30 years of SXSW

[SXSW 2016] Celebrating 30 Years of Music

[youtube id="hpmcSwe318g"]

In the height of America's booming music festival business, it's time for SXSW to celebrate 30 years of music goodness with tons of exciting lineups in store. According to Twitter Analytics, one in ten Americans attended a music festival in the past year, and social media conversations around music festivals spiked 34%. There's no question Millennial's love a good music fest and this year SXSW isn't looking to disappoint.

SXSW is truly a unique convergence of music, film, and emerging technologies, and continues to grow every year, gaining international recognition. Having originally stemmed from music, Austin’s  music festival is rapidly approaching (March 15 through March 20), providing a long list of music lineups, with tons of surprise guest appearances.

Beyond the music, simply walking around to different venues and bars, you're met with excited locals and fest-goers from around the globe, many of which are eager to share their art. This is alongside the occasional pop artist sighting, casually strolling amongst the crowd. Last year, walking from Austin's infamous 6th St. to Rainey St. I literally bumped into Wiz Khalifa, while shooting a random group of dancers from Brooklyn. Later that night, I ended up backstage at the Fader Fort, meeting Chicago's very own Chance the Rapper and Comedian Hannibal Burress, after shooting Timbaland's surprise performance with Tink, after Travis Scott. Austin certainly doesn't stray from it's rock roots, providing endless indie lineups and special appearances as well.

Take a look back at 30 Years of SXSW here. Also check out a few upcoming events that I'm personally excited about below:

Santigold & Crystal Castles at Stubbs
Deftones, CHVRCHES, Vince Staples & More with SPIN
Nas, DJ Khaled, Yo Gotti & Just Blaze
Anderson .Paak & BJ the Chicago Kid at the Spotify House
Guac-N-Roll with Culture Collide
Miike Snow, Baio, The Kills, Bloc Party, Ghostland Observatory, X Ambassadors, Polica & more


FKA Twigs at Pitchfork 2014 by Bryan Allen Lamb

20 Artists You Need To Know: Summer Festival Edition

Header by Bryan Allen Lamb.

With spring getting into full swing, summer seems within reach already. For music junkies, spring just means a couple more months until festival season. Whether you're planning on hitting all, one or none of the festivals listed in this week's playlist, all of the artists are definitely ones you should know. 

Bonnaroo - Check out Run The Jewels

[youtube id="AfuCLp8VEng" align="center" maxwidth="660"]

A hip-hop duo from New York with just two albums under their belt, but mucho street cred amongst hipster rap enthusiasts and the hip-hop community. A definite must-see.

Brownout Presents Brown Sabbath

[youtube id="xMjvVdX4mJE" align="center" maxwidth="660"]

I’ve seen Black Sabbath live, and believe me, it’s sad. Just a bunch of pissed off seniors narrowly escaping the bus ride back to Shady Pines. Do yourself a favor and check out the funky bunch known as Brownout who add groovy bass lines that even Ozzy approves of.

Warped Tour - Check out Riff Raff

[youtube id="niHSDx4Y_zs" align="center" maxwidth="660"]

If you don’t know who Riff Raff is by now, then listen up: the walking, talking, real-life version of the “allegedinspiration for James Franco’s Spring Breakers character is playing all Warped Tour dates. The nonsense rapper of neon-flavored Bart Simpson shaped Cheetos is just a skip-and-a-hop away from your hometown. His bogus rhymes are catchy, fun and worth the money to see up close. Also, his merch table is probably going to be full of light-up do-rags or rhinestone encrusted McDonald’s toys from the 90’s.

Candy Hearts

[youtube id="5CIWlHMsF3g" align="center" maxwidth="660"]

If you’re already at Warped Tour, then you’re probably going to be at the Candy Hearts show, but the general public might not have the pop-punk upper hand that you do. For those that don’t know, Candy Hearts are a cutesy pop-punk trio from New York who could be described as: Paramore + Bubbalicious Cotton Candy gum + a wink + a diary. If you’re a fan of New Found Glory, State Champs, or Set It Off, then Candy Hearts are a must-have in your library.

Bunbury - Check out The Front Bottoms

[youtube id="-1rzsT2t2YY" align="center" maxwidth="660"]

The acoustic pop-punk band have been a Warped Tour hit for some time, but they're moving up the ladder of notoriety ever since their 2013 release of Talon Of The Hawk.

Lindsey Stirling

[youtube id="Qg7L0OQiN78" align="center" maxwidth="660"]

Don't even act like you know someone who plays the violin flawlessly, let alone be able to entertain millions in the age of technology doing so. Plus, she often themes her songs to a certain era or place, so her outfits and performance are sure to be entertaining.

Coachella - Check out FKA Twigs

[youtube id="3yDP9MKVhZc" align="center" maxwidth="660"]

Amongst all of the gigantic, jaw-dropping artists featured at Coachella this year, one who has been kept more on the hush is FKA Twigs. FKA (Formerly Known As) Twigs started out in 2013 as a YouTube sensation and then POOF! Her sultry demeanor and daze-y hip-hop style are what make her so intriguing. Not to mention her image/feminine mystique is the IRL version of Tumblr, which is probably what Coachella is looking for.

Marina & The Diamonds

[youtube id="WZzcY7ASQno" align="center" maxwidth="660"]

I. Love. Marina. And. The. Diamonds. And you should too. She’s an indie-pop artist who has more soul and flavor than most of her sugary sweet counterparts. Her deep, Welsh accent pulls through the electro-Madonna-esque beat of her songs. Also, her outfits are described as “retro cartoon-ish,” so expect an exciting visual; I’d describe her sound as that too. She may be popular among the invested music critics and indie-pop enthusiasts of the scene, but she deserves to be more than just an honorable mention.

South By Southwest (SXSW) - Check out All Them Witches

[youtube id="tU-Pfuxzwr8" align="center" maxwidth="660"]

The Nashville natives of All Them Witches have the classic-rock, heavy riff act down to a T. What sets them apart from that blase "hip radio rock friendly" sound is that they have a groovier, sludge inspired Queens Of The Stone Age tang to them.

B.I.C. (Bitches Is Crazy)

[youtube id="8JU_xj7om1Y" align="center" maxwidth="660"]

The Bronx hip-hop/rap group known as B.I.C. produce raw, Latin-influenced rhymes similar to their modern counterparts (IE: A$AP Rocky, Schoolboy Q, etc).


SXSW 2014 by Kristen Wrzesniewski

[SXSW Photos] Music Festival 2014

Photography by Kristen Wrzesniewski

Now that most of us have recovered from the madness that is South by Southwest. We sent our good pal Kristen Wrzesniewski out with her Lumix GX7 and a music wristband to cover the music festival portion of the festivities. Check out some of her shots and below.


SXSW 2014 by Kristen Wrzesniewski

[SXSW] Music Festival 2014 Recap

Photo by Kristen Wrzesniewski

In 1977, a water skiing Henry Winkler wore a leather coat and life preserver and attempted to 'jump the shark' in a move that become synonymous with the beginning of the end of a good thing. In that regard it was the long-running "Happy Days" sitcom. Last week in Austin, Texas, it was the South by Southwest Music conference that took the leap from humble beginnings to corporate cash in it's own rendition of 'jumping the shark'. No one pointed it out better than TDE-signee and Oxymoron artist Schoolboy Q, who interrupted his set at the Complex House several times to address several SXSW sets he played for 'yuppies' while his real fans stood outside unable to get in. Alas, the 2014 edition of SXSW couldn't have been described better. An armful of wristbands, garnered through careful planning and RSVPs was instantly trumped by a litany of barriers between them and the artists they had traveled to see. When it began in 1987, the festival was a place for new and unsigned artists to get recognized and for true fans to catch them before they hit the big time. Today, to put it the words of my Journalism professor, it is essentially 'one big blow job'. Despite a lack of a real industry, or perhaps because of it, record labels funnel top-tier artists to the highest bidders, who more often than not come with long guest lists that leave fans sitting outside wondering where all the public transportation in this 'city' is. Even the Illmore, the exclusive house party that has become a staple of the fest, running late into the night with star-studded performance, seemed a bit too big this year in it's new home at a sterile youth center.

For me, the best part of the week was living vicariously as if the SXSW Schoolboy Q encountered was somewhere else. I hustled interviews with true rising acts in Philadelphia-based Cheers Elephant, who's onstage presence is obviously culled from years of performing together and who I'm sure saw a significant boost afterwards, The Tontons, a Houston indie/soul group with a personality to match that hit SXSW on the heels of their latest project, the well received Make Out King and Other Stories of Love. Then there was Radkey, the trio of young brothers, aged 16, 18 and 20 respectively who single-handedly got me back into punk rock with one of the wildest, most raw sets I have seen in a long time, and 17-year-old Bishop Nehru who very well may be the second coming of Nas, The Lonely Biscuits, a band of Belmont University students who stopped down to ATX between projects and mid-terms. They weren't a sit down with Rick Ross, or an in-depth on Phantogram, but the stories I was able to dig up throughout my time at SXSW made me proud to be able to say I saw through the thick haze of bullshit and gerrymandering that descends on the city for a week and actually seek out acts that benefited from the experience.

To be sure, it was two Chicago artists who not only embodied all that SXSW should be, but capitalized on it to continue their independent, organic rises out of their hometown. A year ago, Chance The Rapper ran around SXSW playing sets in anticipation of his yet-to-be-released album, Acid Rap that turned 2013 into a roller coaster of experiences for the 20-year-old MC. At that time, Vic Mensa was still performing as part of the band Kids These Days, which broke up soon after Chance dropped his project on April 30. The two close friends arrived again in Austin at wildly different points in their careers. Chance, with just about every accolade possible under his belt is becoming the biggest independent artist in recent memory, while Mensa, fresh off a plane from Norway, put on a marathon of sets throughout the week that had crowds buzzing in the street about the kid from the Midwest with the funky, different flow to him. Chance's only show was cut short by Fire Marshalls, an ode to his popularity and a crux of the festival at large while also picking up a Woodie award with Austin Vesely for the "Everybody's Something" video. As independent, self-funded artists, Chance and Vic may have embodied the spirit of what SXSW is supposed to be better than anyone else in Austin this week.

In 1977, Fonzie made history by ruining a good thing while ten feet in the air on water skis, in 2014 Lady Gaga did the same by performing beneath a carefully-placed canopy of Doritos bags. Corporate money has always been prevalent (early 2000s 'ringtone rap), and it's just another chapter in the money making something so genuine so utterly unrecognizable.