This review was originally published as part of our Sundance Film Festival 2014 coverage. It is being re-posted to coincide with the film’s limited release.

Camp X-Ray
Director: Peter Sattler
Rating: N/A
Release Date: January 17, 2014 (Sundance)

Guantanamo Bay still serves as a dark footnote in American history more than a decade after its establishment. Everything about the detention camp, from its mistreatment of its “detainees” to the very reason for its existence, is inhumane and utterly sickening. Camp X-Ray is about one specific camp, the titular Camp X-Ray, which served as a temporary detention center in the Guantanamo Bay. Writer/director Peter Sattler’s film attempts to humanize both guard and detainee alike.

Amy Cole (Kristen Stewart) is a recently-assigned rookie guard at Guantanamo Bay. While she’s cordial and friendly with the other guards, it’s with a Gitmo detainee, Ali (Peyman Moaadi), who Cole makes a real connection with. The relationship starts on a frosty tip, Cole the newcomer and Ali the years-long detainee. The dynamic of their friendship, as is made evident early on, revolves around this dichotomy between the two where their individual situations are more common than meets the eye.

Unfortunately, Camp X-Ray is bogged down by stereotypes, ranging from the power-hungry superior officer to the young, naive solder who inevitably falls in line. In a way, the shallow characterization of the supporting cast helps accentuate the focus on both Cole and Ali and their friendship. However, the emotional crux of the film relies on Stewart’s performance, which oftentimes showed the potential and range she displayed in Into the Wild, yet is unable to tap into here. When it comes time for Cole to move past her hardened soldier demeanor and show true human emotion, Stewart falters. Whether it was Sattler’s direction to keep Stewart reined in to maintain the aforementioned toughness, or simply Stewart’s inability to let go, it was hard to look past this one low scene in a film otherwise full of high praise for the actress.

Camp X-Ray doesn’t attempt to make much of a political statement, nor does it attempt to excuse the accusations of inhumane treatment that took place at Guantanamo Bay. What it does do, however, is explore a poignant, unlikely friendship between captor and captured, guard and detainee. Sattler, at times, holds audiences hands as he pontificates the similarities between Cole and Ali, which can be frustrating. However, strong performances by Moaadi and Stewart (the aforementioned scene notwithstanding) are enough to overlook the otherwise easy storytelling.