Melt-Banana performing at Empty Bottle in Chicago

[RH Photos] Melt-Banana Returns to Chicago

Photos by Geoff Henao

On Tuesday, July 14th, Japanese noise-core band Melt-Banana returned to Chicago's Empty Bottle for the first time in 15 years. Touring across the country with them is stoner metal band, and genre-defying Hot Nerds opened the show.

For months since the show was announced, my expectations were extremely high. 2015 marks the 10-year anniversary since my first Melt-Banana show at the Abbey Pub on May 5th, 2005. And considering Melt-Banana only comes to America every other year (their last show at the Double Door back in October 2013), I was ready for my bi-annual ritual. The Empty Bottle is also my favorite venue in the city, thanks to its dive bar aesthetic and acoustics that especially benefit loud, punk rock-esque bands like Melt-Banana.

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Prior to the show, I had never hear nor heard of Hot Nerds. Their eccentric style of hardcore vocals (modified through a vocoder), mixed with noise-core-influenced sampling played through a keyboard and mixer, and backed by metal drums accentuated with a double kick pedal. They were reminiscent of a young Melt-Banana and got the crowd hyped and energized.

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Unfortunately, all of the energy coursing throughout the venue was lost as Torche came on to play. My prior knowledge of the band came from Ruby Hornet's own Travis Marmon's praise of the band's style of slow-burning stoner metal. However, the drastically low tempo and lack of high energy severely lowered the audience's excitement. At one point, I had begun falling asleep... standing up and directly next to one of the stage's main monitors.

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Nearing midnight, Melt-Banana took to the stage, backed by an enormous wall of speakers intended to replicate the duo's loud volume of noise when they originally toured as a band. However, as singer Yako and guitarist Agata grow increasingly comfortable playing as a duo (with Yako controlling a drum machine and samples with a device), so too do their shows share similarities to years past. However, their live performances have changed to reflect their adapted style of power-pop/noise-core, shedding the more extreme hardcore elements that represented their earlier years. Despite some technical difficulties with one of Agata's guitar cables and a crowd that, surprisingly, wasn't as excited for the band that I've seen in years past. Nevertheless, the crowd eventually warmed up to them as their set drew to a close.

Check out my photos from the show below!


Marvel Comics' Hip Hop Variant Covers

Hip hop has become an undeniably large influence on pop culture; the same can be said for comics, especially in light of Marvel Studios' takeover of Hollywood over the last decade. With the level of artistry behind the hip hop's lyricism and comic books' increasing level of illustrative talent, it was only a matter of time before one of the Big Two (Marvel and DC) paid homage to hip hop in an official capacity. While Ed Piskor's Hip Hop Family Tree has been nominated for the Eisner Award and was named one of New York Times' Graphic Books Best Seller, it doesn't have the same level of visibility as Marvel.

Beginning this October, Marvel will be paying homage to hip hop with its line of Marvel's Hip Hop Variants. Marvel Editor-in-Chief Axel Alonso had this to say about the line of variant covers:

"For years, Marvel Comics and Hip-Hop culture have been engaged in an ongoing dialog. Beginning this October, we will shine a spotlight on the seamless relationship between those two unique forces in when we unveil the first of more than fifty variant covers, each of which pays tribute to an iconic album cover from the past 30 years that shaped pop-culture over the past three decades."

You can find 12 of the hip hop variant covers in the gallery below. Can you name them all?

The first wave of Marvel's Hip Hop Variants will be released in October:

Amazing Spider-Man # 1- HIP-HOP Variant by Mike Del Mundo
Angela: Queen of Hel #1 - HIP-HOP Variant by Annie Wu
The Astonishing Ant-Man #1 - HIP-HOP Variant by Mark Brooks
Contest of Champions #1 - HIP-HOP Variant by Denys Cowan
Doctor Strange #1 - HIP-HOP Variant by Juan Doe
Extraordinary X-Men #1 - HIP-HOP Variant by Sanford Greene
Guardians of the Galaxy #1 - HIP-HOP Variant by Shawn Crystal
Invincible Iron Man #1 - HIP-HOP Variant by Brian Stelfreeze
The Mighty Thor #1 - HIP-HOP Variant by Mike Deodato
Sam Wilson, Captain America #1 - HIP-HOP Variant by Mahmud Asrar
Spider-Gwen #1 - HIP-HOP Variant by Humberto Ramos
The Unbeatable Squirrel Girl #1 - HIP-HOP Variant by Phil Noto
Uncanny Inhumans #1 - HIP-HOP Variant by Damian Scott
Uncanny Avengers #1 - HIP-HOP Variant by Jason Pearson

Another wave of Marvel's Hip Hop Variants will be released later in the fall:

All-New All-Different Avengers #1 - HIP-HOP Variant by Jim Cheung
All-New Wolverine #1 - HIP-HOP Variant by Keron Grant
Carnage #1 - HIP-HOP Variant by Ariel Olivetti
Howard the Duck #1 - HIP-HOP Variant Juan Doe
Ms. Marvel #1 - HIP-HOP Variant by Jenny Frisson
Old Man Logan #1 - HIP-HOP Variant by Tim Bradstreet
Spider-Man #1 - HIP-HOP Variant by Adi Granov
Spider-Man/Deadpool #1 - HIP-HOP Variant by Dave Johnson
Squadron Supreme #1 - HIP-HOP Variant by Mike Del Mundo
Star-Lord #1 - HIP-HOP Variant by Tradd Moore
The Totally Awesome Hulk #1 - HIP-HOP Variant by Mahmud Asrar
Web Warriors #1 - HIP-HOP Variant by Damian Scott


Devo, Dead Kennedys, Super Mario Bros

New 33 1/3 Books on Devo, Dead Kennedys, and Super Mario Bros Are Criticism Done Right

There's an old, dismissive joke about music criticism: "Writing about music is like dancing about architecture--it's a really stupid thing to want to do."

That's funny, sure, but good music critics can dance like motherfuckers. Dancing is fun, it's stimulating, it's potentially generative. When people can dance as well as they do in the 33 1/3 series, that's something that should be celebrated. (Here I am, dancing about dancing.)

The 33 1/3 series began publishing pocket-sized books of music criticism in 2003, each focused on a single album, each a sustained work of long-form criticism. The best entries in the series are exceptional culture writing. Some of the standouts include Celine Dion's Let's Talk About Love: A Journey to the End of Taste by Carl Wilson, James Brown's Live at the Apollo by Douglas Wolk, David Bowie's Low by Hugo Wilcken, Public Enemy's It Takes a Nation of Millions to Hold Us Back by Christopher R. Weingarten, and Television's Marquee Moon by Bryan Waterman. (Waiting on my shelf to be read: Big Star's Radio City by Bruce Eaton and a novella about Black Sabbath's Master of Reality by Mountain Goats frontman John Darnielle.)

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Three of the recent 33 1/3 books focus on seminal works of the early '80s: Devo’s Freedom of Choice by Evie Nagy, Dead Kennedys’ Fresh Fruit for Rotting Vegetables by Michael Stewart Foley, and, the first entry on videogame music in the series, Koji Kondo’s Super Mario Bros. by Andrew Schartmann. Each of the books are fine additions to 33 1/3. In other words, they dance like motherfuckers.

Form and content are the most basic aspects of aesthetic criticism, and while that's part of the discussion in each of these three new books, the authors also find ways of exploring the time and the place that gave birth to each album. If it's questions of form and content that determine the relative success of individual works of art, it's questions of time and place that help fashion the form and the content, and it's the intersection between the elements of form, content, time, and place that help determine the enduring legacy of the art.

Let's give each of these new 33 1/3 books a quick look. For more information on the books and the series, visit the 33 1/3 site.


Image from San Diego Comic Con

Highlights from San Diego Comic Con 2015

I've been to dozens of expos, conventions, festivals, and the like over the years, but my favorite type of events have always been comic book conventions. From the dozens of vendors selling unique items and hard-to-find collectibles to the amazingly talented cosplayers to meeting your favorite artists and writers, I've always enjoyed my time at the various comic book conventions I've attended. In recent years, they've become larger pop culture events in which film studios screen their latest films and trailers, cast members come out for intimate Q&As, and con attendees get their exclusive sneak peeks at everything the world will be talking about later that week.

San Diego Comic Con has grown to become the comic book convention to go to in the United States, and while I wasn't in attendance this past weekend (SDCC '17, my eyes are on you), I've compiled some of the weekend's best highlights. Whether you're a dedicated comic book fan waiting to hear what Marvel and DC have up their sleeves, a film fan excited for the first glimpses at 2016's top superhero films, or just really enjoy good cosplay, we have you covered! Also, check out the Suicide Squad footage if you haven't yet!


Photo of Nintendo's Satoru Iwata

Remembering Nintendo's Satoru Iwata, The CEO Who Made The World Smile

There can be few higher aspirations in life than bringing joy and happiness into the lives of others. Former Nintendo President, Satoru Iwata, who died yesterday aged 55, achieved this for millions of people around the globe. When we think of CEOs these days, we imagine soulless corporate suits crushing those lower down the ladder in pursuit of profit. Iwata could not have been further from that image. At a keynote speech in 2005, he famously stated that: "On my business card, I am a corporate president. In my mind, I am a game developer. But in my heart, I am a gamer."

Having stated his career as something of a prodigal talent in programming, working on such titles as Balloon FightEarthbound and various Kirby games, Iwata ascended the ranks at Nintendo to become the company's first President not descended from the Yamauchi bloodline. Where his predecessor, Hiroshi Yamauchi, was every bit the stoic, fiendishly brilliant businessman, Iwata transformed Nintendo into a company with a welcoming face that suited their line of games and characters which had been a staple of so many fondly-remembered childhoods.

earthbound nintendo

Iwata never lost his passion for the video games medium and his achievements are spoke of in hushed tones throughout the industry. He coded the NES classic Earthbound all on his own. He debugged the entirety of Super Smash Bros Melee in three weeks to ensure the game hit its scheduled release date. He ported the battle system from the original Pokémon Game Boy games to Pokémon Stadium in a week without any help from design documentation. When Game Freak were struggling to contain the world they had created for Pokémon Gold and Silver into a single Game Boy cartridge, Iwata developed a compression technique so efficient that the developers were able to fit the entirety of the previous games' world in there as well. If Shigeru Miyamoto was the genius behind many of the company's most enduring mascots, Iwata was the technical master whose brilliance may have operated behind the curtain, but was no less impressive or important.

It was during his tenure as Nintendo President that Iwata truly began leaving an imprint on gamers' hearts and minds. He oversaw the creation of two of the world's most successful and innovative consoles, the Wii and the DS handheld. Both were dismissed at launch by competitors, yet went on to achieve groundbreaking global sales. For all they lacked in cutting edge hardware, both offered a diversity and whimsy in their games library that could not be found anywhere else. It was during this time that Iwata also began working to soften the company's image, offering an unprecedented level of openness and accessibility to its fans. In his Nintendo Direct online presentations, which he used periodically to announce updates on new games, he showed off a famously self-deprecating, meme-conscious sense of humour as the loveable half of a double act with Nintendo Of America's burly COO, Reggie Fils-Aimé. In his Iwata Asks interviews, he gave unprecedented insights into the thought processes of some of the world's most important game developers.

iwata direct bananas

When the Wii's successor, the Wii U, struggled out of the gate, Iwata showed that his kindness was not limited to his public persona. Facing severe pressure from shareholders to lay off employees and embrace the cynical practices of free-to-play gaming which had become so prevalent and lucrative elsewhere, Iwata resolutely stuck to his guns, firmly believing in the importance of respecting and trusting the company's core fanbase. In 2014, he elected to cut his salary in half in order to avoid having to cut employee numbers as a consequence of poor financial results. This act of astonishing humility and, yes, understanding stood in stark contrast to the actions of other multinational CEOs at the time, who spent much of the financial crisis protecting themselves and their salaries at all costs.

Whether remembered making his signature 'direct' hand gesture, holding up a bunch of bananas, or in the puppet form so immediately embraced in last E3's Digital Presentation, Iwata personified all the qualities which made Nintendo so special to so many people around the world, never straying from his core belief that video games are meant to be fun for everyone. He oversaw one of the most creatively and financially successful periods in the company's history. Even with the recent downturn in fortunes with the struggles of the Wii U, he was in the process of modernising the company with moves into mobile gaming and toys-to-life, on course to right the ship without compromising its all-important central values. Most importantly, he was a man of singular nobility, talent and generosity, who was always loved and respected even by those who sometimes did not agree with his decisions. The outpouring of grief following his passing is testament to how deeply he was loved by those touched by his work and who felt welcome into the accepting, open-hearted Nintendo community he was instrumental in creating. Though his death leaves us with tears in our eyes, his legacy left smiles in our hearts.

Thank you, Iwata-san. You really were a Super Player.

R.I.P. Satoru Iwata, 1959 - 2015

super mario world thank you


Taste of Chicago, July 2015. AngieStarPhoto

[RH Photos] Erykah Badu Headlines Taste of Chicago

Photos by AngieStar Photo

Day two at the Taste of Chicago brought in warm, sunny weather, and new wave of more people to enjoy the fest. Aside from all the food, Grammy Award-winner Erykah Badu set the tone for the evening as the night's headliner to a sold out show, and it was amazing.

Opening the night was Trombone Shorty & Orleans Avenue, who brought the crowd to their feet in true New Orleans jazz fashion. Troy "Trombone Shorty" Andrews and his long time band, Orleans Avenue, brought a charismatic and relentless drive to continually bridge music's past and future to the stage, including new tracks from their third album, Say That To Say This, out September 10. Co-produced by Andrews and Raphael Saadiq, it truly sounded like nothing else out there, as Andrews, guitarist Pete Murano, bassist Mike Ballard and drummer Joey Peebles stride forward in their unique musical evolution. In a smooth transition, Erykah Badu came to stage with an instrumental rendition of "The Healer", easing into "Out My Mind, Just In Time". Badu continued on with so many of her most classic songs, along with live beat making, and an often witty commentary in between tracks. Ending the night with "Window Seat" at dusk brought the night to close gently and ever so entertainingly.

If you missed the show, and Badu's signature unique attire, check out some photos here:


Ruby Hornet's The Weekly Swarm

[The Weekly Swarm] 7/6 - 7/12

It's yet another rain-filled, gloomy Monday morning in Chicago. The forecast for the week isn't looking too good, and with Pitchfork later this weekend, all I can think of is how muddy and wet we're gonna be. Nevertheless, I'm finally excited for Pitchfork and for the clouds to open up and give us the proper summer we needed after this past winter's dreadful cold.

Last week was a great one here at Ruby Hornet. In case you missed any of our articles, check everything out below in The Weekly Swarm! Some of my personal highlights include Danielle's trip to a Russian bathhouse, Oswald's very personal essay on how The Fresh Prince of Bel-Air changed his life, Hubert's editorial on Cartel Land and how it illustrates the War on Drugs will never end, Angela's photos and recap from Weezer's set at the Taste of Chicago, and the triumphant return of BattleBots!

weekly-swarm-culture

Warren Ellis To Write New James Bond 007 Comic Series
To Beat or Not to Beat: Sweating in a Russian Bathhouse
America and Japan Are Going to Have a Giant Robot Duel
How the Fresh Prince of Bel-Air Spearheaded My Sexual Awakening

WeeklyFilm

[Review] Terminator: Genisys
New Batman v Superman: Dawn of Justice Photos
Marisa Tomei Cast as Aunt May in Spider-Man Reboot
Ben Affleck Directing and Starring in Solo Batman Film Written by Geoff Johns
Cartel Land Shows Why the War on Drugs May Be Unwinnable

WeeklyMusic

Rihanna's "Bitch Better Have My Money" Video is Bananas
[Playlist of the Week] 10 Songs for America
[RH Photos] Weezer Headlines at the 35th Annual Taste of Chicago

weekly-swarm-tv

Harry Shearer Returns to The Simpsons
Did This Week's UnREAL Go Too Far?
Marvel's Daredevil Finds Its Elektra In Elodie Yung
[Review] MTV's Scream: Hello, Emma
Pure Mechanized Carnage: The Return of BattleBots
How the Fresh Prince of Bel-Air Spearheaded My Sexual Awakening


Weezer, Taste of Chicago, July 2015. AngieStarPhoto

[RH Photos] Weezer Headlines at the 35th Annual Taste of Chicago

Photos by AngieStar Photo

The 35th annual Taste of Chicago kicked off yesterday in Grant Park's Petrillo Music Shell, with Weezer as their first headlining band. The 2015 Taste of Chicago is featuring over 100 menu items from 60 food trucks, pop-ups and restaurants representing Chicago’s diverse culinary community. But of course, the food isn't the only thing, the live music has been well known at the festival and this year is no different.

From beginning to end, Weezer performed smash hit after hit such as "Say it Ain't So", "Beverly Hills", "Hash Pipe", and many more. They even introduced a newer track titled, "Go Away", from their fourth album Everything Will Be Alright In The End. As it began to rain, the night ended with an encore performance of "Buddy Holly" that turned the crowd way up.

Yesterday was only beginning as Petrillo Music Shell still has a few more headliners still to go:
July 9, 5:30 p.m. ERYKAH BADU, Trombone Shorty & Orleans Avenue
July 10, 5:30 p.m. THE CHIEFTAINS, Special Consensus
July 11, 4:30 p.m. SPOON, Houndmoth, Madisen Ward & The Mama Bear
July 12 4:30 p.m. MAZE featuring Frankie Beverly, DJ Duane Powell

Reserved seating starts at $15 and the lawn is FREE. To purchase tickets visit the Taste of Chicago website.

In case you missed their set, be sure to check out these photos: