing Punk Back
Photography by Ra Ra Photography
By the time I had gotten to The Hangar on 4th and Colorado, SXSW had begun to weigh on me. In what is easily evident from the journals throughout the week, this year's South By was filled a bit more to the brim with corporate positioning and exclusive shows than actually enjoying new, fresh music on the cusp. These three brothers from St. Joseph, Missouri, however changed all that pretty quickly. I jogged up the last step to the rooftop of The Hangar with my photographer, Asia Ashley, right on my heels as Radkey tore into the beginning of their set. As a decent crowd stood back, drinks in hand, smug looks in place watching the three young artists it became readily obvious these guys were a little different. With powerful chord progressions and vocals that stack beautifully and play well to the ear melodically, Dee Solomon and Isaiah pulled the crowd toward them one by one. As if in a trance, couples began gyrating towards each other, older men nodded their heads and stomped their feet and some stood open-mouthed. It seems somewhat uncomfortable, if only because it had been awhile since anyone had heard an act like this in today's electronically-saturated music climate. Isaiah rolled on the floor furiously tearing away at his white guitar as Dee handled the vocals and stood, power-stanced at the mic. As calm as could be, the youngest brother Solomon kept pace on the drums. The three brothers stand out in punk rock, a genre that has been largely out of the spotlight for the better part of a decade, both for their smooth playing and their age. As part of a new resurgence in the genre that is led by both them and The Orwells, these three brothers from a little town in Missouri are ready to take the music to the forefront once again, with true punk grit to match. While their live show may be a frenetic, in your face experience, Dee, Isaiah and Solomon may be the nicest bunch I've had the chance to interview. The next few months will find them across the country and in Japan, the mecca of some of their favorite pastimes: Anime and video games. Check out my candid Q+A with the next big thing out of St. Joseph, Missouri.
[SXSW Journal] Day 2
Photo by Asia Ashley
I started the day by drinking a large cup of water and putting on three pairs of socks. The second night of my SXSW had gotten cut short due to Austin Fire Marshalls with weak capacity rules and my feet weren’t getting any better after subjecting them to what was essentially a barefoot marathon in Converse. With my feet neatly packaged into my Bucketfeet sneakers, I set off for my busiest day yet since getting to ATX. Catching a ride downtown by the grace of friends, I was able to make it to the Big Picture Media showcase at the Thirsty Nickel where I met up with The Tontons for the first time since we met at last November’s Fun Fun Fun Fest, also in Austin, and caught up on all the band has been through in the few months since the festival that seemed to be their big stepping out party. I had expected to talk about their new album, Make Out King and Other Stories Of Love and the big rise in popularity they’ve seen since. Instead we talked about burst appendixes and the intricacies of Spenzo’s hit song “Wife Er” which is plastered on seemingly every pole in town, staring down a familiar face on the opposite side of the street as Lil Herb’s Welcome To Fazoland gets a big push down south. After the Tontons, I had the chance to talk to another BPM client, the Philadelphia-by-way-of-Los Angeles indie rock foursome Cheers Elephant. Interviews from both acts are coming soon, but check out the short Instagram previews for some fun facts about both.
After watching both perform, I hiked my way down sixth street to The Fader Fort presented by Converse, slipping in and managing to snag a free drink in time to catch one of my most anticipated bands, Elmhurst, Il-based punk band The Orwells who showed why their building a buzz as one of the leaders of a new school of the genre, as lead singer Mario Cuomo, always an enigma, was at his best in front of the Converse chucks mosaic of the Fader Fort. Writhing on his back onstage, standing in the crowd, singing with his fans, the frontman made sure to leave his mark one of the most popular unofficial showcases at SXSW. The longtime family friends played good, played hard; and then walked offstage. One of TDE’s latest signees, Isaiah Rashad took the stage afterwards, another act with a lot to prove. The Chattanooga native did just that, working through his catalogue and tracks of his latest project, Cilvia, even bringing out label-mate SZA who performs there later this week. After Rashad, my photographer Asia Ashley and I ran to our next interview. Continuing on the punk trend that had been established at the Fader Fort, we arrived at The Hangar Lounge just in time for St. Joseph, Missouri-based punk trio Radkey who put on one of the most authentically punk rock sets I’ve ever seen. The three brothers, Solomon (16), Isaiah (18) and Dee (20) absolutely killed their set and set themselves as a perfect complement to an act like The Orwells in the rise of punk rock again. The preview of that interview is also below. After that, I cruised sixth street, watched people pack the sidewalk outside of the G.O.O.D. Music event on 4th and Brazos and managed to not get caught up in the ugly car accident that left two dead and several injured after a motorist ran his car into a crowd watching the Mohawk/Tyler, The Creator show. Wednesday was also the first day of the vaunted IllMore after party, long known as the premier after party for SXSW. Moved to a larger complex this year, the event, put on by IllRoots and Scoremore felt more concert-like than last year, having traded the old plantation-style home and surrounding grounds for a modified indoor skating rink. Big Sean took the stage and ran through his hits, joined onstage by Travi$ Scott after several DJs rocked the crowd, fueled by a steady supply of Red Bull and Tito’s vodka. Overall, not a terrible day at all despite the tragedy that took place last night. Check back in tomorrow for more updates!
The Tontons:
Cheers Elephant:
Radkey:
Chicago Acts to Look Out For in 2014
Photo by Bobby Reys
Chicago has been on lately. The Second City has always been known as a musical city and the current rate at which it has produced talent as of late is only adding to that legacy. As festival lineups roll out as we transition into Spring, it has become common to find a Chicago act, if not several, on the list. For this reason, we decided to put together a list of up and coming artists from Chicago that we expect to fully blossom throughout 2014. We added numbers, but there's no real order as far as rankings, just a collection of musical acts from the city that deserve a spotlight. Last year, Chance The Rapper, Chief Keef and a host of hip-hop artists dominated music headlines as a pipeline was established in the Midwest. There is plenty in the city that isn't rap music too though, and we made sure to highlight everyone. Take some time to flip through the next batch of stars to rise out of Chicago.