Devo, Dead Kennedys, Super Mario Bros

New 33 1/3 Books on Devo, Dead Kennedys, and Super Mario Bros Are Criticism Done Right

There's an old, dismissive joke about music criticism: "Writing about music is like dancing about architecture--it's a really stupid thing to want to do."

That's funny, sure, but good music critics can dance like motherfuckers. Dancing is fun, it's stimulating, it's potentially generative. When people can dance as well as they do in the 33 1/3 series, that's something that should be celebrated. (Here I am, dancing about dancing.)

The 33 1/3 series began publishing pocket-sized books of music criticism in 2003, each focused on a single album, each a sustained work of long-form criticism. The best entries in the series are exceptional culture writing. Some of the standouts include Celine Dion's Let's Talk About Love: A Journey to the End of Taste by Carl Wilson, James Brown's Live at the Apollo by Douglas Wolk, David Bowie's Low by Hugo Wilcken, Public Enemy's It Takes a Nation of Millions to Hold Us Back by Christopher R. Weingarten, and Television's Marquee Moon by Bryan Waterman. (Waiting on my shelf to be read: Big Star's Radio City by Bruce Eaton and a novella about Black Sabbath's Master of Reality by Mountain Goats frontman John Darnielle.)

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Three of the recent 33 1/3 books focus on seminal works of the early '80s: Devo’s Freedom of Choice by Evie Nagy, Dead Kennedys’ Fresh Fruit for Rotting Vegetables by Michael Stewart Foley, and, the first entry on videogame music in the series, Koji Kondo’s Super Mario Bros. by Andrew Schartmann. Each of the books are fine additions to 33 1/3. In other words, they dance like motherfuckers.

Form and content are the most basic aspects of aesthetic criticism, and while that's part of the discussion in each of these three new books, the authors also find ways of exploring the time and the place that gave birth to each album. If it's questions of form and content that determine the relative success of individual works of art, it's questions of time and place that help fashion the form and the content, and it's the intersection between the elements of form, content, time, and place that help determine the enduring legacy of the art.

Let's give each of these new 33 1/3 books a quick look. For more information on the books and the series, visit the 33 1/3 site.


Image from San Diego Comic Con

Highlights from San Diego Comic Con 2015

I've been to dozens of expos, conventions, festivals, and the like over the years, but my favorite type of events have always been comic book conventions. From the dozens of vendors selling unique items and hard-to-find collectibles to the amazingly talented cosplayers to meeting your favorite artists and writers, I've always enjoyed my time at the various comic book conventions I've attended. In recent years, they've become larger pop culture events in which film studios screen their latest films and trailers, cast members come out for intimate Q&As, and con attendees get their exclusive sneak peeks at everything the world will be talking about later that week.

San Diego Comic Con has grown to become the comic book convention to go to in the United States, and while I wasn't in attendance this past weekend (SDCC '17, my eyes are on you), I've compiled some of the weekend's best highlights. Whether you're a dedicated comic book fan waiting to hear what Marvel and DC have up their sleeves, a film fan excited for the first glimpses at 2016's top superhero films, or just really enjoy good cosplay, we have you covered! Also, check out the Suicide Squad footage if you haven't yet!


Photo of Nintendo's Satoru Iwata

Remembering Nintendo's Satoru Iwata, The CEO Who Made The World Smile

There can be few higher aspirations in life than bringing joy and happiness into the lives of others. Former Nintendo President, Satoru Iwata, who died yesterday aged 55, achieved this for millions of people around the globe. When we think of CEOs these days, we imagine soulless corporate suits crushing those lower down the ladder in pursuit of profit. Iwata could not have been further from that image. At a keynote speech in 2005, he famously stated that: "On my business card, I am a corporate president. In my mind, I am a game developer. But in my heart, I am a gamer."

Having stated his career as something of a prodigal talent in programming, working on such titles as Balloon FightEarthbound and various Kirby games, Iwata ascended the ranks at Nintendo to become the company's first President not descended from the Yamauchi bloodline. Where his predecessor, Hiroshi Yamauchi, was every bit the stoic, fiendishly brilliant businessman, Iwata transformed Nintendo into a company with a welcoming face that suited their line of games and characters which had been a staple of so many fondly-remembered childhoods.

earthbound nintendo

Iwata never lost his passion for the video games medium and his achievements are spoke of in hushed tones throughout the industry. He coded the NES classic Earthbound all on his own. He debugged the entirety of Super Smash Bros Melee in three weeks to ensure the game hit its scheduled release date. He ported the battle system from the original Pokémon Game Boy games to Pokémon Stadium in a week without any help from design documentation. When Game Freak were struggling to contain the world they had created for Pokémon Gold and Silver into a single Game Boy cartridge, Iwata developed a compression technique so efficient that the developers were able to fit the entirety of the previous games' world in there as well. If Shigeru Miyamoto was the genius behind many of the company's most enduring mascots, Iwata was the technical master whose brilliance may have operated behind the curtain, but was no less impressive or important.

It was during his tenure as Nintendo President that Iwata truly began leaving an imprint on gamers' hearts and minds. He oversaw the creation of two of the world's most successful and innovative consoles, the Wii and the DS handheld. Both were dismissed at launch by competitors, yet went on to achieve groundbreaking global sales. For all they lacked in cutting edge hardware, both offered a diversity and whimsy in their games library that could not be found anywhere else. It was during this time that Iwata also began working to soften the company's image, offering an unprecedented level of openness and accessibility to its fans. In his Nintendo Direct online presentations, which he used periodically to announce updates on new games, he showed off a famously self-deprecating, meme-conscious sense of humour as the loveable half of a double act with Nintendo Of America's burly COO, Reggie Fils-Aimé. In his Iwata Asks interviews, he gave unprecedented insights into the thought processes of some of the world's most important game developers.

iwata direct bananas

When the Wii's successor, the Wii U, struggled out of the gate, Iwata showed that his kindness was not limited to his public persona. Facing severe pressure from shareholders to lay off employees and embrace the cynical practices of free-to-play gaming which had become so prevalent and lucrative elsewhere, Iwata resolutely stuck to his guns, firmly believing in the importance of respecting and trusting the company's core fanbase. In 2014, he elected to cut his salary in half in order to avoid having to cut employee numbers as a consequence of poor financial results. This act of astonishing humility and, yes, understanding stood in stark contrast to the actions of other multinational CEOs at the time, who spent much of the financial crisis protecting themselves and their salaries at all costs.

Whether remembered making his signature 'direct' hand gesture, holding up a bunch of bananas, or in the puppet form so immediately embraced in last E3's Digital Presentation, Iwata personified all the qualities which made Nintendo so special to so many people around the world, never straying from his core belief that video games are meant to be fun for everyone. He oversaw one of the most creatively and financially successful periods in the company's history. Even with the recent downturn in fortunes with the struggles of the Wii U, he was in the process of modernising the company with moves into mobile gaming and toys-to-life, on course to right the ship without compromising its all-important central values. Most importantly, he was a man of singular nobility, talent and generosity, who was always loved and respected even by those who sometimes did not agree with his decisions. The outpouring of grief following his passing is testament to how deeply he was loved by those touched by his work and who felt welcome into the accepting, open-hearted Nintendo community he was instrumental in creating. Though his death leaves us with tears in our eyes, his legacy left smiles in our hearts.

Thank you, Iwata-san. You really were a Super Player.

R.I.P. Satoru Iwata, 1959 - 2015

super mario world thank you


Ruby Hornet's The Weekly Swarm

[The Weekly Swarm] 7/6 - 7/12

It's yet another rain-filled, gloomy Monday morning in Chicago. The forecast for the week isn't looking too good, and with Pitchfork later this weekend, all I can think of is how muddy and wet we're gonna be. Nevertheless, I'm finally excited for Pitchfork and for the clouds to open up and give us the proper summer we needed after this past winter's dreadful cold.

Last week was a great one here at Ruby Hornet. In case you missed any of our articles, check everything out below in The Weekly Swarm! Some of my personal highlights include Danielle's trip to a Russian bathhouse, Oswald's very personal essay on how The Fresh Prince of Bel-Air changed his life, Hubert's editorial on Cartel Land and how it illustrates the War on Drugs will never end, Angela's photos and recap from Weezer's set at the Taste of Chicago, and the triumphant return of BattleBots!

weekly-swarm-culture

Warren Ellis To Write New James Bond 007 Comic Series
To Beat or Not to Beat: Sweating in a Russian Bathhouse
America and Japan Are Going to Have a Giant Robot Duel
How the Fresh Prince of Bel-Air Spearheaded My Sexual Awakening

WeeklyFilm

[Review] Terminator: Genisys
New Batman v Superman: Dawn of Justice Photos
Marisa Tomei Cast as Aunt May in Spider-Man Reboot
Ben Affleck Directing and Starring in Solo Batman Film Written by Geoff Johns
Cartel Land Shows Why the War on Drugs May Be Unwinnable

WeeklyMusic

Rihanna's "Bitch Better Have My Money" Video is Bananas
[Playlist of the Week] 10 Songs for America
[RH Photos] Weezer Headlines at the 35th Annual Taste of Chicago

weekly-swarm-tv

Harry Shearer Returns to The Simpsons
Did This Week's UnREAL Go Too Far?
Marvel's Daredevil Finds Its Elektra In Elodie Yung
[Review] MTV's Scream: Hello, Emma
Pure Mechanized Carnage: The Return of BattleBots
How the Fresh Prince of Bel-Air Spearheaded My Sexual Awakening


Photo of the American Megabot from Megabot

America and Japan Are Going to Have a Giant Robot Duel

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When I was a kid, I used to love the Gundam anime series (G Gundam, for life). Giant robots punching each with laser light fists just spoke to me. Humanity's been chasing that impossible dream for years, but now it's just a wee bit closer. Last week, American company Megabot showed off footage of a real working mecha (that shot paintballs of course) with the intention of fitting someone inside for giant robot battles a la Pacific Rim or Robot Jox. Footage of their robot came with a challenge to Japanese robotics company Suidobashi Heavy Industry for their robots to fight in 2016.

This week, Suidobashi replied with their own video. Draped in a Japanese flag, CEO Korgoro Kugata had some awesome trash talk claiming the American machine could have been cooler (and has too many guns because America). All the while accepting the challenge to fight their robot, Kuratas, against the American Megabot. Unfortunately we don't have any details of the big "fight," and the whole thing screams publicity stunt. Perhaps it's to draw attention to Megabot's once failed Kickstarter campaign to start an entire league of mecha fights. Whether or not it's a coordinated stunt, why has it taken this long for us to get to this point? Something like this should've happened a long time ago. When will our lives go full anime?

Hilariously enough, this was all around the time of a notable World Cup match between America and Japan where Japan was decimated as USA scored four goals in under sixteen minutes (three of those belonging to superwoman Carli Lloyd). To top if off, Independence Day was last weekend so everyone's far more patriotic than usual. I'm sure the American robot will win just because I don't see any other outcome being possible. It's running on bald eagle power right now.

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[via Popular Science]


Warren Ellis To Write New James Bond 007 Comic Series

Dynamite Entertainment has revealed that Warren Ellis is to pen an ongoing James Bond comic book series launching this November. The series will see Bond returning from an assignment in Helsinki to follow up a mission which resulted in the death of a fellow Double-O. Ellis, one of the most esteemed writers in the comic medium and veteran of such classics as Hellblazer, TransmetropolitanGlobal Frequency and various superhero series for Marvel and DC, will be teaming up with artist Jack Masters, of Marvel's Wolverines, to mark Bond's return to the format after an absence of over twenty years.

The series is a result of a partnership between Dynamite and the Ian Fleming Estate, announced nine months ago, which is rumoured to also include adaptations of the original Bond novels. Ellis described his delight at the opportunity to 'tell visual narratives with the original, brutal, damaged Bond of the books', a welcome and reassuring recognition for fans that Fleming's character was considerably more melancholy and troubled than the one-dimensional superhero depicted in most of the movies. The 'brutal' description is an interesting one, as while Fleming's Bond was undeniably cold and professional in his duties, part of the damage that Ellis describes stemmed from a clear awareness of the ugly nature of his work and the cost it exacts on his soul. Daniel Craig's Bond has picked up on Fleming's unironic violence without, post-Casino Royale anyway, delving much into how it has shaped Bond's personality and outlook.

Even Bond's attitude towards women is rooted in his troubled relationship with his profession. He indulges his appetites with the voraciousness of a man who doesn't believe he will live to see the following morning - in the Moonraker novel, Bond describes how he never saves money, believing it pointless - but is also something of a frustrated romantic, genuinely falling in love with several of his Bond girls even though it invariably ends in tragedy. Ellis is a hugely accomplished character writer and it will be fascinating to see which elements of Fleming's character he chooses to employ in his own interpretation. It will also be interesting to compare it to how Bond is depicted in SPECTRE, the movie scheduled for release in the same month which promises to delve into the character's past.

[via Comic Book Resources]


[The Weekly Swarm] 6/29 - 7/5

Happy July, everybody. I hope everybody's 4th of July weekend was filled with family, friends, and fireworks! Despite the shortened week for the holiday, we still had an amazing array of content last week. Some highlights include the ongoing feud between Donald Trump and Univision, a plethora of film and TV trailers (CreedDragon Ball SuperI Am Chris Farley, etc.), a review of Thundercat's mini-album, The Beyond/Where the Giants Roam, a round-up of Q2 2015's best albums, and a review of MTV's Scream pilot. You can find all of this and more below in The Weekly Swarm.

weekly-swarm-culture

Why Univision Dropping Miss USA is a Big Deal
Donald Trump is Suing Univision for $500 Million

The Weekly Swarm Film

Watch a Young Amy Winehouse Sing Happy Birthday
Remember Chris Farley in Trailer for I Am Chris Farley
Chiwetel Ejiofor, Nicole Kidman, and Julia Roberts Star in First Secret in Their Eyes Trailer
Frieza is Back in Dragon Ball Z: Resurrection 'F' Trailer
Michael B. Jordan and Sylvester Stallone Team Up in Trailer for Rocky Sequel, Creed
Alison Brie and Jason Sudeikis Star in Sleeping With Other People Trailer
Watch Michael Fassbender as Steve Jobs in New Trailer
[Weekly Netflix Fix] First July 2015 Update

WeeklyMusic

Watch a Young Amy Winehouse Sing Happy Birthday
[Review] Thundercat: "The Beyond/Where the Giants Roam"
Second Quarter 2015 Album Round-up

weekly-swarm-tv

Why Univision Dropping Miss USA is a Big Deal
Watch the First 8 Minutes of MTV's Scream TV Series
Donald Trump is Suing Univision for $500 Million
[Review] MTV's Scream: Pilot
[Weekly Netflix Fix] First July 2015 Update


Donald Trump giving a political speech

Donald Trump is Suing Univision for $500 Million

Never one to quietly fade away, Donald Trump has neither apologized for his comments nor let any of it go. When Univision publicly reprimanded him after his bid for the presidency led to tirade of awful comments (most directed toward Mexican immigrants and how they're terrible people), it led to a landslide of consequences as I predicted earlier in the week. Univision refused to air Trump's co-owned Miss Universe pageant, most of the program's hosts and co-hosts left the show, and all of that led to NBC Universal cutting all their ties with him and his programs like The Celebrity Apprentice. Trump has essentially marred his brand even further...if that was even possible.

But, now he's choosing to fire back. Claiming breach of contract and suppression of free speech, Trump is suing the Spanish language company for $500 million:

Under the contract, Univision is required to broadcast the pageant live on television in Spanish. While Univision claims its decision came solely in response to comments by Mr. Trump during a June 16 campaign speech announcing his candidacy for President of the United States, the decision was, in reality, a politically motivated attempt to suppress Mr. Trump's freedom of speech under the First Amendment as he begins to campaign for the nation's presidency.

Speaking with Politico, Univision is fighting the suit:

We just reviewed Mr. Trump’s complaint for the first time, and it is both factually false and legally ridiculous. We will not only vigorously defend the case, but will continue to fight against Mr. Trump’s ongoing efforts to run away from the derogatory comments he made on June 16th about Mexican immigrants. Our decision to end our business relationship with Mr. Trump was influenced solely by our responsibility to speak up for the community we serve.

This looks like it's getting uglier as it rolls on. But at least it means Trump's candidacy is losing any semblance of legitimacy it might've had. We'll keep an eye on this as it rolls on.

[via BBC]