Vic Mensa's debut album The Autobiography available for Pre Order
Vic Mensa announced the release date and title of his debut album, The Autobiography. Releasing on July 28, Mensa’s highly anticipated debut will give the Chicago rapper his first major introduction into the music world. Pre Order The Autobiography here on Apple Music.
From his latest projects like the There’s A lot Going On EP. To his most recent work in what he calls a capsule of music in The Manuscript, this is a whole new Mensa.
Mensa has matured in front of our eyes and through his music over the years. Tacking heavy issues from the Laquan McDonald shooting, Flint water crisis, self-harm and drug addiction Mensa has stated The Autobiography will be his most personal yet.
https://twitter.com/VicMensa/status/885298384080261120
Mensa took to Twitter to announce The Autobiography to fans. Using screenshots of different locations. Mensa had fans post a photo of themselves for a chance to listen to his album.
https://twitter.com/VicMensa/status/884811399179886592
Hearing Mensa’s dark and serious tone packed with gut punching lyrics in There’s A lot Going On and The Manuscript, July 28 can’t come soon enough.
If you haven’t already check out Mensa’s recent release of the music video for “OMG”.“OMG” was a Tidal exclusive, now streaming everywhere you can check out Mensa’s release from The Manuscript.
The Pharrell produced track features Pusha T and has guest appearances from Pusha T, Ethan Cutkosky, Joey Purp and Towkio.
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[Review] Jay Z's 4:44 album is refreshing and makes your mind wander and reflect
I owe Jay Z an apology. Since Watch The Throne, I've said "Jay doesn't need to rap anymore." "He's too rich, now." "Jay Z' is above this world of hip-hop to connect with his core audience." The 4:44 album is proof that I was dead wrong. It also proves Jay Z can do anything and he should never be questioned or doubted ever in the world of hip-hop. 4:44 is Jay Z's "Back To The Future II album". It's like the album is recorded in an alternate time warp between 1999-2001. Much like Marty when he had to go to the "other 1985" to make things right for the future of his existence in others. Big Homey Jay has returned and the game is being redirected.
Tracks like "Kill Jay Z", "4:44" and "Smile", give the most revealing Jay ever. He really gives us real clips on his personal life. His struggles of being a married man, a father and a softer individual with feelings that deals with emotions. Something we rarely got over the last 2 decades. He touches on every possible instance that ever made the media and the watching and talking streets. Kanye, Solange, Beyonce, Un and much more. It's refreshing and makes your mind wander and reflect on the life you've had a privilege to watch all this time.
Then you have joints like "Family Feud", "Bam" and "The Story of O.J". These joints put in perspective who really getting this money and moving right out here. Nobody can ever out rap Jay Z when it's time for show and tell. From the tone to the bar itself. If Jay Z says he's got it. You believe it. Blue and the twins have an 8 million dollar painting to cash in right now. Everybody holding money to their ear still making collect calls to Hov and he's not taking collect calls.
"Moonlight" "Caught Their Eye" attacks the industry and everything messed up in it. From the flows to the record deals, Prince and more. It's just that standard "Big Homey Talk" that Hov has been giving out for years.
Is 4:44 the best Jay Z album? You can honestly argue it. This album is 180 growth from Reasonable Doubt. This is The Dynasty content with more detail. This is everything we thought Magna Carta Holy Grail would be. Not to mention Jay Z is still rapping at a high level. "Shinning" and other moments over the last 4 years are easily forgettable after the first 4 tracks on this album. It will honestly be many Jay fans and rightfully so. Chances are if you're a day 1 Jay z fan in real time. [Meaning you bought Reasonable Doubt by at least 1998] You're between 32-38 or older. Which means you and Jay will have an adult conversation about the life he's lived. A life like none other. Take a seat and chill with ya mans and catch up with him. What you doing at 4:44 anyway?
The Story of O.J.
Review: "More Life" Gives More "Views"
What many feel is Drake's accelerated path to get out of his current deal continues as Drake releases his 4th project in 2 years, More Life. Every time Drake releases music, it is a topic of conversation. This is no different. Drake continues to bring out the lovers, haters and the constant critics with More Life.
Drake does not put out 100% rap albums. He's bigger than the genre of hip-hop. Get over it. I don't believe Drake has been concerned with being the best rapper for some years now. Then you have his biggest records not being rap songs and you have no choice but to understand that More Life is indeed a playlist. A playlist of music Drake likes to experiment with. In what sounds like an extension of Views and the response from it, More Life is "Drake doing Drake "with no apologies or respect for your personal opinion.
In case you were wondering. Yes. Joe Budden, Meek Mill and Jay Z all get a few shots thrown their way throughout the project. See songs "Free Smoke", "Portland", "Lose You", "Do Not Disturb", and "Can't Have Everything". You can throw "Fake Love" in that mix too. Although there is a large population that doesn't like or respect the subliminal diss and the lack of saying names while throwing slander. It must be understood that Drake didn't create that game. He just plays it well. More Life forces you to listen and pay close attention to more of Drake's life. You also get some good music to vibe to.
Whether you believe Drake took down J.Lo or not. You better believe he took a hook to one of her biggest songs and made a nice track called "Teenage Fever". The title of the song should tell you what's up though. I like "Passionfruit". That's honestly one of my favorites on the album. Makes me want to sip and sing passionately. "Blem" has that real question every man wants to know "I wanna know, how come we can never splash and stay friends?". So you will want to repeat that one cause at one point in life you've related. "Nothings To Somethings" is either the Drake you love or kind of hate, but you listen cause it's vulnerable and emotional.
Drake's mother says the realest thing on the album while being concerned for her son on "Can't Have Everything". Kanye West appears on "Glow". It's a good song, but I'm still not excited about them coming together for a project. Young Thug chose to shut every mumble rap critic up with his features on "Sacrifices" [also features 2 Chainz] and "Ice Melts".
Long review short. Drake is over you ni**as that got too much to say about a life you never lived. His "real" and your "real" are different. He doesn't care and you shouldn't either. Drake is also confused how you all question his pen game when he's literally gave you more than one for what will be 10 summers this year. More Life is focused on making hits in a genre that is not focused on solely rap or R&B. But don't get it confused. There are dope rap moments throughout More Life. More Life like every other Drake album is worth your ear and listen. Take your expectation out of his mission and enjoy!
The running theme? And more chune for your head tops. So watch how you speak on my name. You know?
Foxy Brown "Ill Na Na" Album Anniversary
One of the most heated, vicious and real rivalries in hip-hop was set to begin with winter just around the corner. The date is November 19, 1996, and Foxy Brown was about to drop her debut album, Ill Na Na.
So, why does the rivalry start here?
Because this album releases 7 days after Lil Kim’s debut album, Hardcore.The Kim vs. Foxy rivalry is layered. Here we have two women from Brooklyn, both with sex driven, gangsta lyrics who are trying to be number one in the rap game, much like the men they created their music with, Biggie, Jay Z and Nas. There is even some debate over “Who did you hear first?” We’ll dig into that all at a different time. Right now it’s time to focus on the Big Bad Mamma and her NaNa
What we can’t do is gloss over the fact that in 1996 Foxy Brown helped birth what I like to call “the feature run” before her debut album had even came out. Spring/Summer 96 Foxy had 2 hit singles out. One with Case ["Touch Me, Tease Me"]and one with Jay Z ["Ain’t No"] and she was seen as the star on those tracks. Then she had a strong close out verse on the Nas posse cut, “Affirmative Action”. People may talk about how the math is wrong now, but in 1996 until about 99, I was actually hearing people refer to that verse as being iconic.
I remember it first clicking that “Ill Na Na” was slang for “good p*ssy” and I nearly blew a gasket! My exact words were: If a woman is calling her album “Good Pu$$y, then I've got to listen!” And listen I did. Did it have the same affect on me as Kim’s Hardcore? No. Foxy’s album was more gangsta than raunchy. She struck me as a girl that might sell dope or rob a dude and come home to her man and make him eat her "ill na na". It was intriguing but not really that sexy to me.
When this album first comes on, it’s virtually a Def Jam promo commercial. They promote CRU “The Dirty 30” and Cormega “The Executive”. Totally confusing to me. Moreover, based on what I was expecting, the actual intro “Chicken Coop” wasn’t really an exciting build up.
Then Foxy gets right to the bars. No surprise that it felt as if Nas' little sister was rapping on “Letter To The Firm”. As the album goes on she continues to rap her a** off. How could she not pay homage to LL Cool J and working and writing with Havoc of Mobb Deep and with a guy by the name of Shawn Carter aka Jay Z? In Fact, Jay helps write the bulk of this album. Does Foxy do some of her own writing? Yes. Does she sound like the female Nas when she’s not sounding like the female Jay Z? Yes. However, it works a lot better than many would think.
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Fact: Ill Na Na did better than Reasonable Doubt and they were both written in the same year. Foxy Brown was in higher demand than Jay and from a mainstream perspective, Jay gave Foxy the Lob for his first single and it worked better for her, in the short term.
More Facts: Since this album, Jay hasn’t quite captured the same level of success with another female rapper.
Foxy had two hits with “Get Me Home” and “I’ll Be” on this album. The title track with Method Man should have gotten a bigger push and the tracks around the the singles are displays of great rhyming that many couldn’t rival verse for verse.
I won’t throw this album in the realm of “classic”, but you can’t deny that the Na Na was indeed pretty Ill. Foxy Brown had one of the best breakout years for any artist in rap period. 1996 alone is why her name is still noteworthy till this day.
Salute to Foxy Brown and her notable debut album.
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Check out another Ruby Hornet/Cam Quotes Album Anniversary here.
[Review] Beyoncé releases highly anticipated album 'Lemonade'
For the past few weeks, Beyoncé has kept fans in a tizzy about her mysterious Lemonade project. She dropped several teasers, still it was unsure just what the singer was working on. Now, we finally have an answer: it's a new album. We shouldn't be so surprised; Beyoncé pulled the same surprise move for her stellar self-titled album in 2013. Bey premiered the album via an hour long HBO special and it may just be her most personal work yet.
Beyoncé and Jay-Z are music's ultimate power couple, but if these new songs are anything to go by not everything is marital bliss. The album opens with “Pray You Catch Me,” a song where she discovers that her lover is cheating and lying. Beyoncé sings, “You can taste the dishonesty, it’s all over your breath as you pass it off so cavalier.” It’s a melancholy introduction of the initial pain of finding out that infidelity has occurred.
Bey continues the theme of infidelity on “Hold Up.” Beyoncé seems to tell her lover that other women can’t compare to what she brings to the table. “Back up, they don’t love you like I love you,” she sings. She later threatens violence if things continue to go too far: “Strolling through your call list, I don’t want to lose my pride, but I’m gonna f— me up a b—.” The anger reaches its crescendo on “Don’t Hurt Yourself,” as Beyoncé takes listeners into a full-fledged argument with assistance from Jack White on guitar: “Blindly in love, I f—s with you, until I realized I’m too much for you…tonight I’m f—g up all your s— boy!” She ends the song with a blatant threat: “This is your final warning, you know I give your life, if you try this s— again, you gonna lose your wife.”
“Daddy Lessons” infuses New Orleans’ second line traditions with country and blues as Beyoncé tells a story where her father teaches her to shoot any man who attempts to do her wrong. “Love Drought,” “Sand Castles,” and “Forward” serve as songs where the worst issues have been confronted and the thoughts of how to handle the relationship in the future become evident.
Just when it seems like things are heading for the worse in comes the ballad “All Night” brings the entire project together. Beyoncé appears to forgive and now understands that even fairytales take hard work. Every good relationship is built on the idea of accepting each other’s flaws and surviving the bad times. “True love never has to hide, I trade your broken wings for mines,” she sings.
Kendrick Lamar provides another magnificent verse on the powerful “Freedom,” and The Weeknd joins Beyoncé to pay homage to strippers on “6-Inch.” “Formation,” which caused a stir when initially released, closes the album.
Overall, Lemonade is Beyoncé’s version of Here, My Dear— an album that detailed the fallout between Marvin Gaye and his wife Anna Gordy. Lemonade probably won’t be remembered as her most significant project, but it’s arguably Beyoncé’s most vulnerable moment.
https://www.youtube.com/watch?v=okGJ-Fto36Q
Article originally posted by our friends at RollingOut
[Review] Made in America
Ron Howard has always been an interesting director. His projects range anywhere from How the Grinch Stole Christmas to A Beautiful Mind and The Da Vinci Code. Coming off his successful project Rush last year, I was curious as to what he'd direct next. To my surprise it was Made in America, a documentary about Jay Z and his Made in America music festival.
With Howard's track record (filled with both spectacular hits and misses), I was worried about how this doc would turn out. Would we get an in-depth look at Jay Z and his career? Would we get the bare minimum to please music fans? Well, the answer is more in the middle.
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Made in America
Director: Ron Howard
Rating: NR
Release Date: July 11, 2014 (Theatrically)/July 22, 2014 (VOD and DVD)
Made in America documents Jay Z and his organization of the Budweiser Made in America music festival. Through interviews with artists like Janelle Monae, Tyler, The Creator, The Hives, Rita Ora, Eddie Vedder, and Jay Z himself, the doc hopes to better understand and frame the true meaning behind the "American Dream" while celebrating music and what it does to better everyone's lives.
The most interesting aspect of Made in America is how it's filmed. In an intelligent move, the grassroots like camerawork (using only one or two handheld cameras) clicks with the film's thematic resonance. The phrase (and its mentality) "pulled up by the bootstraps" is used quite often through the interviews in order to emphasize that each artist worked through tough times to find their current success. This wouldn't have worked so well had the production quality of the film been any higher. Hilariously enough, with not a lot of care put into the filming process, a few of the walls these artists have are broken down. For example in an interview with Tyler, The Creator, you can clearly see a boom mic in the background for a few seconds. Rather than clean up that scene in the final cut, it's left in so the interview has more character. The interviews are full of little imperfect touches like these.
While that imperfectness might not make for a visually compelling documentary, the relaxed nature of the film makes it easier to sit back and enjoy rather than absorb every bit of information. To emphasize this, the interviews are cut in between bits of the festival's performances. Capturing the overall essence of the festival, these bits are fun, aren't too impeding, and the cuts to Jay Z hard at work backstage are a nice change of pace. Unfortunately, this also means there's a lack of solid structure. It becomes needlessly difficult to discern the underlying message of the documentary as it jumps around and loses focus quite a bit. The doc can take you anywhere from an interview with D'Angelo to Run (of Run DMC) cooking eggs to Jay Z taking a tour of his childhood home. As Jay Z is the only one who gets a hefty amount of screentime, he's the only one we learn anything about. We get a brief refreshing bit of Janelle Monae's past, but everyone else gets two or three minutes and are then gone forever. While that might be acceptable for this doc's demographic, it's not going to be a draw for those who aren't so in tune with the music industry.
But what is here is entertaining to listen to. Howard has a few regular folks with unique perspectives (basically the antithesis of the "Rags to Riches" success stories presented by the artists) interspersed, and they're so engaging, I wish we would've got more of them. One in particular is a young roadie who's barely making ends meet, and has to live in a house with many other people in order to make rent. He gets two brief scenes, and his story remains inconclusive. I suppose that may be a criticism of the faulty optimism of the American Dream, but it completely clashes with the vibe of the rest of the film. It just begs the question of why bringing up the idea in the first place is necessary when it isn't used for anything of substance.
But Made in America accomplishes what it set out to do. An entertaining pop documentary with surface level information. That's not necessarily a bad thing here as the format of the film will appease fans of these artists, but it's extremely alienating for those outside of the bubble.
Made in America is not going to bring any new fans, but it's a fun party for those willing to attend.
[Video] Disclosure Lets The Fire Burn At Coachella 2014
Photo by Chris Garmon
Unless you've been living under a rock, you're very aware of last weekend's mega festival in the desert, Coachella. This year seemed to be the year of the special guest appearances. For example, Nas brought out Jay and Puffy, Queen Bey danced around supporting her sister Solange, Gwen Stefani and Snoop Dogg joined Pharrell on stage, Chance The Rapper brought out Justin Bieber, and we finally got to see Outkast back together, who themselves were joined by Janelle Monae and Future. RH favorites Disclosure was not going to be left behind as they also brought out some of their special friends to one of the best sets from the festival, bringing out Sam Smith, Mary J.Blige, and Aluna Francis (of Aluna George) to the stage during their featured songs. The UK brothers have been killing it since they dropped their debut album Settle last year and haven't looked back as they've been performing non-stop and appearing on talks shows and award shows all over the world.
Settle was pretty much on everyone's top albums list of 2013 (including ours), and with good reason. I pretty much had it on repeat for six months, and like many others, I couldn't get enough of their infectious production. I was lucky to be able to catch them during their tour stop in Austin this past January (check out the photos). I've seen a lot of DJ/producer sets, and Disclosure is definitely on the top of my list after seeing them live. If you are a fan or have yet to see them, check out their full set at Coachella below and don't be afraid when you end up dancing around your desk.
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NAS: "Illmatic XX" Stream and Documentary Trailer
This year marks the 20th anniversary of Nassir Jones' classic Hip-Hop album Illmatic. Today, Nas drops Illmatic XX, the 20th anniversary edition of the '94 debut of one of the most prolific rappers of our generation. Nas not only dropped a classic album, but changed hip hop as a whole with his gritty poetic street rhymes with a real message. Illmatic appears on best hip hop albums lists and many note the rapper as being one of the most influential rappers. This past weekend, Nas performed the classic album front to back at Coachella (video below), bringing out Hova to assist on a few tracks. That performance couldn't have been better, as you can see that no matter what, the Queensboro MC, 20 years later after dropping his debut, is still one of the most relevant hip hop artists today.
I was 11 years old when Illmatic dropped, and I remember listening to it like it was yesterday. My older brother had it on cassette, and I used to sneak into his show box of tapes while he was gone and listen to them on my Sony Walkman (remember those kids?). Not until a few years later did I really understand what Nas was rhyming about and really understand the rhymes and message he was conveying. 20 years later, the albums is still as relevant as it was in '94. Not only did he shape his career, but Nas shaped and changed hip hop culture as a whole.
To continue the celebration of the 20th anniversary, Nas will be premiere the documentary Time is Illmatic at the opening night of the Tribeca Film Festival tomorrow. If you can make the opening night, I would suggest it or just wait until it hits Netflix like the rest of us. You can buy Illmatic XX now on iTunes.
"I gave you what the streets felt like, what it tasted like, sounded like, smelled like, all on that album, and I tried to capture it like no one else could," the rapper says in the trailer.
Stream Illmatic XX and the trailer for the documentary below.
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Illmatic XX Tracklist:
Disc 1: Remastered original album
01. The Genesis
02. N.Y. State Of Mind
03. Life’s A Bitch
04. The World Is Yours
05. Halftime
06. Memory Lane (Sittin’ In Da Park)
07. One Love
08. One Time 4 Your Mind
09. Represent
10. It Ain’t Hard To Tell
Disc 2: Demos, Remixes & Live Radio
01. I’m A Villain (previously unreleased)
02. The Stretch Armstrong and Bobbito Show on WKCR October 28, 1993 (previously unreleased freestyle)
03. Halftime (Butcher Remix)
04. It Ain’t Hard To Tell (Remix) (promo single)
05. One Love (LG Main Mix)
06. Life’s A Bitch (Arsenal Mix) (promo single)
07. One Love (One L Main Mix)
08. The World Is Yours (Tip Mix)
09. It Ain’t Hard To Tell (The Stink Mix) (UK single)
10. It Ain’t Hard To Tell (The Laidback Remix) (UK single)