Review: Big Sean's "I Decided" Album Solidifies His Spot
Off Top, I'm a Big Sean fan. I've been waiting for a new project from the guy I call "The 1A Emcee of this era". The "I Decided" album is here and I'm glad Sean took his time with this one.
I Decided is not the always working and bragging on his girl, Sean. This is the deep thought and caring evolution of Sean Anderson. With the expansion of the subject matter he doesn't slack on the bars. All the above makes this album a must listen.
Even though I didn't know what to expect. I been waiting for a Big Sean and Eminem track. We finally get that with No Favors. Eminem is in a class of his own lyrically. Sean did right by just letting him do whatever and you already know you have to play this a few times to catch every bar crafted. Spoiler Alert. Ann Coulter gets Marshall Mathers LP level venom on this song.
https://www.youtube.com/watch?v=ggvTb2HITn0
Light is a great way to kick off the album. Moves is my favorite joint on the album and Sean's flow on Voices In My Head/Stick To The Plan is crazy!
Inspire Me is an ode to Big Sean's mother. It's refreshing content to hear at a time where the Black Woman is tired of being the most disrespected being on the planet. Especially, in the majority of rap songs.
To my Surprise, Sacrifices with the Migos was very underwhelming. I really expected much more from this combination, but maybe it will grow on me.
I Decided is Big Sean at his artistic best. He hasn't lost a step since we first heard him. He's grown as an artist and as a man and he doesn't mind sharing his journey with the world. With I Decided, Big Sean has solidified why his name should be in "who runs rap" conversations.
In Close, I'm not really sure why Big Sean has to fight for so much "rap respect" in this era. Every 2 years he delivers something worth our ears. He's literally one of the few transparent, talented consistencies in the game. Hit Singles, Street Anthems, Self Crafted Bars that stand up with the greats and the rising stars. That's what y'all ask for right?
I decided Big Sean is one of the best doing it. Salute to Sean Don for dropping another dope album. Listen to the album here.
[Review] 'Green Room' an unforgettable punk rock horror film
Independent director Jeremy Saulnier brings this twisted unforgettable tale of a momentous punk rock attitude crashing into the world of shock and uncertainty in Green Room.
Inspiring and struggling hardcore punk rock band members Pat (Anton Yelchin), Tiger (Callum Turner), Sam (Alia Shawkat), Reece (Joe Cole) are delusional punk rockers named the Ain’t Rights.
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Low on funds with an itch to perform, the Ain’t Rights make their way to a back of the woods hardcore punk rock club. Unaware of its usual crowd the Ain’t Rights find themselves performing in front of REAL hardcore punk rockers who just so happen to be Nazi skinheads.
Leaving the show, Pat sees something he wasn’t supposed to see. Caught in the middle of a bad situation turned worse Pat and his band mates are thrown into a dark world of drugs and murder from the hands of the ruthless club owner and his no moral limit henchman.
Green Room
Director: Jeremy Saulnier
Rating: R
Release Date: April 22, 2016 (Chicago), April 29 nationwide
In Green Room we see these young inspiring punk rockers go through hell trying to make it out alive. This real human reaction leaves a unsatisfying feeling of unpleasantness because of the unfamiliar future of what may happen next.
This in your face cut throat style of story telling leaves urging questions of what’s going to happen next. Focusing and centering the green room located backstage of the bar they just performed in visual director Saulnier uses every inch to paint a haunting picture of no escape.
Amber (Imogen Poots) and Pat (Anton Yelchin) stood out as both unsuspecting untraditional figures. All the characters in the film go against what we’ve seen in past horror thrillers which also creates a surprising momentum of story telling.
Music fans will also enjoy this film for it’s taste and showcasing of music from artist like Corpus Rottus and Battletorn as well as original music from the films band the Ain’t Rights.
A huge standout moment of the film is how Patrick Stewart emerges as a complete terror and haunting villain with no human remorse. As the leader of white skinheads, Stewart’s soft spoken portrayal is truly menacing.
Stewart’s portrayal alone is reason enough is see this film but definitely not its only one. In Green Room we see a captivating story that leaves us wanting more every second. This thriller is one that many will talk about for years for it’s original take and its brilliant delivery.
Check out the interview with producer Jeremy Saulnier.
Future's Purple Reign Tour had the Aragon Ballroom Lit
Photos & Video by: Jeremy Franklin
The multiplatinum Atlanta hip-hop game-changer Future personally announced his Purple Reign North American tour via his social media back in December. Chicago was the second stop on his tour and sold out the Aragon Ballroom. Last night was a concert you didn't want to miss. Future Hendrix fans were in for a treat as Ty Dolla $ign and DJ Esco started the night on a high note. Check out Future's Purple Reign Tour through our camera lens with photos and video.
[Review] Particle Fever
Science is a subject matter that most people, including me, would rather not wade around in. The insane creations and laws of the world all seem to take their toll on the feeble minds of the average person. However, this fails to stop interest in major inventions or discoveries that have a positive economic impact for all. We may not all express interest in science, but its omnipresence is undeniable.
As far as the science field goes, there appears to have been one theory in particular that has left scientists, churchgoers, and educators scratching their heads for years: how did the earth begin? Well, I guess most churchgoers will yell at you how it ACTUALLY started without even hearing other arguments, but Particle Fever would offer more to argue against it.
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Particle Fever
Director: Mark Levinson
Rating: NR
Release Date: July 1st iTunes VOD, July 15 all other VOD platforms
Particle Fever follows the likes of six different physicists from 2007 all the way up to 2012 as they work together on the Large Hadron Collider at CERN, or better known as the European Organization for Nuclear Research. For those who can remember, this is the large machine that would reproduce what happened at the “Big Bang” that frequented the news for years. This was the largest and most expensive experiment in the history of the planet. It brought together over 10,000 scientists from over 100 countries, some even rivalries politically. By the end of the over ten year old experiment, these brilliant scientists hoped to be able to recreate the events of the Big Bang and find the Higgs boson particle, which would essentially explain how all matter was created.
It wasn’t all fun and games for these hard-working scientists though. While their involvement may have been the honor of their lives, the upkeep with this 17 mile wide creation wasn’t always easy. Working 16 hours a day for years on end, it is actually surprising how they managed to keep their spirits up for so long. However, so much energy was encapsulated by each in Levinson’s directing, and a viewer couldn’t help but feel just as excited for this experiment to run for its first time as the people who were in charge of it.
The subject matter of the film is a little dense, yes, but when watching the film, it doesn’t take precedence of all it has to offer. Testimonies and beautifully displayed graphics from all of the scientists selected for the film clear up most confusion that viewers may have. However, this isn’t to say that one will become a master physicist after watching the movie. What I really liked about this film was its ability to make me feel like I was with these scientists over the years experiencing the same trials and errors that they all did. It’s execution was done with such energy, and I think this is what kept me going throughout.
Now, if you personally asked me how I felt about the film, I would praise it with high regard. Unfortunately, though, the density of the subject matter and it’s continual discussion throughout the film may come across as a drag to those who are not usually fascinated by the world of science. I felt at some moments of the film that it was kind of redundant, but at the same time the redundancy was necessary to make sure viewers could keep up with each stage of their large experiment. As far as documentaries go, it was most definitely one of the best ones I have ever viewed, and I hope that most will put their scientific indifferences aside in order to enjoy this optimistic work.
Mark Levinson has a few great credits to his name, but after watching this documentary, I can’t help but hope that this is something he will continue to pursue. I feel as if the explanation of science and its theories is something that could bore most, but there were very few moments where I wasn’t anxious to find out what was going to happen next. Particle Fever is a piece of work that defines a scientific generation. If there is any interest in defying religious values, definitely check out Particle Fever as soon as possible.
[Review] Transformers: Age of Extinction
The Transformers films and I have a sordid past. While I'm not a big fan of the property (my only knowledge of the series comes from a slim memory of the Beast Wars/Beast Machines cartoons on Fox Kids), the first Transformers was my initial break into nerd films and their hype machines. It was the first film I bought a poster for, the first film where I had watched every trailer, and the first film where I anticipated a sequel. While others walked away confused, I loved the heck out of it. But two dubious sequels later, the Transformers name doesn't garner as much good will as it used to.
But when the first trailer for Transformers: Age of Extinction released, I let myself get wrapped up in the hype machine again. Regardless of their overall quality, the Transformers series is always a visual feast. I knew going in that even if I didn't like what anyone was saying or doing, it was going to look super rad.
Thankfully, if all you're looking for is slick looking action and shiny things without caring whether or not Transformers has things like "plot," "pacing," or "characters" than you're going to have a great time. Just be willing to sit for three hours.
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Transformers: Age of Extinction
Director: Michael Bay
Rating: PG-13
Release Date: June 27, 2014
Transformers: Age of Extinction takes place several years after the events of the third film, Dark of the Moon. Gone are the plucky Sam Witwicky and his family, and in their place we have a small town inventor from "Texas, USA (Yes, that's really the location)" Cade Yeager (Mark Wahlberg), his daughter whose name I forget (Nicola Peltz), and her boyfriend whose Irish but lives in Texas who also races cars for some reason (Jack Reynor). Because of the destruction in Chicago during the Autobots and Decepticons' last battle, the US government, headed by Attinger (Kelsey Grammer) has begun hunting down all the robots for their materials. When Cade stumbles upon Optimus, a larger and more befuddling plot is revealed. To go into further detail than that, I'd have to use the entire length of this review.
If it seems like I'm being overtly harsh on Trans4mers from the get go, that's because it hardly even cares about itself. I'll be blunt here. While not as bad as Transformers: Revenge of the Fallen, Age of Extinction is a shoddy mess of a final product. It's like Bay took criticisms of the first few films to heart and fixed some problems, but then decided to add a whole host of brand new issues. It's just haphazardly thrown together into a Frankenstein's monster of focus group decisions, corporate branding, cartoon fandom, and toy sales. To be fair, that's technically what the rest of the series is, but for some reason it's far more noticeable here. The tone is more cynical than before.
The "plot" is just several thousand locations thrown around aimlessly. It's chaotic and almost entirely random how we'll go from an Alien spaceship to Optimus Prime and Cade having a little chat about the struggles of parenting. The more interesting aspect of all of these locations, however, is how "Anti-American" the entire film feels. I'm not sure if it's intentional or not, but underneath the overt need to please its overseas Chinese audience, we have a wonderful film where America is the bad guy. Taking the same eschewed American Dream mentality from Bay's Pain & Gain, Kelsey Grammer's Attinger (and his "I will protect America" rants) makes America the bad guy. When you contrast the final shot of Dark of the Moon with the American flag billowing proudly in the background to Attinger's speech about creating American products to save American lives in the middle of a Chinese factory, it's almost as if Bay is giving a little wink to let you know he's in on the joke.
But that'd be giving Age of Extinction too much credit. One of the biggest issues audiences have had with the last few films are the humans. That's exactly the same issue here. In fact, Extinction seems to think throwing more humans in there will fix the problem. Mark Wahlberg does have the charisma of a leading man, but he's totally out of place as a genius, yet super ripped inventor. Nicola Peltz is there to be window dressing as her scantily clad self slow motion runs from one dangerous situation to another (which gets all the creepier when the film makes a point to emphasize she's a minor), Jack Reynor comes off as a total jerk when he's supposed to be the "cocky guy" type, Stanley Tucci tries to make it work but comes across as goofy, and Kelsey Grammer has played better villains. With Grammer, we got more Sideshow Mel than Sideshow Bob. Okay so the humans are bad, but what about the Transformers? They have to be cool, right? Robot dinosaurs are cool, huh?
The designs of the Transformers themselves are much slicker than in series past, and go very well with the film's darker tone. And although he's spitting mostly nonsense, Peter Cullen brings a heft to Optimus Prime that no one else can. In fact, Cullen's voice work is so great, I kind of want another Transformers film just to hear him scream "I'll kill you!" again. The weird standout, however, is John Goodman as the newest Autobot, Hound. Replacing the human comic relief character, Hound is a one-liner spewing machine. This would've been fine had any of those one liners actually worked. Every scene he's in he says about three thousand words, and by hour three of this whole debacle I was hoping he'd bite the bullet. Oh, that's right. Transformers: Age of Extinction is a bloated two hours and 45 minutes.
Remember how I mentioned Age of Extinction seemed like a cynical sequel? That also goes with the technical stuff. Bay is a maestro of explosions and I was expecting some good looking ones here, but there's an odd hiccup with a lot of them. It might've been the switch to IMAX cameras, but there are a few golden spots that undergo a dip in quality when action is blurred (as Bay didn't shoot full scenes with IMAX and instead focused on a few key shots). And as good as the action might look, it's very hard to stay invested when the last 45 minutes are a nonstop action sequence featuring characters you don't care about. When you think the film's over (and it even gives you a suitable ending), it just keeps on going. Dinobots and proper film editing be damned, Age of Extinction did not need to be this long.
At the end of the day, Transformers: Age of Extinction is yet another Transformers film we'll all see. And it should be the last. For fans, they'll enjoy the darker tone, will accept that an alien bounty hunter who hates Earth is also a Lamborghini, and will get a kick out of the dinosaur robots when the rest of us want to go home already.
Transformers: Age of Extinction will truly test your mettle. Ask yourself a few questions. How valuable is your time? How important is that ten or fifteen dollars you'd spend on a ticket? Are cool cars enough for you?
It truly is the "age of extinction" for the Transformers series. Let's bury it once and for all.