[Trailer] Point Break
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In an era of remakes and reboots, which are more noticeable now thanks to the increased volume of available films in general, we were bound to get some weirder ones. Case in point is the latest reboot, Point Break, a now Keanu Reeves-less film where extreme sports athletes also happen to be extreme sports criminals. The film follows Johnny Utah (Luke Bracey), and FBI agent who joins the group of athletes led by Bodhi (Edgar Ramirez). Unfortunately for this film, The Fast and the Furious already remade and owned this premise sometime ago. It's also probably why the trailer has that same kind of cheesy/yet not cheesy enough vibe.
Where the original had color and humor, we have a darker (read as: boring) color palette and not a single joke to be heard. At the very least, the stunts look neat. They're all performed in camera (so very few cuts), so that could lead to a few visually entertaining pieces. We'll have to see what comes out of this as the trailer kicker didn't give me much hope.
Point Break opens in theaters Christmas Day.
Taylor Swift's "Bad Blood" Video is All Kinds of Good
There are very few subjects I can say I'm well versed in, but when I get the opportunity to gush about them you can be sure I'm going to tell you all about it. The venn diagrams of my interests rarely cross over, but now that we've got a Taylor Swift music video featuing all sorts of science fiction nods, I'm not sure what to do with myself. Although the country community felt the sting of when Taylor Swift decided her latest album, 1989, was going to be an all-pop production, and many more felt the loss when she removed her music from Spotify, it's hard to fault her when she's having so much fun in all of her music videos.
This one for her latest single "Bad Blood" (featuring a remix from Kendrick Lamar) tops all of her other craziness so far. Directed by Joseph Kahn (from Detention and that Power/Rangers fan video from a few weeks back) We've got numerous shout outs to sci-fi films like The Fifth Element, Sucker Punch, Mad Max, and awesome cameos from Selena Gomez, Lena Dunham, Hailee Steinfeld, Ellie Goulding, Zendaya, Karlie Kloss, Cara Delevingne, Ellen Pompeo, Mariska Hargitay, and f**king Cindy Crawford.
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I've been a big advocate for wacky music videos all my life. In fact, I think wackier music videos actually saved music artists in the digital age thanks to how much sharing through social media accounts for notoriety now. Taylor Swift just gets that.
Take the video for "Blank Space" (which was one of my Top 10 Pop Songs of 2014) for instance. Such a goofy video for an admittedly generic song helped launch her into several blogs like this one. Although she really doesn't need more attention, she gets it by taking risks. Swift plays around with the visual landscape in order to get your attention (and thus, your all important clicks) because she's got enough pull to do so. She's at the point in her career where she can't really make a bad decision, and can experiment with her brand. It's sort of like how Nicki Minaj gets crazy sexual in each of her videos, yet never quite goes over the line of decency in order to further get her name out there. Nothing the two artists do actually hurt their brand, and if an experiment fails (like Minaj's unfortunate "Nazi" video or Swift's slightly racist "Shake It Off" video) they bounce back.
Where Swift ultimately succeeds is her "pop princess" persona. It sort of brings down the fun in the "Bad Blood" video (it'd be much better if she didn't perform it and just let it all play out), but her "happy go lucky" style really works wonders for how weird she's taking 1989. I can't wait to see what she does next.
The American Idol Season 14 Winner Is...
Since this is the second to last finale American Idol will ever get to celebrate, they went for the completely awesome "kitchen sink" method. The finale was full of so many weird choices that perfectly reflect the show's constant struggle to appeal to millenials while refusing to get rid of its old fashioned ways. You had the terrible kid Daniel Seavey performing with New Kids on the Block, Pitbull showed up in like three different performances (with Chris Brown and then Prince Royce), three of the Jackson 5 members sang with another child Tyanna Jones, Janelle Monae slayed with her weird new single (which is completely different from anything she's done so far), Jamie Foxx performed with Rayvon, Fall Out Boy was there for some reason, Vance Joy didn't let Quentin sing much, Jax finally got some closure from her terribly quick elimination after her performance proved she was better than the remaining two finalists, Ford cars were given away weirdly while Season 12 winner Candice Glover sadly stood in the background unacknowledged, Clark Beckham sang with Michael McDonald and it worked way better than you'd think, and finally Nick Fradiani sang with a guy I swear was his twin.
Suffice to say, it was a weird, weird show to cap off such an awkward growing season. As Scott Borchetta stated, the winner this season will present at the Country Music Awards and perform at the Country Music Television awards. So I'm sure the winner will have a very solid country album. After hearing all of that, I'm so glad Jax didn't win since she's way too interesting to be forced into a country holding. Okay, that's enough stalling.
The winner of American Idol Season 14 is...
...Nick Fradiani.
I had predicted he'd take the title after he seemed to pick the right three songs to perform during the final round, and as I said in that article, Nick's going to do pretty much what his new label, Big Machine Records, tells him to do. After Clark Beckham fought with the man in charge to keep his musicality, he was sent into a down spiral from which he never quite recovered. All the while Nick was the Little Engine that Could just kept chugging along at the same pace, never changing his style or performances, and never causing a ruckus.
As quite possibly the most boring American Idol winner in its 14 season history, Nick will paradoxically make a ton of money over a long career. America eats that up with a damn spoon. If he can fare better than Season 12 "winner" Candice Glover or Season 13 "winner" Caleb Johnson (who both weren't invited to sing at their successor's finales), Nick could be okay. We'll just have to wait until next year to see what the final season has in store.
[American Idol-izer] Top 2 Perform
After weeks of auditions, pulled sponsorships, label changes, throwing fun contestants under the bus, the final performances are here at last. Thanks to the announcement that American Idol is ending next season, the final two contestants performances are unfortunately under a more rigorous microscope than usual. It's definitely unfair to them, but then again, the show's always been kind of unfair. I'm sure the news will pull in some more viewers than usual this final week, at least. But if last night was indicative of what we could look forward to for the final season, I'm not sure what to do anymore.
At the top of the hour, due to the weird scheduling shenanigans this season (which I hope get fixed next go around), the Top 3 was whittled down to the final two as Jackie "Jax" Cole was eliminated. I considered the fact that Jax might unceremoniously be let go in third place, but I never thought it could actually happen. I was as broken up as she seemed to be, and the thought of yet another interesting contestant going home instead of the plain white dudes hurt so much. Only serving to reinforce how boring this season has been, Jax was sent home without getting to perform her possible coronation song. It's a damn, damn shame and only helps AI's naysayers.
So a very boring final bout between Nick Fradiani and Clark Beckham, we got three songs: Encore of a favorite performance (or "Flashback"), one chosen by series creator Simon Fuller, and the final winner's coronation song. Read on for the recap.
Gonna miss you, Jax.
Why RuPaul's Drag Race is the Best Reality Show on TV
I've spent the greater half of my life watching bad reality television. Through dating shows like Flavor of Love, Rock of Love, and Daisy of Love, to game shows like Survivor, Real World/Road Rules Challenge to I Love Money, to singing competitions like American Idol and The Voice, and even quirky fashion shows like Face Off and Project Runway. While each of those shows is interesting in their own unique way, there's only one show on TV that provides all of the fun and drama of these shows in one cohesive, and fabulous package: RuPaul's Drag Race.
Through the years this series has become one of my most anticipated each year. Drama, humor, style, singing, dancing, quirk, and it's all very pleasing to the eye. Say yaaaaaaaaaaaaaaaaaaas, Queen.
Though RuPaul's Drag Race has flourished on Logo (a network notably featuring positive queer media), it deserves a much bigger audience than it has. It's found a cult following on the channel (that still can't be found in HD, sadly) running eight seasons and has no signs of stopping for good reason. I mean, even with a semi lackluster current season, its weirdness has transcended all entertainment into pure artistry. For example, just this past week, the five remaining queens had to establish two looks based on Hello Kitty all in the name of brand recognition. The lesson the queens needed to learn was how to further establish their Drag brand while still maintaining good relationships with other properties. So the queens had to both design a "Hello Kitty Eleganza" runway look along with a brand new Hello Kitty character. Awesomely enough, this wasn't even the weirdest challenge the contestants had to face this season (that has to go to a dance number while dressed as a half man/half woman). Every challenge is all according to RuPaul's wavering whim. Whatever the Queen says goes, and it makes for some fantastic TV.
Drag Race stands above all reality television because it's satirical of other reality shows, yet never once directs that lens at its contestants. While some of the humor and drama may be manufactured (this is reality TV, after all), it's never meant as derogatory. We're meant to laugh with the show than at it, and that's something the rest of these shows can learn something from. Drag Race is indeed a serious competition, with real stakes and pride on the line, but it's so much fun. Regardless of whether or not these Queens win or lose, every Queen seems legitimately thankful for the experience. There's just so much to learn for those of us on the sidelines as well. Over the years I've learned proper make up and costuming techniques, how to work a runway, and how to own the skin you're in. Even after all of these years, I still find new takeaways from each episode. And even if the show's message of confidence and power doesn't reach you, you'll at least learn some killer one liners.
As the latest season of RuPaul's Drag Race winds to a close, why not go ahead and hunt down and episode or two? Seasons 4-6 are on Hulu Plus, and you can currently find new episodes of the show Mondays on Logo at 9/8c. There's bound to be something you'll like as it's completely impossible to be disappointed by Drag Race. On a show where everything is cranked up to 11, and where lip sync battles are the most dramatic thing you see all year, your life will definitely change.
It's time you joined the cultural phenomenon.
American Idol Ending After Next Season
It's been a rough few years for American Idol. Thanks to an onslaught of competitors, weird backstage shenanigans leading to a few winners fading into obscurity, and a struggle to catch the right demographic, the show is a shadow of its former superstar making self that helped us find the goddess Kelly Clarkson. If you haven't followed my weekly segment, American Idol-izer, I've been a fan of the show since its inception. I've stuck it out through the good times and bad, and I've noticed quite a few changes over the years. And this season in particular has been through the roughest changes, leading to one of the most boring seasons in series history.
With the writing on the wall, it was a matter of time before the show would come to an end. According to Variety, American Idol is premiering its final season in January 2016 with all of the current judges and showrunners in tow. It kind of makes sense only because I assume the program is hemorrhaging money. Without Coca Cola and the former Interscope records, I'm guessing either the current record studio in charge, Big Machine, nor Fox wanted to pony up the difference. But that's just wild conjecture. I've got some more to say about the show's decline over the next couple of pages.
[via Variety]
[American Idol-izer] Top 3 Perform
American Idol has been particularly rough this season. I'll attribute most of it to growing pains since lots of factors screwed over the programming: Big Machine Records took over for Interscope (and ousted Jimmy Iovine as mentor, replacing him with Scott Borchetta), Coca Cola pulled their sponsorship after a decade of product placement, and Fox forced it to a single night in order to give space to Empire. So I've been sounding like a broken record each week (does that analogy mean anything to the kids?) because I can't help but mention how awkward and terrible this all is for everyone involved. I'll be going over this season in better detail in a separate post, so stay tuned for that.
The reason I bring this up is because it's done quite a number on these poor contestants. They've been put through the ringer this season, and with the finale next week, the fatigue is starting to show more and more. This week, the Top 3 contestants had three songs: Scott Borchetta's choice, Hometown Dedications, and Judges' Choice. All four of the remaining Idols sang regardless of whether or not they were going home at the end of the evening. The four of them also got the big homecoming parade they do every year, so it was a bit weird but not as awkward as I expected.
And after weeks of playing "The Comeback Kid," Rayvon's run has finally ended. Going home in a respectable fourth place and even enjoying all sorts of things like the hometown visit and three swan songs, Rayvon ended his run on a falsetto. He fought for his place, and as much criticism as I've given him over the weeks, I can't fault that effort. On the next few pages, I'll get into American Idol XIV's Top 3 night.
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[American Idol-izer] Top 4 Perform
I'll have to admit that with Quentin gone, a little bit of my drive to stick it out with American Idol this year has waned a bit. The remaining contestants are talented for sure, but after the extreme sourness from last week, it's going to take a bit to get me back into the game. But what pulled me back to the most part is how the show was going to handle the elimination this week. Since the show has been reduced to one, two hour, night a week, it's been padding out the performances and leaving the elimination for last. It's gotten past the majority of the awkwardness the last few weeks with the Twitter save, so that each person actually performed before they found out whether or not they were going home, but I really wondered how they'd proceed now.
It was just an overall awkward night for everyone. With two different themes: one from the Judges' hometowns and one that best captured the contestants' "spirit" (really, those are the words they used), Russell Crowe showing up for promote his movie for two seconds (along with a story of riding his bike), a terribly clumsy (and sad) elimination, and now Clark Beckham is the center of attention with yet another big Idol clash with the head honcho Big Machine's Scott Borchetta.
Read on for my impressions of American Idol's Top 4 night.