DJ Premier Remixes J. Cole's 1985
DJ Premier shares his remix to the J. Cole track 1985 this morning on Soundcloud. When 1985 dropped, many viewed the track as a diss to the new wave of Soundcloud artists, such as Lil Pump and others.
“I bought J. Cole's KOD LP as soon as it dropped with no warning to the fans; which I too am a fan. ‘1985’ resonated with me immediately, so I asked Cole if I could get the Acapella and do an underground DJ version just for fun. He sent it and I just pieced some stab samples to keep it on some boom bap shit. Here it is!”
So What's The Best J. Cole Album So Far?
The J. Cole hype couldn't be greater right now after the 4th major album release from J. Cole, For Your Eyez Only. Many are expecting it to be album of the year with only 2 songs released. They are also expecting it to be "another classic" [See Social Media] and it made us think. What is the best J. Cole album so far?
3 - Cole World: Sideline Story. Sideline Story is the hands down laziest album for me. When I heard Cole say he added songs from his mixtape to this album because he felt enough people didn't hear them, I immediately lost my interest in buying it. Emcee's shouldn't do that. Sorry. I toss this one to the bottom of Cole releases because I heard a lot of it before the wave got real.
It's interesting going back and listening to this album now. It's difficult to replicate the hunger you hear in the very young J. Cole's voice in nearly each song. This is often the case with many rappers when juxtaposing their early catalog over their more recent works. The effect this has is ultimately subjective, but for us it's clear young Simba was not yet the king.
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2 - 2014 Forest Hills Drive. The Platinum with no features album. The album that inspired a bunch of jaded, misguided and misspelled memes for the last 2 years. It's not that this album is whack necessarily, it just doesn't move me. The middle of this album made me dose off. I'm not a fan of the singing efforts. Tracks like "St. Tropez" and "Hello" come of as somewhat forced and, as a result, slightly in-genuine.
What's more, tracks that were clearly intended to be in more of a pure hip hop vein, like "Fire Squad" turned out to be little more than filler. To be clear, Cole had hits on this project. "Wet Dreamz" and "Tale of 2 Citiez" are both catchy and have a well-rounded appeal. "January 28th" and "No Role Modelz" are anthems in their own right as well. To us, they were just too few and far between to justify ranking this album higher up. To the Cole Stans, we're sorry, but 2014 a little boring. We credit cole for giving us a bunch of new music though.
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1 - Born Sinner: This album was a hype beast dream. New Rappers, good features, Hit singles and was deemed a classic because everyone hated Yeezus and didn't pay attention to The Gifted by Wale. This album is the best of the 3 to me because it's the best representation of what Cole can do. Songs like "Land of the Snakes" serve as a verbal exhibition for Cole, with a concise, driven flow over an equally driven instrumental.
"Trouble" was a favorite off of the album, featuring a menacing instrumental with Cole's cocky humor at play on top of it. Born Sinner made it clear that he can make hits if he wants. He can really rap. He has the potential to be a great producer. The subject matter isn't that great or diverse, but I honestly feel the release of 2014 FHD builds the appreciation of Born Sinner. It's number 1 for me, but not cause it is "so much better" than the other releases around it.
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Check out more on Cole here.
Five reasons why we're hyped for Lollapalooza
Lollapalooza, Chicago's biggest music festival, is just around the corner! Celebrating it's 25th anniversary there are dozens of reasons why to be hyped this years Lolla.
Lolla first announced an additional day to the usual three festival day festival making it four days of unforgettable unstop action. That additional day adds a rooster of incredible acts that will take from Chicago July 28 – 30.
Below is a list of just five reason why Lolla is controlling our life’s with anticipation.
Crowd favorites
Lollapalooza brings out the best artist to Chicago. Many artists return from last year’s music festival because of their continuing growth in popularity from last year. Returning artist like G-Eazy and Halsey are the faces of a young generation of music lovers.
Performers like J Cole and Red Hot Chili Peppers are highly anticipated because of deep fan base.
Chicago’s own heavyweights
Last year’s Lollapalooza was solid with a mixture of pop, rock, and electric music. Something that was lacking a bit was the hip-hop and rap performers. Chicago’s own homegrown talent Saba, Towkio, Joey Purp, and Vic Mensa has us covered this year.
Chicago is making a statement with both Joey Purp and Vic Mensa closing off a night at Lollapalooza, respectfully.
Mensa’s history with Lollapalooza is almost story book like. From Mensa's well documented near death experience with sneaking into the festival before his career took off to now closing one of the main stages on Saturday, July 30. Mensa will take the lead in bringing the young Chicago talent to the Lolla stages.
25th anniversary
It’s been twenty-five years since Jane Addiction singer Perry Farrell created Lollapalooza. Lollapalooza was created as a farewell tour for the band. Now Lollapalooza has expanded to international countries like Chile, Brazil, Argentina, and Germany.
Making Lollapalooza an official Chicago music festival in 2005. The festival was hitting the road before then. It first started off as a two-day music festival only bringing in 70 acts. The festival has since exploded cementing it’s place as one of the best music festivals in the country.
Lollapalooza is going big this year making it a can’t miss attraction for years to come.
Extra day, Extra fun
When Lolla makeed Chicago it’s official home in 2005 was a two-day festival. Now eleven years later, Lollapalooza will be doubling up for the first time extending the usual three-day festival into four days.
Starting a day before the usual festivities begin the artists that have been announced are stacked! Artist that have us looking forward to Thursday, July 28 include: Kehlani, Towkio, Melanie Martinez, G-Eazy, The 1975, Lana Del Rey, and J. Cole.
Lollapalooza week is music paradise
Lollapalooza brings thousands of people to Chicago drawing them in with jam packed shows. This year if you didn’t buy a Lollapalooza pass you can still get into the action with non-affiliated shows. These show are taking advantage of Lollapalooza week. Check back to Ruby Hornet for our top after parties at attend during Lollapalooza week.
The biggest draws are after parties for Lolla artists but heavy hitters like Drake and Future will be in Chicago Lollapalooza week.
Lollapalooza 25 Year Anniversary Lineup Announced
Celebrating 25 years as a world-renowned festival, Lollapalooza 25 Year Anniversary delivers an all-star lineup with Radiohead, Red Hot Chili Peppers, LCD Soundsystem, J. Cole, Lana Del Rey, Future, Ellie Goulding, Major Lazer and Disclosure topping the bill. The diverse lineup also features performances from G-Eazy, Chris Stapleton, Leon Bridges, Nathaniel Rateliff & The Night Sweats, Miike Snow, Kurt Vile & The Violators and much more. To commemorate this milestone anniversary, Lollapalooza will bring four full days of music and over 170 performances to Chicago's beautiful Grant Park, July 28- 31. View the full lineup and lineup-by-day here.
Legacy acts from the early days of Lollapalooza will be front and center with the return of Jane's Addiction, fronted by Lollapalooza creator and founder Perry Farrell - with a set full of surprises, as well as Red Hot Chili Peppers, who headlined the festival in 1991 and 1992 respectively.
"I've immersed myself in this experience for 25 years now, but it's in a constant state of evolution, living and breathing. As long as we always try to find the eye of the hurricane, the epicenter of the music that is truly connecting right now, I think we can go for another 25 years! And we'll do it by always making sure to keep it fresh. Four days this year, over 170 of the best bands, including acts from all over the world as the music community connects globally more than ever; the best sound, staging and lights. We promise the festival will always strive to be the 'lifeblood' of the music scene," says Perry Farrell.
This year's collection of fresh faces include ZHU, Aurora, Bryson Tiller, Oh Wonder and Låpsley as well as heavy-hitting female artists including HAIM, Grimes, Alessia Cara, Lindsey Stirling, Kehlani, Melanie Martinez, and a highly anticipated return from Halsey following last year's breakthrough performance.
Flosstradamus, Hardwell, Martin Garrix, Duke Dumont, GRiZ, Big Gigantic, Marshmello and more will bring the beats for Lollapalooza's beloved dance music fans.
4-Day General Admission Tickets sold out on March 22. A limited number of 1-Day General Admission Tickets ($120) and 1-Day VIP Tickets ($650) will be available for purchase today,March 23 at 10am CT. 4-Day VIP Tickets ($2,200), 4-Day Platinum Tickets ($4,200) and Official Hotel Packages are also available now at here.
Lollapalooza welcomes music fans of all ages, including kids. Children 10-years-old and younger will be admitted free of charge with a ticket-holding adult.
Fans worldwide who can't make it to Grant Park can watch The Official 2016 Lollapalooza Live Broadcast exclusively on Red Bull TV, which is distributed digitally for free on the web, connected TV platforms, smartphones and tablets as well as Lollapalooza.com. A full schedule of performances will be announced this July on Lollapalooza.com.
Lollapalooza 2016 is generously sponsored by: Samsung, Red Bull Sound Select, Bud Light, Pepsi, Toyota, BMI, Tito's Handmade Vodka, Citi and Cupcake Vineyards.
[Mixtape] J. Cole: "The Revenge of the Dreamers"
J. Cole easily made one of the albums of the year in his 2013 release, Born Sinner which brought few accolades but made up for the slight disappointment of his debut studio project, Cole World: The Sideline Story. It seems as though Cole is already back on his grind, as he celebrated his 29th birthday yesterday with the release of a fresh new project, The Revenge of the Nerds. The release of the project also coincided with Cole's announcement of a partnership between his Dreamville imprint and Interscope, which seems to have championed the artist-turned-label-head situation. The release, similar to t9th Wonder's JAMLA Is The Squad project which also dropped last night, is a sort of sampler platter for the artists workign with Cole on Dreamville, including the endlessly talented Omen and Bas.
It's interesting that Cole went the Interscope route, having just had one of the craziest concert experiences last night at Madison Square Garden where Kendrick, fresh off the Grammys, showed up to perform "Forbidden Fruit", "Backseat Freestyle" and "m.A.A.d. City" before turning to the crowd to say, ""[Cole] is one of the first cats to welcome me with open arms in this music business when I ain't know sh-- about it," he said. "So believe that, this is not no regular rapper friendship, this is my f---ing brother right here, J. Cole." Jay Z joined him onstage for "PSA" before handing him his original Roc-A-Fella Jesus piece and performing "FuckwithmeyouknowIgotit". As if that wasn't enough, Cole ended the concert by performing songs off The Revenge of The Dreamers, of which he had just showered the crowd with hard copies. Not a bad birthday, but what's he going to do for the big 3-0?
Full stream/download below with a video of J.Cole's gift from HOV below.
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Grading the Grammy Nominations
As the music industry has evolved over the past decade into the digital world, things have changed quite a bit. Hard copies are hardly ever bought anymore, nor does anyone seem to buy whole albums at all, as the iTunes Store model has taken over and the industry has increasingly become about what the consumer wants as opposed to what the labels want the listeners to hear. While this has resulted in a sort of musical reawakening, creating a culture where listeners can stream, download or play any track they can think of with the touch of a button, music has expanded at a rapid pace, creating new genres and sub-genres and infinite new off-shoots that don't fit cleanly into any one established genre or sound.
Standing behind this industry, bearing the largest prize of all, is the Grammy Awards. This year, the award show enters its 56th installment and, while a dance music category was finally introduced last year, the judging seems more out of touch than ever, but of course this has been an issue for some time. The Grammys are like Social Security. You don't really care about it much until you're too old to get up from the sofa. Generations have rallied against the award for years. In 1991 Sinead O'Connor simply refused to show up and boycotted the show, despite being nominated in four categories. After winning "Best Hard Rock Performance" in 1998, Pearl Jam frontman Eddie Vedder stood onstage perplexed and, staring at the golden trophy, said into the microphone, "I don't know what this means. I don't think it means anything." It's not news that the team behind the Grammy Awards has been out of touch for some time, but at no time in history has it been so blatantly about the money in an industry that today makes significantly less money than it used to. It's macroeconomics of the current American condition played out with celebrities and gold gramophone statues. Plus, Kanye already spoke out. So, for this latest round of Grammy nominations, I figured I would sift through who was chosen and offer up my own choices for the top prizes in music this year.
[Sunday Coffee Sipper] Reflecting on the BET Hip Hop Awards
On October 16 in Los Angeles, California Rap music's elite showed out for the annual BET Hip Hop Awards, commemorating the best of all things hip-hop in the past year. Kendrick Lamar cleaned up, hauling in five awards including best album and lyricist of the year while Jay-Z, Big Sean and the rest of hip-hop's governing body took turns patting each other on the back. For today's Sunday Coffee Sipper I break down the list of winners from several of the categories and decide who I would have picked from the very small group of nominees that were available for the awards, enjoy!
Best Hip-Hop Video: Drake "Started From The Bottom": I literally thought this was the most bogus video I had seen until Chief Keef's "Love No Thotties" premiered this week. Seriously though, you're not making it any easier to legitimize the "Started From The Bottom" mantra with the opening scene of a Toronto youth soccer game played in a bubble, or perhaps it's the perfect metaphor. The fake snow, all white everything convertible dance scene is just downright goofy, as is the Wal-Mart confetti-strewn dance party. Drake had a lot of dance parties at the bottom. Where is 'here' anyway? Could be anywhere. Ah, Drake, they'll love whatever you do.
Who Should Have Won: Kendrick Lamar – ‘Don’t Kill My Vibe’
Reese’s Perfect Combo Award (Best Collabo, Duo or Group): A$AP Rocky f/ 2 Chainz, Drake & Kendrick Lamar "Problems": Of the nominations, this was an easy favorite for the best collaboration of the year. Featuring the top names in hip-hop today and a blistering verse from K Dot it stood head and shoulders above even Ace Hood and Future's summer banger "Bugatti" and J. Cole and Miguel's "Power Trip".
Best Live Performer: Jay-Z: Not sure about the nomination or the win on this one. Jay-Z is certainly a pillar of hip-hop, but there are plenty of better live acts around the country that could have vied for the title, even outside of the nominees. Granted, Jay-Z proved to be a step ahead of the competition in the crafting of a different live set idea with his "Picasso Baby" art installation, a wholly different take on hip-hop as an accepted artform. Regardless, I can't help but feel there was a better choice to be had.
Who Should Have Won: J. Cole/2 Chainz
Lyricist of the Year: Kendrick Lamar: They probably didn't need to announce this one. Between good kid, m.A.A.d. city, the much-talked about verse on Big Sean's "Control" and a host of outstanding features throughout the year, Kendrick cemented himself as the lyricist to match in 2013. The "Control" verse in general, in which he called out the other top names in the game, nestled Kendrick firmly in the upper echelon of hip-hop artists today.
Album of the Year: Kendrick Lamar, Good Kid m.a.a.d. City: Again, a fairly easy choice as the top rap album of 2013. Kendrick finally emerged from Section 80 to the big leagues with his chart-topping album that, as stated earlier, vaulted him from one of the new guys to the forefront of everything happening from here on out.
Producer of the Year: Mike Will Made It: It's hard to be too upset with this decision, Mike Will Made it had some of the year's biggest songs, using his enormous drum ensembles to shake the walls of clubs from coast to coast with songs like"No Lie" by 2 Chainz, "Bandz a Make Her Dance" by Juicy J, "Pour It Up" by Rihanna and "We Can't Stop" by Miley Cyrus. They weren't the best songs of the year, but they topped the charts. I can't forgive him for allowing Cyrus to don a Michael Jordan jersey while twerking in their "23" collaboration, though. In comparison, Pharrell did songs with Jay-z, Justin Timberlake, Robin Thicke and Daft Punk.
Who Should Have Won: Pharrell Williams
Track of the Year: "Started From The Bottom," produced by Mike Zombie and Noah "40" Shebib: Can't even lie about it, this song was not the best track of the year, by any means. Drake's attempt at convincing listeners that watched him as Jimmy on Degrassi that he, "started from the bottom" was ill-conceived and uninteresting. Sure, the beat and hook get stuck in your head, but is that all it takes to have a hot track? Of course, you catch more fish with a larger net and most of the nominees for each category were held to roughly the same six characters. That makes for a small net.
Who Should Have Won: ‘Don’t Kill My Vibe’ – Produced by Sounwave (Kendrick Lamar)
Best Mixtape: Big Sean, Detroit: This one just didn't make sense. In a category that included a host of independent artists including Chance The Rapper and Travi$ Scott, this would have been the perfect opportunity for BET to sway towards the up and coming, essentially the heart of hip-hop today. Instead, the crown for best mixtape was given to Big Sean's Detroit, making for an un-inspirational win for the G.O.O.D. Music star.
Who Should Have Won: Chance The Rapper: Acid Rap
Who New? Rookie of the Year: A$AP Ferg: This is deserved. Trap Lord was easily one of the hottest releases of a packed summer of new music and Ferg showed that the buzz surrounding him and his major debut release was no fluke. With co-signs from just about everyone in the game right now, the award was fitting. Tough competition here, too, with Earl Sweatshirt, Action Bronson and Joey Bada$$ rounding out the nominees.
MVP of the Year: Kendrick Lamar: Honestly, he could have taken most of the awards with the competition BET stacked up against Kendrick. More than anyone else, Lamar and his TDE crew have brought about a sound and a mentality that had been lacking in hip hop as of late. As he made it known on that fateful "Control" verse, this is now Kendrick's game, and everyone has to step up.
[Video] J. Cole: "Crooked Smile" (feat. TLC)
Taking a no days-off approach since the release of his sophomore project, J. Cole has been promoting Born Sinner by touring, doing interviews and most recently; releasing visuals from the album. Jermaine decided to go with a very interesting route for the video as he reenacts a very sensitive subject in the killing of Aiyana Stanley-Jones by federal agents. Although I'm glad the NC native decided to take a social stance and expressed it, I don't really think putting an up-lifting record such as "Crooked Smile" as the background music for the solemn-themed video was the best choice.
http://youtu.be/fzzMOMkjm8A