Kodie Shane Zero Gravity

[Review] Kodie Shane Drops "Zero Gravity" EP

After first seeing the video for "All In", I was curious as to who the girl rapping is. I would later find out that her name is Kodie Shane. As an official member of Lil Yachty's "Sailing Team", Kodie officially released her EP, Zero Gravity, and it looks like she's planning on sailing into 2017 with the purpose of making a name for herself musically.

Kodie opens her EP with "Drip In My Walk", a Lil Uzi Vert style flow over the signature Sailing Team Rugrats inspired track. I'll be honest, I'm not sure I know what having a "Drip In My Walk" means, but you can bounce to it. Sometimes this is all that matters.

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Unfortunately, a lot of hip-hop purists will have to come to terms with the fact that the song "Sad" featuring Lil Yachty is the standout track on this EP - and it sounds really good. Yachty taps into his inner Fetty Wap and delivers a solid effort over a very smooth, but bouncy "Emo Anthem". This sounds like something that's going to bang during lots of radio night shows, and a few lounge and club scenes I'm sure.

"Can You Handle It" shows more of Kodie Shane on an R&B wave, even more so than "Sad". It's a great melody that you can ride to. I'm not mad at the inner R&B Diva in Kodie Shane.

The Sailing Team is going to coast into 2017 and this EP is going to calm the waters. Kodie Shane is likable. Her look, charisma and potential are enough to keep fans interested in a time where music is lucky to be hot for a week. I personally would like to hear more singing from Kodie Shane. Rapper Kodie Shane needs to get on a project with Lil Uzi Vert; It would just make sense after hearing "Zero Gravity"

While listening to "Zero Gravity" you will notice that a lot of the hooks, cadences and lyrics get extremely repetitive ["Losing Service" as a prime example] and you're not really getting anything "new" when it comes to style, flow, production or content. The truth is we are in an era that doesn't really care that much about all that.

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Kode Shane "Zero Gravity" EP https://itun.es/us/-JaAgb

“SAD” FEAT. LIL YACHTY

iTunes: http://smarturl.it/Sad_iTunes

Apple Music: http://smarturl.it/Sad_AM

Spotify: http://smarturl.it/Sad_Sptfy

Google Play: http://smarturl.it/Sad_GP

Amazon Digital: http://smarturl.it/Sad_Dig

Deezer: http://smarturl.it/Sad_Dzr

Soundcloud: http://smarturl.it/Sad_SC

Tidal: http://smarturl.it/Sad_Tidal


Gilmore Girls Cast 2001 vs. 2015

Why Gilmore Girls Ended Exactly As It Should Have

After waiting nearly 10 years, the Gilmore Girls have finally returned to the small screen and the town of Starts Hollow, and there is a lot to be said about the revival.

Winter

The return of Gilmore Girls is divided into four seasons, starting with Lorelai’s favorite: Winter. Throughout this first episode, the audience views how Emily, Lorelai and Rory cope with the death of Richard and how their grief impacts them in different ways as a wife, a daughter, and a granddaughter.

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Emily begins to wonder who she is and what brings her joy in life in a world without Richard.  

Lorelai is also starting to struggling after a confrontation with Emily. Lorelai begins to question whether her mother was right. Is she is being selfish and compartmentalizing pieces in her relationship with Luke?

Spring

In the season Spring, we see Rory starting to struggle in her own way, grasping to find her identity within her career. Her studies and her career have always come first for Rory, with intimate relationships coming in second. Rory is questioning which direction she want to follow as a journalist.

Rory's unstable situation in her work life is paralleled in her love life, establishing a no-strings relationship with Logan Huntzberger. Logan has always represented fun and a freedom for Rory. However, it becomes apparent that this roaming free lifestyle in Rory’s work life and personal life isn’t something she can sustain forever. 

Lorelai and Emily are seeing a therapist together, which is a major break for these two characters who have never been mediated together. This opportunity gives them the chance to mend their issues in the tense relationship that has build up over years. 

Mother and Daughter Across Three Generations

Summer

In the Summer season, Rory steps up and decides that she is going to save the Stars Hollow Gazette, taking on the role of editor. She is ready to use her skills and education to benefit the town, and to keep a historical piece of Stars Hollow alive. The Stars Hollow Gazette has also helped to inform and shape Rory herself into the person she is today. Rory recognizes this and makes it her responsibility to return the favor.

Lorelai also worries about the structure of her career. She has lost Sookie as a chef and can’t find anyone who is up to Lorelai’s standards to replace her. Now, in the season of Summer, Lorelai faces the potential dilemma that Michel may be leaving. She fears that the team that was the foundation of her business seems to be falling apart.

Jess returns to Stars Hallow and it is evident that he is able to maintain his friendship with Rory. His advice helps to shine a light on a situation she couldn’t see herself. He provides her with insight on her career and what direction she should consider taking. Jess suggests that Rory write a book, about her and her mom and their life together. 

However, Rory’s decision to pursue the book idea causes a divide between Rory and Lorelai. Lorelai has always tried to maintain her private life and keep her relationships separate; whether it was her distancing herself and Rory from Lorelai’s parents, or Lorelai keeping the men in her life at arms length from Rory growing up. It always seemed as if it was her intention to protect Rory.

Yet, Lorelai is also trying to protect herself. This parallel is also shown in Luke and Lorelai’s relationship strains. Luke claims that Lorelai has always called the shots in their relationship. The only option Lorelai has now is to take a break and to embark on a journey alone to figure out how she feels and what she wants.

Fall

During the final season of the four part series, Fall, the issue of communication arises. Jess addresses the situation between Luke and Lorelai and communication withinin their relationship. Through this, Luke comes to the realization that he may lose Lorelai. 

This is not only a significant moment for Luke, but for Jess as well. Here, we see Jess’ progress in the communication department in his adult life. This is essential and allows him to break down the barriers he put up. It allows Jess to establish true friendships with Rory and Luke, people he once pushed away, and to even help them.

Logan, Collin, Robert, and Finn also return to Stars Hollow. With them, they bring back that sense of fun and freedom that they provided Rory with during her college years. They allow her to take a break from the seriousness and the stress of life and to just enjoy the stupid stunts that can make living in the moment fun. But the fun has to end at some point. 

Finally, Rory runs into Dean, her first love. Her depiction of him as her first boyfriend is so important. It shows how Dean has impacted Rory's life, regardless of fans who don't approve of Dean. Rory highlights how he taught her what safety felt like, a valuable lesson she needed in her life. Rory claims that she’s glad they met when they did because she wouldn’t be the person she is today.  This is a great example that shows how the people of Stars Hollow - from The Stars Hollow Gazette, to Dean, to Lorelai - have greatly shaped Rory’s life.

In a moment of clarity, Lorelai is finally able to reflect on the one instance that stood out to her about Richard. This scene finally gives Lorelai a sense of insight, understanding and closure to Lorelai’s relationship with her father. She is now starting to embrace the journey of coping through seeing her father more clearly now after he is gone.

When Lorelai returns to Stars Hallow, Luke lays it all out on the table for her. He is willing to sacrifice anything for her, telling her she can’t leave, that he needs her most of all. Lorelai responds by asking Luke to marry her. This idea of marriage has been a uneasy subject for the two and their history together. But it is this point in Lorelai and Luke’s relationship shows how valuable and meaningful time and patience are. “It needs to fit,” Lorelai states at the end.  

Lorelai's complications with her work life also receive a sense of closure when Sookie returns. It shows that Lorelai, Sookie and Michel’s relationship with one another hasn’t changed. Even if they aren’t working together anymore, their bond displays how their business was always made from the foundation of friendship; and how that friendship intertwined with creating a business.

Rory eventually returns to Lorelai on her own terms. She doesn’t apologize for the book idea, because it is something she believes in and wants so desperately. Instead, Rory offers Lorelai a proposal. This scene displays exactly how Rory’s relationship with her mother is more important than her career. And in that moment, we the audience, realize that Rory’s relationship with her mother has always and will always be the number one, most important thing in her life.

The Gilmore Girls After 15 Years

Even Christopher, Rory’s father, knows that Lorelai’s relationship with Rory is exactly the way it was supposed to happen. "From the first moment I saw you two, I knew no one was getting between you two,” he says. Rory is no longer the 16 year old girl who so desperately wants her parents to be together. Rory finally understands that her relationship with her mother is more special and more important than her parents being together. 

Emily comes upon her own realizations and the need for changes. She makes the decision to sell her and Richard’s home. Emily is finding who she is and who she wants to be after the loss of Richard. She finds her passions and pursues them and accepts and embraces the changes that comes with that. It is interesting to see a character who is so against change welcome it into their life. Emily not only supports the idea of change, but she needs it. Change helps Emily to keep living her life and not let "it die with Richard."

Towards the end, Lorelai tells Rory that she is not going to read Rory’s book until it is complete. By allowing Rory to follow through with her passions, this act displays the trust Lorelai has in Rory as a daughter and as a friend to write their story with honor, integrity and truth.

Finally, the final four words the creator Amy Sherman-Palladino are released into the world:

Rory: “Mom?"

Lorelai: “Yeah.”

Rory: “I'm pregnant.”

Similar to Lorelai situation when she was pregnant with Rory, Rory is now pregnant. She isn’t married, nor does she have the support of a partner. But she has something that Lorelai never had: the unconditional and full support of a mother. A mother who will help her get through this pregnancy and to help raise this child, if that is what Rory chooses to do. 

Gilmore Girls always focused on the mother-daughter relationship between Lorelai and Rory. Their bond, their friendship, and their little family was always what the story was about. Rory’s decision to re-tell that story in the past through the present is deeply meaningful to these two characters and their journeys, both together and apart. But the potential to continue that story with Rory's child allows the Gilmore Girls story to come full circle while still continuing on their journey together.

In addition to the amazing job of the writers in the Gilmore Girls revival, it is extraordinarily commendable how these actors brought life back to these beloved characters. Lauren Graham returns as Lorelai, seemingly without even missing a beat. It is as if the fast talking, quick witted, bantering coffee addict never left. The growth and relationship between the characters and how these scenes were carried out is truly admirable. The banter between Lorelai and Rory seems natural, as if you can see Rory becoming more and more like her mother in her witty manner of speaking between the duo. 

Although there was a scene or two there that may have been shortened, such as the 10 minute scene devoted to the Stars Hollow musical, it all great impacted the story. To some viewers, there were scenes that may seem less important or may even be deemed as 'skip-able'. But it is important to remember that every scene that involves the people of Stars Hollow is essential. These scenes bring back that same life and rhythm by the people of Stars Hollow. It brings back the same feelings to a show that began 15 years ago. But this story isn’t just about Lorelai and Rory. It is all the characters that were brought to life and made the show the great story that it is; and the great story that it will be as Rory’s book, Gilmore Girls. 


Ultra Music Festival

Ultra Music Festival 2017 Lineup Miamia

The first phase of Ultra Music Festival 2017 lineup has been revealed. The Miami-based EDM festival will take place in Bayfront Park Downtown during the weekend of March 24-26.

The initial lineup features heavyweights like Justice, Major Lazer, Martin Garrix, Hardwell, Tiesto, David Guetta, Armin Van Buuren, Alesso, Afrojack, and Ice Cube.

Other notable acts include Axwell ^ Ingrosso, Dubfire, Carl Cox, Jamie Jones, Sasha John Digweed, DJ Snake, Steve Aoki, and Tale of Us.

The music festival will feature six stages: Ultra Main Stage, LiveStage, Resistance, I'm In A State of Trance, Ultra Worldwide, UMF Radio, and Oasis.

Early Bird GA 3-day tickets and Payment Plan GA 3-day tickets have sold out. Tier 2 and Tier 3 GA  3-day are available for purchase. For more information or to purchase tickets head over to the festival's website.

The phase one lineup is a great start to an already amazing festival. We can't wait for the phase 2 lineup. In the meantime check out the official flyer below.

Ultra

Ultra


Mobb Deep's "Hell on Earth" Album Anniversary

Many conversations were had on this topic between myself and others this year. The question is which album and artist suffered most after "Hit Em Up" dropped? My Stance: Nobody took a L bigger than Mobb Deep in all this. Not even Chino XL.

It’s November 19, 1996 and Mobb Deep dropped their third [yes 3rd] album, Hell On Earth, and from a career standpoint that became symbolic to this period of time.

In '96, an album with Method Man, Raekwon, Nas and Havoc’s production on Loud Records would have been deemed an instant classic for anyone; Especially for a group that put out a certified classic the year before. However, an unstoppable force buried this album, and it’s dopeness. That force was the angry wrath of Tupac Shakur.

By November 19th of 1996, All Eyez on Me was given the crown as album of the year in hip-hop. “Hit Em Up” was being mentioned as the greatest diss of all time, and Pac had been dead for 2 months. Outside of Lil Kim's catalog, the Makaveli album was the only album anyone spoke on. Add that to a group that was now known for being added to Pac’s “Fawk You List” and it was anything but easy for the Mobb to keep momentum going.

hell on earth
Mobb Deep

"L.A, L.A" was a decent set of jabs while everybody was living. It would also go on to be added to the debut album for Capone-N-Noreaga in 1997.

“Drop A Gem on Em”, the Pac Diss was a featured song and rumored to have a video was stifled because of Pac’s death. At that time in hip-hop it wasn’t cool to speak on the dead. Making diss tracks aimed at a person that couldn’t respond wasn’t honorable. Looking back, it appears that neither Loud Records nor Mobb Deep had a promotional plan in place after Pac passed. Sadly they never mended the fence that the biggest rapper in the world tore down prior to his death.

This album is dope! It’s vicious, melodic, even spooky. “Man Down”, “More Trife Life” and “Get Dealt Wit” are bright gems on the track list. Havoc is a much better emcee on this album, yet it’s critical acclaim and gold status by spring of 1997 couldn’t help its placement in hip-hop memories. This is also one of the first releases to have the “Enhanced CD” that you had to “Put into your CD ROM” to get the “bonus content”. Havoc sampled Tony’s Theme from Scarface on the album. He might have been the first to do that.

Much like the young people understand today, It’s hard to get positive, progressive press when the number 1 rapper in the game doesn’t like you. What Mobb Deep understands better than anybody is how to try to drop an album after that rapper dies.

Media and Music moved a lot slower in 96 and I think Mobb Deep got it worse than Biggie, Junior Mafia, Jay and Nas. Unfortunately in 1996, The people remember:

Oh yeah, Mobb Deep: you wanna f**k with us?
You little young-a$$ motherfu**ers
Don’t one of you ni**as got sickle-cell or something?
You’re fu**ing with me, ni**a
You f**k around and catch a seizure or a heart attack
You better back the f**k up
Before you get smacked the f**k up

and hardly anyone remembers

Havoc
You yell my name, that’s only giving me props
Plus the fans that you got wondering what’s got you hot
It’s too not, knocked out the box and got rocked
Got raped on the Island, you officially got
Kick that thug s**t, Vibe magazine on some love s**t
Keep it real kid, cause you don’t know who you fu**ing with

And Prodigy with his “Dry Snitch-esque” Bars like.
My rebellion, retaliate, I had the whole New York state
Aiming at your face at the gate
Bottom line off top soon as you came through
Shots flew, don’t even know the half of my crew
I got a hundred strong arm ni**as ready to rock your s**t
Clocks tick, your days are numbered in low digits

and

When you see my clique you need to run behind shit
You got a gat you better find it
And use that s**t, think fast and get reminded
Of robberies in Manhattan, you know what happened
60 G’s worth of gun clapping
Who shot ya? You probably screamed louder than an opera
New York got ya, now you wanna use my mob as a crutch
What you think you can’t get bucked again?
Once again

Pac dying was the “East Coast vs West Coast Beef” going too far and unfortunately Mobb Deep dropping in November after his demise and after the Makaveli album didn’t help their cause on either end. Although the summer of '96 was huge, I truly want to know if Mobb Deep tried to push this album up.

Respect to both Mobb Deep and Hell On Earth. A dope body of work that dropped too late. Click here for more Mobb content on Ruby Hornet.


In Greed We Trust

America: How Greed Trumped Freedom

Much has happened over the past week as a result of Donald Trump being elected as President of the United States.

When I woke up last Tuesday morning to hear the news, I felt like the world had ended. Shock, depression, anger, fear. I felt it all at the fact that our nation, who appeared to progress so far against prejudice in the past 240 years (officially), was being torn apart. It seems as if all that hard work and determination to create and establish change was crumbling beneath us. 

But this race was always more complicated than Hillary is good and Trump is bad.  Throughout his candidacy, I viewed Trump as this disgusting racist, homophobic, sexist discriminatory piece of trash. I had the same negative connotations with those who supported Trump or chose to vote for him. 

There are great deal of Republicans who voted for Trump because of the promise of a prosperous economy and strengthening middle class America, rather than strictly agreements on a discriminatory basis.

However, the overall outcome is a nation divided by greed. It is greed that has long dominated and continues to dictate our nation and the people that voted for economic change rather than social change and liberty and justice for all.

And while I still have strong negative feelings toward Trump, I dislike both Presidential candidates during the election race. 

We, the people, were given two steaming piles of shit candidates and told to choose the lesser evil.

Hillary Clinton’s actions didn't remain true to her country. Lying and cheating to get what you want is the equivalent of greed.

Both parties fought hard against each other. However, both seemed to be largely after one objective: the title of President of the United States. The race between these two candidates proved to be selfish at the core when it came down to power. So why were many of us shocked that this major problem that continues to afflict our society dominated this election? 

Because we believed in our own abilities to change a system that often cripples many of its inhabitants. Even middle class America, who have been victims of the economic system, chose the candidate they best sought fit to reform their situation. 

However, Donald Trump’s platform for "change" based on a business man’s views feeds back into the revolving concept of greed. 

Donald Trump Greed

To complicate things further, some of the people who chose economic liberation are people we know, people we love. They are people who are capable of love and kindness. Yet, the promise of supporting one self or one's family financially won out; rather than realizing the big picture: freedom for all.

Hillary Clinton’s open arm stance on rights for all religions, races, nationalities, women, the LGTBQ community is essential and critical to this county’s well being.

The United States of American consists of a variety of people, not minorities, but people. They are our neighbors, our brothers, our mothers, and our best friends. They are us, and it is why we need to support one another. Because that is the only way we can properly function as a society, together.  

The people that make up this nation who stand for equality and liberty are terrified to be who they are. Children are fearful, with the threat of their mothers and fathers deportation to the countries where they were born. Kids worry about going to school because of the taunting and chanting of white, male privilege in the hallways.

Making decisions by those considered to be voting adults, decisions that greatly affect children in America and taint the innocent lives of our country’s youth, it is not only majorly problematic. It is cruel and corrupts the good heartedness of children. 

The majority of parents teach their children to do good and to do what is right. And yet, half the country made decisions for the good of the one rather than the good of the many.

It is an issue that has plagued our country for centuries. But in this election, greed has made a significant tear at our nation’s structure. 

“The land of the free and the home of the brave."   

These words sometimes used to describe the United States are now enforcing laws and the threat of repeals. It is making freedom circumstantial. 

But that won’t stop us, each of us that are labeled as minorities or each of us that believe in equal rights for all, to keep fighting for the country that we are all apart of. 


Women in Television Production

Influential Women in Television History

Influential women in television history such as Lucille Ball, Carol Burnett, and Ellen DeGeneres have served as idols for girls, young women, aspiring actresses and female comedians. These women have helped to shape the general population of women and their sense of strength and empowerment. Here is a list of 5 examples of strong women in tv history who played powerful roles both in front of the camera and behind the scenes:

    • Lucille Ball —> Lucille Ball is often publically conceived as the ditsy house wife on the widely beloved 1950s sitcom I Love Lucy. However, Lucille Ball’s wildly popular and hilarious stage presence through physical comedic style shows Lucy’s characteristics as a smart, funny and talented actress and comedian.  Yet, Lucy was not only a strong example of a successful female comedian and actress during a period where comedic television was brand new; but Lucy also  accomplished roles of film-studio executive and producer. Roles such producer, director, writer, studio executive are titles that women typically didn’t have the chance to explore.
    • Lucy’s initiation into television production roles began soon after she met her husband, Desi Arnaz. The pair took their “I Love Lucy” act on the road after CBS decided against taking on Lucy and Desi’s. But eventually, CBS agreed not only to put “I Love Lucy” on the air. The network allowed Lucy and Desi to create the show with their own vision; and to do so under the couples new created production company, Desilu Productions. Her start in the business and creation side of on-screen broadcasting as a television producer reflected Lucy’s intelligence and strength as a leading lady in television.
    • Carol Burnett —> Actress and comedian Carol Burnett continued to pave the way for strong, funny, intelligent women in television. Burnett started her on-screen career in the mid 1950s, and continues to work into today. Among the dozens of roles she took on, one of Burnett's most memorable was on the Carol Burnett show. As Host of The Carol Burnett Show for over 10 years, Carol had total control in producing on her show. Her vision was for The Carol Burnett show to be a variety show, a show comprised up of sketch comedy. That idea was followed through. The Carol Burnett show presented some of her best comedic material and skits. Furthermore, Burnett's content influenced the world of on-screen variety shows. 
    • Burnett also formed a comedic duo with Lucille Ball in a few episodes of The Lucy Show and Here’s Lucy. Both Lucy and Carol worked so well together because they of their similar comedic style, and the wit and intelligence they employed in their roles as actresses.
    • Recently, Carol Burnett guest starred on the Tonight Show Starring Jimmy Fallon. During the interview, Fallon flashed back to a clip of Carol on the Carol Burnett show. In the scene, there was an actual earthquake while on set. But despite the fear and alarm on set, Burnett used her quick wit to push the scene forward and make the audience laugh. She stated, “No visiting, the earth just moved. See what happens when you pay attention?” It is this kind of quick fire reactions that gave viewers the sense of how powerful actresses like Burnett were. She was more than just an actress, Carol Burnett was a visionary in creating as well as executing comedy in television.  

Influential Women in Television: On Screen and Behind the Scenes

 

    • Ellen DeGeneres —> Ellen DeGeneres professional career as an actress and comedian began in the late 1980s. DeGeneres typically stuck to the small screen in television shows that she starred in as well as episodes of other series. But her comedic wit and her love for laughter would empower Ellen to become a writer and producer, as well as a host, of her own talk show. 
    • Ellen’s sitcom from 1994-1998 was one of the first tv shows to feature a leading female role where the character is gay
    • The Ellen DeGeneres show originally aired in 2003 and still continues with live broadcasts today; with over 10 years later with nearly 2,000 episodes. In which Ellen DeGeneres portrays strength as an actress, comedian, content creator, producer, writer, and host. Her efforts to make television a better place for the LGTBQ community and for women will continue to shape and influence both; as well as impact both groups and their abilities to work in television, in which ever role they seek out. Just as Ellen's fellow female comedians Lucille Ball and Carol Burnett did so elegantly before her.  
    • Tina Fey —> In addition to her professional career as a comedian and actress for the past 15 years, Tina Fey is involved  behind the screen as a producer and writer for both television and movies. Among her most noteworthy works, one includes Fey's positions of Writer and Head Writer on Saturday Night Live from 1997-2006. Fey is also credited as the creator for the series 30 Rock and The Unbreakable Kimmy Schmidt; shows that Fey also produced and contributed to as a writer. Fey’s roles in television exemplify her dedication, determination, intelligence, and natural talent to be a leading women in television both on screen as well as behind the scenes.   
    • Melissa McCarthy —> Melissa McCarthy has established a professional career as an actress since the late 1990s. But it was only within the past 5 years that the audience have had the opportunity to experience McCarthy’s flare as a comedian. Similar to Ball and Burnett’s style of comedy, Melissa employees a physical sense of comedy. Some of the recent movies that she's obtains major roles in include: Identity Thief, The Heat, Tammy, Spy, The Boss. Just to name a few. 
    • Melissa has accomplished much more than staring in these comedic films. McCarthy plays creative, behind the scenes roles of producer and writer in movies such as The Boss and Tammy. Melissa McCarthy is also working on a film project called Life of the Party, which she also wrote and produce. Additionally, she also has experience directing in a handful of episodes on a show that McCarthy stars in called Mike and Molly. 
    • McCarthy’s continues to accomplish roles as a successful female comedian. Yet, it doesn’t end there. Melissa continues to follow in the foot steps of great female comedians, actresses, and creators like Lucille Ball and Carol Burnett. McCarthy does this by creating content. She creates humorous story lines and scenes and knows how to capture and execute these comedic moments. 

These are just a few examples of the witty, intellectual, determined female visionaries  that drastically influenced and shaped t.v. history. What women in television do you idolize or inspire you? Let us know in the comment section below. 


Goodbye Tomorrow

Goodbye Tomorrow releases new song "Every Day"

Just got my ears on this joint from Goodbye Tomorrow. This one is called "Every Day". I genuinely messed with this joint off the first listen, so it's only right I share it with y'all.

According to RollingStone.com and Spin Magazine “Goodbye Tomorrow” is known for their “enigmatic” and mysterious identity, but is also described as the “new sound that will shape tomorrow”. A group comprised of a rappers and producers, “Every Day” confirms their signature, consistent track record of releasing great music, with a dope, inviting hook, that allows you to create your own meaning of the single.

 

“Every Day” talks about the opportunity of a new beginning, the hustle and the struggle. Lead vocalist Preme ties in the hook to relate to the identity of anyone working toward their dreams and getting another chance “Every Day.” More than a motivation song, the lyrics speak about rebirth, the truth, and living your own destiny. The production carries the hook’s tempo, making the vocals sound like an added instrument into the melody.

 

If you mess with that, make sure you support @goodbyetomorrow on social media and make sure you check for them on their website to stay in tune with their movement.

Download & Listen to Goodbye Tomorrow “Every Day” on iTunes & Spotify:

AAHH! Fest

Common Releases His 11th Studio Album, "Black America Again"

Multiple Grammy, Golden Globe, and Academy Award-winning Chicago rapper, actor, social activist, and philanthropist Common releases his 11th studio album, BLACK AMERICA AGAIN, on ARTium/Def Jam Recordings.

Coincid­ing with the new album release, VEVO has premiered a powerful long-form video for the project, produced by Ava DuVernayand directed by Bradford Young, acclaimed director and cinematographer respectively of the award-winning film Selma. Watch it HERE.

In turn, Common’s anthem “Letter To The Free” featuring Bilal (another track on BLACK AMERICA AGAIN), serves as the end-title track of DuVernay’s powerful new docu­mentary ‘13th.’  Centered on race in the United States criminal justice system, ‘13th’ is named for the Thirteenth Amendment to the United States Constitution, which theoretically outlawed slavery.  DuVernay makes the point that slavery, in spite of the Constitutional amendment, is being perpetuated through mass incarceration.  “Letter To The Free” has already been nominated for a 2016 Critics' Choice Documentary Award for Best Song in a Documentary.

Themes of race and justice run deep throughout BLACK AMERICA AGAIN and its title track single.  "I wrote this song in March,” Common said of “Black America Again” recently, “and unfortunately it was as relevant then as it is now.  As it could have been in the 1960s or 1800s or any era that we have existed in this country. ‘Black America Again’ is centered in the injustices that black people have experienced and endured since we arrived on the shores of America.  ‘Black America Again’ is a call to action.  It is a song about black love, black strength, black justice, black resistance, black resilience, black empowerment, and black people.”

“Black America Again”’s socially conscious message resonates with scorching yet uplifting power, akin to Common’s groundbreaking 2014 single from the Selma movie sound­track, “Glory” (with John Legend) for which they received Oscar, Grammy®, Golden Globe, and numerous other awards.

https://www.youtube.com/watch?v=bURKiygUPow