Actress Hannah Sullivan and director Hugh Sullivan from The Infinite Man

[SXSW Interview] Hannah Marshall and Hugh Sullivan (The Infinite Man)

Actress Hannah Sullivan and director Hugh Sullivan from The Infinite Man

[Ruby Hornet will be covering SXSW from March 7th to March 16th. Follow along as we bring you exclusive film reviews, photos, daily features, and interviews with filmmakers, actors, and musicians!]

The Infinite Man was one of the first films I watched as part of this year's SXSW, jumpstarting my film experience for 2014 on a very high note. The Australian film, which you can read more about in detail in my review, is about one inventor's scheme to salvage a romantic weekend after his thorough plans fall apart. Of course, when time travel is involved, things can get a little out of hand.

In my interview with director Hugh Sullivan and actress Hannah Marshall, we discussed the nature of time travel films, how relationships are kind of like their own sci-fi stories, and some specific details behind The Infinite Man itself. Be warned: there are some spoilers in the interview, so please proceed with caution. I hope you enjoy this truncated version of the interview below. We'll be sure to include some of the more explicit spoiler stuff when The Infinite Man is fully released.


Film still from The Infinite Man

[SXSW Review] The Infinite Man

[Ruby Hornet will be covering SXSW from March 7th to March 16th. Follow along as we bring you exclusive film reviews, photos, daily features, and interviews with filmmakers, actors, and musicians!]

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The Infinite Man
Director: Hugh Sullivan

Rating: N/A
Release Date: March 7, 2014 (SXSW)

Time travel films are my kryptonite, and I don't mean that in a negative way whatsoever. If I find out a film has some type of sci-fi element that involves intricate loops and that not only add depth to the narrative, but also gets audiences more involved and invested in piecing all of the events and characters together. When used properly, the time travel device can greatly enhance the experience; misused, and it just feels like any other gimmicky device to entice potential audiences. The Infinite Man is not such a film.

To celebrate their anniversary, the eccentric scientist Dean (Josh McConville) takes Lana (Hannah Marshall) to special resort with a full itinerary planned. However, when it turns out that the location has closed, Dean does everything he can to salvage the weekend. His quest for the perfect weekend is further ruined when Lana's ex-boyfriend, Terry (Alex Dimitriades), shows up, and an altercation between the two men takes place. After letting Lana leave with Terry, Dean spends the next year dedicated to meet the perfection he was unable to display a year prior by creating a time traveling device. Through a series of events, Dean takes Lana into the past in hopes of salvaging the lost weekend... no matter how many attempts it takes.

Film still from The Infinite Man

At its base, The Infinite Man is a love story with a sci-fi ploy to help drive the main crux of the film. However, the story isn't just about Dean's love for Lana; rather, it's the journey of his ability to let go and understand that he can't always be in control of everything. As somebody who can sometimes be a meticulous planner and has to schedule almost every facet of his life days and weeks ahead (you should see my SXSW schedule), I empathized strongly with Dean. His ethos is driven not from his desire to control Lana, but to express just how much he loves her. Unfortunately, his attempts to express himself goes too far.

With one set, a barebones cast of characters, and an emotional story that must be carried not only emotionally, but comedically by its cast, The Infinite Man could have easily fallen apart were it not for McConville and Marshall's acting abilities, with Dimitriades' smaller role balancing the two leads with his comedic follies. McConville fits not only as the everyman protagonist that anybody would cheer for, but also for those of us who are so full of love, but struggle to express it properly and fittingly. Marshall's role as the object of Dean's desires could have been marginalized to bring further focus on Dean, but writer/director Hugh Sullivan wrote her part exceptionally well so that she not only was Dean's "reward," but also a capable support for him. (Unfortunately, I can't go deeper than that for fear of spoilers.)

Film still from The Infinite Man

Lighthearted and fun in its comedy, nuanced with depth in its narrative, The Infinite Man could have been one large mess of a film. However, Sullivan's ability to not only keep the sci-fi elements clear and easy to understand, but to keep the focus at Dean's personal core is what helps The Infinite Man balance everything deftly. You'll enjoy putting the puzzle pieces together; you'll cheer Dean on, even when you've noticed the negative signs of his acts; and you'll leave the film with a smile on your face.


Promotional image for SXSW Film 2014

[SXSW] 10 Films You Should See at SXSW 2014

Promotional image for SXSW Film 2014

[Ruby Hornet will be covering SXSW from March 7th to March 16th. Follow along as we bring you exclusive film reviews, photos, daily features, and interviews with filmmakers, actors, and musicians!]

With this year marking my third visit to the famed South by Southwest Festival, I've become a bit of a veteran when it comes to the film side of the festival. While Sundance and CIFF have their perks and vibes, but SXSW has always been consistent with their film selections. With such a large amount of films screening at SXSW this year, I figured I'd help guide you along in which films are sure to be festival favorites. While I'm only suggesting 10 films, any and all of you SXSW Film attendees should try to catch as many films as you can. Some of my best and favorite SXSW films in years past have been the ones I've caught on a whim,  which serves as a testament to the amazing programming the SXSW people have shown throughout the years. Nevertheless, read on to find out which 10 films are my most anticipated of South by Southwest 2014.