Youtube Culture - A Global Phenomenon

The booming world of Youtube is becoming a cultural phenomenon. Over the past 10 years, the vast platform has grown significantly since it was first established in 2005 by founders Chad Hurley, Steven Chen, and Jawed Karimin. Its content covers a wide range of topics and advice on those topics, offering tips in addition to the personal experiences of the individuals who create these videos. From sex education and relationship advice with youtuber Lacey Green, to clean eating and vegan knowledge from creators like Laura Miller and Niomi Smart; even mini science lessons with Hank Green that will help you survive whatever science class you may be struggling through. But youtube videos can also be shown through a different filter as an art form. For example, Casey Neistat or the Michalaks whose camera shots or, “silky montages” as Stef Michalak phrases it, can leave the watcher in awe of what they just experienced through their computer screens. 

The different styles of videos and content are accessible to hundreds of millions of viewers. Another popular example of increasingly produced video content on Youtube are video blogs, also known as vlogs. These videos give a visual account of the behind the scenes architect and their every day life. Although it is compacted into a short 15-20 minute clip, it appears as if its almost a mini reality show, except it cuts all the overly dramatic crap. The viewer experiences real examples of another person’s life and point of view through a digital platform, and there is nothing quite like that out there.

However, some of the content created may be questionable in terms of its authenticity. For example, some creators may title their video with a catchy slogan to get views, also known as “click bate.” Between the capitalized, in your face titles and the regurgitated challenge videos, it is difficult to determine if some creators are just making their content for views.

Youtube has expanded drastically over the last 7 years, meaning the audience has changed and expanded over the course of that time as well. The concern of authenticity comes into play when individuals who have seen certain youtubers climb their way to the top of the stratosphere, so to speak, in terms of the income and fame that comes with having a popular channel. For example, youtuber PewDiePie has whopping 44 million subscibers, and further down in the youtube ranking is Zoella, who has a following of over 10 million subscribers. Popular content creators now rake in a generous revenue from their views and the opportunities youtube has allowed them. 

However, back in the early days of the site, many youtubers speak about how they had a different sense of morality when it came to Youtube. The platform was just starting out, and many channel creators used it to express their creativity, and to share their unbiased opinions of topics and products with others, before ad sponsorship exploded in the youtube world. In the last year alone, advertisers displaying their ads on youtube has increased by 1,000%. So, how are viewers supposed to determine the honesty of the new generation of youtubers and their intentions towards their viewers? Other than taking their word for it, the proof is in the pudding, and the pudding is the quality of the types of videos that are being made. 

One of the biggest corners of youtube is dedicated to its own section of creators called beauty bloggers or beauty gurus. To some, these youtubers that collaborate with makeup and clothing company’s may seem materialistic and it is in a sense. But there is also a lot of unbiased content produced by these so called beauty gurus who simply want to teach via tutorial style. As a woman, the pressure to look a certain way and to conform to social norms of what “perfect” is is impossible. Does youtube content unintentionally glorify this image of perfection and needing to be perfect? Maybe. Maybe such tutorials or recommendations on certain products involuntarily gives into that. Or maybe these are women who grew up wishing they had examples to learn from on certain concepts like makeup, and skin care. Beauty vloggers aren't simply limited to the outer appearance of beauty. They are creators of discussions and forums that implement videos on critical topics like body confidence and introverted personalities, with youtubers like Grace Victory, Estee Lalonde and Samantha Maria. Even delving into the "not so perfect" side of life and sharing their stories on depression or domestic violence. These are women who encourage and support others to be confident and that that confidence should be celebrated.  

However, no matter how someone may view a situation, the creator included, your point of view will always be challenged by someone else. In this world of over 7 billion people, Youtube has at least 1 billion active users every month. “If YouTube were a country, we’d be the third largest in the world after China and India,” Youtube claimed. However, with high numbers comes an increase in the number of critiques. The comment section below these videos contain some of the most hateful, ugly, one-dimensional opinions and accusations that tear down Youtubers. Many content creators have shown their vulnerability by putting themselves out there, in a world full of scrutiny and judgement or “hate” as it is popularly phrased. Handling such criticality can be very overwhelming and eveyone handles it differently; from Zoella’s “Sometimes It All Gets A Bit Too Much” video to Jenna Mourney, aka Jenna Marbles, in her video “Reading Mean Comments.” 

Youtube’s boundaries are limitless. However, the pros and cons of that freedom will always exist. It's simply part of the infrastructure that makes up this other-worldly Youtube culture. 

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Still from Nicki Minaj's Anaconda music video

Video Saved the Radio Star: How YouTube Pulled Off What MTV Couldn't

In 1981, MTV revealed their very first music video, the ironically titled "Video Killed the Radio Star" by The Buggles. In that single moment, the age of visual media exploded and radio began its decline into obsolescence. To this day, most of what you'll find playing on radio is the same recycled Top 40 hits over and over again. For an artist to gain any type of fame, it used to be that they'd have to work to get their single on the radio, and after a few weeks of play, get to have a music video on TV. Fortunately, that's not the way it works anymore.

With the rise of the Internet age, video sites like YouTube helped revolutionize the music video medium. While it may have damaged the music industry in terms of revenue, it's been pretty damn great for the rest of us. With every video wanting to become the next "viral" sensation, music videos are finally doing what they were intended to do and make us want to buy music again.


Here's How to Easily Create GIFs from YouTube Videos

GIFs are the greatest thing on the internet next to free porn and memes. For some, GIF creation comes easy; for others, we rely on GIF creating services. When it comes to creating GIFs out of videos, it's a whole other story if you don't have the source file. Thankfully, one website allows aspiring GIF artists to create endless loops from their favorite YouTube videos.

gifYouTube allows users to easily create GIFs by simply taking the URL of any YouTube, adding a "gif" before the link, and setting the start time and duration of the clip. For example, I took Ruby Hornet favorite ShowYouSuck's "Homies Help Homies" video, which can be found at https://www.youtube.com/watch?v=iw3OakY9bvc, add "gif" to the beginning of the URL so it reads https://www.gifyoutube.com/watch?v=iw3OakY9bvc, then begin creating your very own GIFs!

There's no telling how long the service will be up, so make as many as you can while it's available! Below, you can find two GIFs I made from the aforementioned "Homies Help Homies" video and Auggie the 9th and Supa Bwe's video for "Mahjik."

[via Wired]

Blakkass Westley Homies Help Homies

Supa Bwe Mahjik


ShowYouSuck Gucci Mane

New YouTube Subscription Service Might Block Independent Music

The next phase in YouTube's growth is near, and it could spell doom not only for the popular video platform, but for independent artists. YouTube is entertaining a subscription-based service, rumored to be called the "YouTube Music Pass," that will offer ad-free videos and downloadable songs to subscribers. However, the company will only feature videos from artists whose music labels have signed on to be a part of the service. Obviously, major label artists' videos will be salvaged, but smaller, independent labels are already balking at the notion of this new "pay to play" service that YouTube is implementing. Unfortunately, artists and labels who are non-compliant to the new service might find their videos blocked from YouTube.

According to YouTube, their service has attracted roughly "90% of the music industry." However, CEO Alison Wenham of Worldwide Independent Network, a group that acts in the name of all independent musicians, has made an official response to YouTube's plans:

Put simply, by refusing to engage with and listen to the concerns of the independent music sector YouTube is making a grave error of commercial judgment in misreading the market. We have tried and will continue to try to help YouTube understand just how important independent music is to any streaming service and why it should be valued accordingly.

Music fans want a service that offers the complete range of music available. This is something that companies such as Spotify and Deezer do, both of whom have excellent relationships with the independent music sector. By not giving their subscribers access to independent music YouTube is setting itself up for failure.

Major labels like Sony and Universal can afford to ink deals with YouTube that will allow their artists to continue to be represented within the new YouTube subscription service. Independent labels, however, are rumored to have been offered less lucrative deals when compared to their richer counterparts. YouTube claims that the new service will create a new revenue stream for musicians to continue to monetize their videos, but blocking smaller labels who don't sign onto the service runs counter to that very notion. While no official numbers or facts have been released, it's rumored that the contract YouTube has offered independent labels have been near-insulting that undervalue independent music.

So what does this mean for pre-existing indie musicians' videos? Everybody on the wide spectrum of "independent music," ranging from well-known musicians like Jack White, Radiohead, and Adele to rising stars like Ruby Hornet fan favorite ShowYouSuck, will be facing a crossroads of sorts. Videos that have been distributed and licensed by VEVO will still be present on the VEVO channel. However, videos exclusively licensed by independent labels will be taken down. The reason for videos being taken down beyond the indie labels' non-compliance is because YouTube doesn't want to continue offering the videos to free, ad-supported non-subscribers that they can't also offer to premium, paid subscribers.

Thus begs the question that affects artists who release music and videos directly: What happens to them? With amazing videos from independent directors like FD Films and Austin Vesely, their visibility and exposure will be severely limited if YouTube does, in fact, block all forms of independent music videos on their service. However, what's more likely is that they'll disallow monetization of music videos on their platform. Considering how rare it is for unsigned artists to even garner enough views to make money from their videos, this might not be that much of a hurdle for indie artists to cross. Then again, there are artists like Chance the Rapper who has found success without signing to a music label. Since his music and videos are unlicensed by any label, it would appear that his and other user-uploaded music videos would be exempt from YouTube's ban. Another, more feasible alternative for indie label-signed artists would be to flock over to Vimeo, which already offers better video quality than YouTube, but doesn't carry the same status or monetization opportunities that YouTube does outside of film audiences.

Could this be the rise of Vimeo in the wake of YouTube's demise?

[via The Guardian]


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[Video] Pharrell Talks New Album, 'Girls' with Zane Lowe

Pharrell has a knack for finding his way into the news cycle for all the right reasons. The baby-faced 40-year-old super-producer announced earlier this week that he had a new album expected, unveiling the title that was as simple as his epic day-long video for "Happy". It's no great revelation that Pharrell likely lives one of the most satisfying lives in America, and he stopped by BBC Radio 1 to chop it up with Zane Lowe and give the public a little glimpse into how his mind works, what the deal with the hat has been and what the plans are for Pharrell's first solo project. Check out the full video, streaming below.

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Pharrell and Nelly performing live at the 2014 NBA All-Star Game

[Video] Pharrell, Kendrick Lamar & More Perform at 2014 NBA All Star Game

Ever since Michael Jordan retired and the new breed of superstar was established in the NBA (a la Allen Iverson, Dwight Howard), the NBA All-Star game has been much more performance than true sporting event since Tracy McGrady threw himself an alley-oop off the backboard in-game, and this weekend's jam-packed 2014 edition was no less light on the entertainment. Held in New Orleans, the 63rd installment of the annual competition of the league's brightest stars saw performances from the likes of Pharrell, who showed up with both his infamous hat, and former Neptunes/N.E.R.D. partner Chad Hugo in tow, performing a slew of his hits on both the production and singing tips. He did the classic, decade-old song, "Frontin", brought out Nelly for "Hot in Herre", did the hook on Jay Z's "I Just Wanna Love U (Give It to Me)", although Mr. Carter wasn't in attendance, and brought out Busta Rhymes and Diddy for a fresh version of "Pass the Courvoisier Part II". He aldo did "Blurred Lines" for which Robin Thicke was also a no-show and followed it with the cult classic, "Rock Star" with his Hugo, who played the keytar flawlessly. Pharrell finally finished, playing "Beautiful" with Snoop Dogg and, following the Western Conference introductions, did an interpretation of "Get Lucky", again, without Daft Punk, and during "Happy", he popped on the big hat. Kendrick looked as intense as ever, performing "m.A.A.d City" and "Bitch Don't Kill My Vibe" in an understated black hooded sweatshirt. Janelle Monae continued to prove why she is a favorite for performances like these, tapping none other than Trombone Shorty, Gary Clark Jr., Doctor John and Earth Wind & Fire for a memorable performance that included a rendition of her song, "Electric Lady", before joining Earth, Wind and Fire for "Shining Star". All in all, there was plenty to make up for the mediocre basketball. Watch it all below.

Pharrell:

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Kendrick Lamar

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Janelle Monae & Trombone Shorty

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[Video] Childish Gambino: “I’d Die Without You” Live on BBC 1Xtra

[Video] Childish Gambino: "I'd Die Without You" Live on BBC 1Xtra

Since dropping his latest album, Because The Internet, Childish Gambino has been everywhere, on seemingly every late night and morning talk show as he helps push the project. The other day, he stopped by BBC 1Xtra to do a live rendition of P.M. Dawn's song, "I'd Die Without You", giving it his own flair in the process, showing off his non-rap vocals for a change of pace. Check out the full video of the performance, streaming below.

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YouTube Music Awards... Interesting

The inaugural YouTube Music Awards (YMA) took place Sunday night in New York City. The website-sponsored music awards show, touted as a celebration of the do it yourself content environment Youtube helped to foster. It was billed as the crowning moment of years worth of artists that have taken things into their own hands to make it on their own terms. From the sounds of it, the YouTube Music Awards seemed poised to crown those who had used the website as a come up. Think Mac Miller, Macklemore, Chance The Rapper and the hundreds of young artists and directors across the country using the site to get their art to the world.

Instead, the YMAs featured headliners Arcade Fire, Lady Gaga and Eminem performing while shooting live music videos with program director and legendary video director Spike Jonze. It was, in the words of one of my former Journalism professors, one of the biggest public blowjobs in the history of already blowy award shows. The awards show was, in essence, Jonze's wet dream, a grand stage for the director to remind everyone he's pretty good at what he does. Add in the fact that hosts Jason Schwartzmann and Reggie Watts rarely had any idea what to say and you have yourself a show with a production value seemingly lower than many of the videos the site hosts.

In a similar position to that of MTV on September 14, 1984 when the Video Music Awards first entered the world, YouTube finds itself as the de facto landing spot for music videos in today's media climate. Perhaps because of this distinction, the YMAs came to fruition yesterday. Jonze, earlier last week, voiced his interest in creating "live music videos" at the awards show. While playing on YouTube's reputation as an open-source type format from which anyone can make a name for themselves, Jonze missed the mark in directing videos for larger-than-life acts such as Lady Gaga, Arcade Fire, Eminem and Avicii; forgoing the up and comers that make the greatest use of the streaming video site.

It wasn't all bad. While the artists featured may have been different from what I had in mind when first picturing the YMAs, organizers did get plenty right. For one, by producing a live awards show, albeit a show Jonze described beforehand as one in which "We’ve been given a lot of room to make a mess,” YouTube was able to step up and prove itself a viable alternative to traditional television-an important distinction as viewers increasingly ditch the tube and cable for free streaming service via the website. Winners were also voted on by fans, a nod to the user-generated content and interaction that has made YouTube the media Goliath it is today. While Eminem interestingly won 'Artist of the Year' days before his first album in two years came out and kid's group Girls' Generation won best video, it was a good move to leave it to the fans. . . I guess.

Regardless of what I or anyone else thought of the show last night, it happened, and that's all that really matters at the end of the day. The web was flooded with fresh memes and, soon, a slew of new Jonze-directed videos. Any first run is going to be a little rough around the edges (see: early VMAs), but it will be interesting to see where YouTube takes the fledgling awards setup-to the mainstream or tailored to the users actually frequenting the site and providing much of the content. Either way, organizers of the show and YouTube can sleep easy knowing they're having a better week than former YouTube owner Chad Hurley, who got himself in Kanye West's line of fire this week, although Tyler, The Creator may feel differently (see below).

 

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