[Album] The O'My's: "A Humble Masterpiece"

The O'My's have been a mainstay around the Chicago music scene for six years now. In that time they have done everything from shows to hip-hop production, and last Friday celebrated their latest album, A Humble Masterpiece,  at a raucous release party at Subterranean and today on Ruby Hornet and iTunes. The core duo of Maceo Haymes and Nick Hennessy provide the backbone for the cross-genre group that blends the sounds better than anyone in the Midwest. I was able to catch up with Maceo for a few questions the other night, read more and listen to the full stream of the album below.

Jake: Tell me about putting together A Humble Masterpiece?

Maceo: The album was recorded over a year and some months, some of which is recorded with Blended Babies, a good portion was recorded at our own house. It was a pretty interesting process we went through  a lot of different phases of what we were trying to do and deciding if we wanted to do a certain sound and then just saying fuck it and make it and figure out what songs, so as of right now we still have like eight songs that are already recorded.

Jake: Does that mean we can expect another release soon?

Maceo: More so we just have them. We're just sitting on tons of fucking music, not a bad thing. It's kind of hard, it's like sitting on your hands.

Jake: Is it a quality control thing or just waiting?

Maceo: It's less about quality control. All the other songs are songs that I think are great but they didn't make it to the album because once we got the thirty-some odd songs we had to work with and then cut down, especially when putting together an album, you try to put together a sort of cohesive element or sound. That was mostly the reason for putting those eleven songs on the album and now we're figuring out what to do with the other ones. Mostly because we just want to get them out, you know? I'm not afraid that that was all of our creative juices, I just want to put it out so it's relevant, relevant to me personally. Just get it done and then I can move on.

Jake: Tell me about the production side of things with The O'My's.

Maceo: We've been doing production, we collaborate with a lot of different groups in the city, a lot of rappers and all different sorts of musicians, singers. For us it just made sense. To A: collaborate with them, but also because we make our own music and it's all live instruments and we have a sort of sound, producing for them has been interesting. We sort of stepped away from calling it The O'My's on the production side, just because it's terribly confusing, like 'these guys make rap music too?' It's been cool, the summer especially was really fucking awesome because we have a home studio and that's where we record everything and so the amount of talented people that were coming in from all around the city was a really cool thing to be a part of, I felt blessed to be a part of that.

Jake: Do you feel as though being in Chicago, eventually working with hip hop is inevitable?

Maceo: I don't think it's inevitable for everybody. It depends on the type of music you make and also the community you're a part of or connected to. Like, me and Nicholas are both super hip hop heads since the beginning, since before I sang or did any of that stuff. I've always been involved in hip hop, whether it was break dancing, DJ'ing, producing Nick threw graffiti. So in terms of who we're friends with in the scene, we're definitely way more close with the hip-hop community Lots of the live music scene in Chicago, we definitely have connections there but our roots are in hip-hop, at least community-wise.

Jake: What's next for The O'My's now that the album is out in the world.

Maceo: Next is gigging. Now that the album is done we're going to do a couple shows in the city but also go out east and west coasts. We've got a little East coast tour at the beginning of December and then probably West coast beginning of the year. Just gonna gig around with the album. The past year we've been gigging, but our focus hasn't been on performing, it's been on mostly just recording. Live shows are an integral part of our sound. What made the release show so fun for us was being able to play all these songs that we'd recorded with the band because most of the recordings, the band wasn't all there at the time. Different members of the band had different relationships with the album. It's cool to transfer that sound and make it something live. The project then takes on a whole other life, which is a lot of fun.


[RH Interview] Islands

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Islands is the brainchild of Canadian-born lead singer/songwriter Nick Thorburn. The occasionally acoustic-inclined Thorburn, along with Evan Gordon, Geordie Gordon and Luc Laurent make up the squad that today is Islands. Started in 2004 in Montreal, the art-rock ensemble has had a sort of revolving door since founding member Jamie Thompson left in 2006, finding both critical and commercial success along the way with a crafty, uplifting sound that can take a left turn at a moments notice alongside a lively concert aesthetic that has seen Thorburn and company lead fans out the front door pied-piper style. Most recently, Islands released its fifth studio album, Ski Mask on September 17 through Manqué Music and announced a national tour that began the next day in Visalia, California. The tour comes through the Empty Bottle in Chicago October 14 before wrapping things up a week later with a set at the Bowery Ballroom in New York City. I recently had a chance to get in touch with Thorburn for a quick interview, check it out below.
Jake: Tell me about the new album, Ski Mask. How is it different, what's new?

Nick:The line up is the same as A Sleep & A Forgetting but the songs are all new! The direction is pretty different, too. A little harder, a little deeper, a little faster and a little darker.

Jake: How did Islands in it's current form come to be?

Nick: Evan and Geordie have a[n amazing] band called the Magic and I brought them out on tour with Islands on some of our Arm's Way tour in 2008. I was so impressed with their musicianship, I conscripted them for 2009's Vapours and they've stayed with me ever since. At this point, three albums deep, they're pretty damn invaluable. Luc drummed on the last two albums, but he's no longer playing with us. Our current drummer is Adam Halferty, who we met through a friend and he is all kinds of awesome.

[Video] GQ Presents “Rules of Rebel Style” with Danny Brown

Photo by Jessica Hopper

Danny Brown the Detroit rapper known for his signature voice, crazy hair, and toothless smile has a style all his own. His style whether on the mic, the way he dresses or simply by the way he carry himself has lead to GQ to sit down with him for a candid interview. The video I admit it is funny and informative as well, covering topics from romance to fashion to table manners so check out Danny break down his rules of rebel style. For the full interview head on over to GQ where Danny talks about loyal fans and G-Unit here.

[Via GQ]
http://youtu.be/Conc6gebefY


[Video] Big K.R.I.T Karmaloop T.V. Interview

Big-KRIT

Big K.R.I.T gets asked the "Tough Questions" by The director / designer and all around rad LilInternet from Karmaloop T.V. He talks his new album title, ethics and morality in Hip Hop and even what his wish would be if he only had one wish.

http://youtu.be/NWhORGNL2bQ

 


[Video] In Studio Interview With Na$im Williams

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Na$im Williams is readying his newest project EOH, which will truly showcase the talents of the rising local producer. Na$im released the Triple Darkness Intro last week, the first audible leak from the upcoming EP and today he sits down in the Grind House, describing his craft, beliefs and hopes in the interview clip below. Emotions of H.E.R coming soon.
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[Interview] DJ RTC On Leaving RubyHornet, Focusing on Closed Sessions

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DJ RTC was recently interviewed by the Chicago Reader about his decision to step down as E-I-C here at RubyHornet, in order to concentrate 110% on ClosedSessions. As I stated on #ClosedSessionsRadio last week, RTC & I are still very good friends and will continue to work together in the near future. In today's Chicago Reader, RTC explains the reasons for his departure from RH, as well as going into great detail on what is next for ClosedSessions. There's a lot to read, so I suggest heading over to The Reader site  & check it out for yourself. Lookout for a special RTC feature on RubyHornet next week. Shouts to RTC for his honesty here. One of the most truthful people I know,  who I can luckily call a great friend.

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Terra 5

[Interview] AEMMP Hip Hop Artist of The Week: Terra 5

Terra 5

The spring semester is fully underway at Columbia College.  To go along with the new semester, we bring back our AEMMP Hip Hop Artist of the Week feature, highlighting up and coming artists currently balancing music and school.  The featured artists are handpicked by the students at AEMMP Hip Hop, Columbia College's student-run record label.  This week they take a look at the Terra 5 crew, who previously gave us Shonen Domo.  Read the full interview below.
Visit AEMMP Hip Hop for more info and to submit your music.

Julian MAlone

[Interview] Julian Malone: Embrace The Different

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Somebody asked me at the studio yesterday, 'what sets Julian Malone and the 2008ighties apart from other artists and crews in the city?"  After a long day of meetings and decisions my brain hurt and I think I said something about Malone's sound, the way he's able to merge the past and the present, as well as the crew's approach to being themselves.  With a little bit more time to think, and the peace and quiet of my apartment, I realized the that what really sets Julian Malone apart is found in the opening lines of "Goodbye To Dreaming".  The dark and bare record is the first track found on Malone's 2012 release, Enemy: The Time & Loves of Malone.  "I put my heart and my soul, and everything in between into this shit," Malone says, welcoming listeners into his album and his world.

While many artists, and any artist worth their salt, share Malone's amount of effort, they don't all show it in the same way.  Malone lets you know how hard he works, and how bad he wants it on every track.  Opening up on records has always been part of Malone's style, since he began making music as a way to cope with life happening around him.  "My music was the diary to my life," he says, reflecting on Enemy's most personal records.  A little older and a little more stable, Malone has a slightly different take on wearing his heart so heavy on his sleeve.

"Now I'm kind of calming down on it because my life isn't really that bad anymore," he told me shortly before announcing a deal with Stones Throw Records. "Things changed a lot.  And then also, just getting a little older, I know there's some stuff better left unsaid or just said privately.  I'm still keeping the realness. When there's something I want to say, I'm still going to say it."

While we've known about Julian since 2011, it's now that many others are starting to catch on.  Aside from the Stones Throw affiliation, Malone was also recognized by the Chicago Tribune as one of 13 artists to watch in 2013.  On February 23rd, Malone will perform at Digital Freshness, opening up for Roc Marciano.  In lieu of his performance, we talked to Malone about his new project Diff.Rnt, his personal growth, and much more.  Read the full interview on the next page.