Kevin Bacon in Cop Car

[Review] Cop Car

In the opening scene of Cop Car, writer/director Jon Watts establishes the two different worldviews that make his film a compelling thriller. There's the child world and the adult world. The child world is one of fantasy and games without consequences. Friends Travis (James Freedson-Jackson) and Harrison (Hays Wellford) have run away from home, and they think they can survive on their own with just a Slim Jim and their ability to curse without repercussions. The adult world, by contrast, is one of violence, manipulation, and murder. But Travis and Harrison don't know that yet. They will soon.

Cop Car's demarcation between the child world and adult world is so pronounced that it's almost like a fairy tale. Rather than crossing the village border for the dark woods, our nine-year-old runaways crawl past a barbed wire fence. Eventually they find an abandoned cop car and take it for a joy ride. Had Travis and Harrison not stumbled onto the cop car, they probably would have given up running away and been back with their respective parents by sundown. Instead, they wind up deep into the ugly adult world where it's unlikely that they'll make it through the night.

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Cop Car
Director: Jon Watts
Rating: R
Release Date: August 7, 2015

Cop Car has a lot in common with Coen Brothers thrillers like Blood Simple and No Country for Old Men. There's also a strong vibe of Jeremy Saulnier's lo-fi 2014 revenge movie Blue Ruin. Regular people wind up way over their heads in an uncontrollable situation, and they're forced to deal with it to survive. There's this black comedy that comes from confrontations with one's own ineptitude (or inflated sense of ability) during life or death situations. With the two child leads, there's this childlike sense of "No way!" when they steal the cop car and drive off, a kind of young incredulity about the unchecked freedom of adulthood. They speed, they drive on the wrong side of the road, they play with guns, they think they're invincible.

Then in comes Kevin Bacon, who plays Sheriff Kretzer, the cop whose car was stolen. Kretzer's shady backstory gets revealed slowly but not fully as the film unfolds. Watts is smart not to provide all the details and instead just gives enough pieces for the audience to reconstruct his crimes. It makes the world of Cop Car feel more lived-in. Like the child runaway plot and fairy tales, we're familiar with this kind of dirty-cop story too.

Kevin Bacon in Cop Car

The kids think they're in control but wind up losing it. Kretzer's got the opposite arc of control, and spends early parts of Cop Car helplessly trying to cover his own ass with the people at police dispatch. There's something comically Benny Hill-ish about him running panicked through a open field when he can't find the car; you can almost hear an internal monologue of "oh crap, oh crap, oh crap" with each stride. On top of that, something about the mustache and his posture makes Kretzer look like a side character from Super Troopers. Yet Krezter is a good improviser, and he knows how to use the system to his advantage.

Bacon imbues Kretzer with a wolf-like menace. His desperation makes him seem like some raging animal in a frenzy, but he becomes more refined as the situation becomes clearer and he sees an opportunity to re-take control. When he's finally able to talk to the boys over the police radio, there's this stern, authoritative quality to Bacon's voice that conveys a clenching fist and gnashed teeth and a loaded gun. The Krezter character and Bacon's performance are rooted in the black comedy of sudden ineptitude and black-hearted desperation.

In addition to the child world being subsumed by the adult world, there's also an interesting inversion of dominance going on between Travis and Harrison. Travis seems more like the leader of the two boys. The smaller of the two, he's recklessly brave, more vocal, willing to drop and f-bomb and play mischief maker during their dalliance with running away. Yet as the situation becomes more dangerous and the boys find themselves deep in danger, Travis' young bravery recedes and Harrison needs to find a way to assume the lead.

A still from Jon Watts' Cop Car

Watts proves a capable director of actors as well as action, controlling his shots and dialing back extraneous sounds to get the maximum dread and tension from a moment. I found it surprising that he was tapped to direct the Spider-Man reboot for Marvel Studios, though. Nothing about Cop Car screams, "This guy is a perfect fit for Spider-Man." (With great Cop Car moments comes great responsibility?)

It seems like part of a pattern of promising indie directors being handed the reins to major studio tentpoles. Think Marc Webb on The Amazing Spider-Man and its sequel, Colin Trevorrow doing Jurassic World, and Josh Trank on Fantastic Four. It's a bit of a surprising trend, one that gives fledgling directors big breaks but may also break their spirits given the creative compromises required to work on a major studio film. As noted in our Ant-Man review, the MCU films are producer/studio-driven rather than director-driven.  The cynical part of me thinks that studios believe these indie directors will be more compliant, that they're starving for the breakout hit and will do whatever they're told. That's not always the case. Selma director Ava DuVernay was offered Marvel's Black Panther but passed due to creative differences.

The worst thing that could happen to Watts on Spider-Man is reducing him to a journeyman director, draining him of his talent simply to deliver a competent film on time. I want to go back to Watts' debut, a 2014 horror film called Clown, to see what else his abilities suggest he's capable of. Cop Car makes me want more original work in Watts' future. One hopes his big-studio adventure over the barbed wire fence goes well.


Promotional photo of Michael Keaton, Liev Schreiber, Mark Ruffalo, Rachel McAdams, John Slattery, and Billy Crudup in Spotlight

The Boston Globe's Massachusetts Catholic Church Sex Scandal Dramatized in Trailer for Spotlight

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Spotlight is a true story about the Pulitzer Prize-winning investigation team from The Boston Globe that broke the door wide open on the Massachusetts Catholic Church sexual abuse scandal in 2002. Directed by Thomas McCarthy (Win WinThe Cobbler), the film looks like it'll be a suspenseful thriller strengthened by an amazingly talented ensemble cast.

The Boston Globe "Spotlight" team, which is the oldest running newspaper investigation unit in the country, spent an entire year unraveling the various attempts at hiding the sexual abuse within the Catholic Church and the institution's lawyers that ensured no legal ramifications would be levied against them. The cast features Michael Keaton (Birdman), Mark Ruffalo (The Avengers: Age of Ultron), Billy Crudup (The Stanford Prison Experiment), John Slattery (Mad Men), Rachel McAdams (Southpaw), Stanley Tucci (The Hunger Games: Mockingjay - Part 2), and Liev Schreiber (Fading Gigolo).

Spotlight will be in theaters on November 6th.


Poster art for Victoria

Trailer for Victoria Teases Entire Film Shot in One Take

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The "trend" of long takes has been growing in recent years thanks to films like Alfonso Cuaron's Children of Men and Gravity and, most recently, Birdman or (The Unexpected Virtue of Ignorance). In fact, both Gravity and Birdman were huge hits at the past two Oscars, with each film winning a plethora of awards, including Best Cinematography and Best Director (amongst many others). However, while each film showcased clever editing and long takes, they don't quite push it as far as the upcoming German film, Victoria.

Directed by Sebastian Schipper, Victoria is an action/thriller about a the titular Victoria, a party girl from Madrid visiting Berlin, who gets wrapped up in a crime with a group of men she just met. More importantly, the entire film was shot in one take. No edits, no cuts, no CGI, just a camera rolling non-stop for two and a half hours. The concept is amazing, but so hard to accomplish, especially for an independent film. The trailer, obviously, is cut and edited to set the stage for the film.

The film debuted earlier this year and won a Silver Bear at the Berlin International Film Festival and Best Feature Film, Direction, Actress in a Leading Role, Cinematography, and Music at the German Film Awards 2015, which is a great sign for the film.

Victoria will be in theaters on October 9th.

Victoria, a young woman from Madrid, meets four local Berliners outside a nightclub. Sonne and his friends promise to show her a good time and the real side of the city. But these lads have gotten themselves into hot water: they owe someone a dangerous favor that requires repaying that evening. As Victoria’s flirtation with Sonne deepens into something more, he convinces her to come along for the ride. And later, when things become more ominous and possibly lethally dangerous for Sonne, she insists on coming along. As the night takes on an ever more menacing character, what started out as a good time, quickly spirals out of control. As dawn approaches, Victoria and Sonne address the inevitable: it’s all or nothing and they abandon themselves to a heart-stopping race into the depths of hell.


Photo of Julia Roberts, Nicole Kidman, Chiwetel Ejiofor in Secret in Their Eyes

Chiwetel Ejiofor, Nicole Kidman, and Julia Roberts Star in First Secret in Their Eyes Trailer

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Chiwetel Ejiofor just might be one of my new favorite actors. The Academy Award nominee (for his role in 12 Years a Slave) has received some of Hollywood's highest accolades, but he's not a household name just yet. However, with an amazing performance in August's Z for Zachariah and a role in Matt Damon's The Martian coming out in October, Ejiofor is destined for stardom. Now, with the trailer for his next film, Secret in Their Eyes, now out, Fall 2015 just might be what it takes to propel Ejiofor to the next level.

Written and directed by Billy Ray (Captain PhillipsThe Hunger Games), Secret in Their Eyes is about a tight-knit FBI duo Ray (Ejiofor) and Jess (Julia Roberts) and their supervisor, District Attorney Claire (Nicole Kidman) who are assigned to a murder that ends up with Jess's daughter as the victim. Thirteen years later, Ray stumbles upon a lead that can finally close the case and find the murderer. However, the secret that's kept the mystery open for so long might have irreversible effects on the trio.

Secret in Their Eyes is like an old school Hollywood drama/thriller that I haven't seen since Gone Girl, which should be a good change of pace from the typical superhero films and sex comedies. Secret in Their Eyes is out in theaters on October 23, 2015.


Film still from The Sacrament

[Trailer] The Sacrament

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Found footage films are still being made. Why?! Whenever I hear of a new found footage horror/thriller, I let out a hard groan. I understand how the intrinsic qualities of the found footage medium suits the horror genre, but damn, I would love to see somebody take the played-out format and create a different type of story that doesn't involve supernatural elements. Thus ends my short rant on found footage films.

The Sacrament is yet another found footage horror film. However it comes from the mind and vision of Ti West (V/H/S) and produced/presented by Eli Roth (Hostel). The film's premise is about a VICE crew investigating the disappearance of their friend's missing sister. Their journey brings them to an unknown location outside of the United States known as Eden Parish where more than a hundred people live as part of a religious community (re: cult). However, like all similar stories, the cult and its leader aren't all that they appear to be.

Festival reviews of The Sacrament were mixed, and while I don't foresee the film doing anything different with the format that'll wow me the same way Paranormal Activity and Chronicle did, I won't exactly write it off just yet. The Sacrament will be available on iTunes and On Demand on May 1st, with a theatrical release on June 6th.

[via IGN]


Promotional still for Honour

[Trailer] Honour

Honour, actor-turned-director Shan Khan's next film, sounds like a good one. With the title acting as a reference to honor killings, the film is about a young Muslin woman (Aiysha Hart) who runs off with her boyfriend (Nikesh Patel) with plans of eloping. Dismayed by their daughter's actions, her family hires an assassin to kill her. However, the plan doesn't work out so well, so a bounty hunter (The World's End's Paddy Considine) is contracted to track her. The premise is a bit crazy, but the trailer hit on all of the right notes. It's a thriller through and through, with a hint of a political agenda in it. Above all else, it features Considine acting as a total badass, so how can you turn that down? Khan has claimed that Honour is a modern thriller twist on Romeo & Juliet, but that feels like too much of a stretch. Still, I can see the allegory fitting the film's premise... a bit.

Honour hits British theaters on April 4th with no set American release date.


[Trailer] A Single Shot

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Sam Rockwell (Moon) stars in the upcoming drama/thriller A Single Shot, directed by David M. Rosenthal. Rockwell stars as a hunter who accidentally shoots a woman in the woods. However, when he checks on her, he finds a box filled with money. He then uses the money for selfish reasons, such as hiring a crooked lawyer to help with a divorce suit against his wife. Of course, it turns out the money's dirty as a group of criminals come after him for the stash of cash.

The mood is tense, which should be a good return to his Moon form. A Single Shot will be in theaters September 20th, but preceded by a VOD release on August 20th.

David M. Rosenthal’s neo-noir thriller starts with a bang: a single shot, aimed at a lone deer, that hits and kills a young woman. The hunter, John Moon (Sam Rockwell, SEVEN PSYCHOPATHS), watches her die before discovering a box of money near her body. In a desperate panic, he takes the cash — hiring a low-rent lawyer (William H. Macy, FARGO) to fight his wife’s (Kelly Reilly, FLIGHT) divorce suit — and attempts to cover up the killing. But when he discovers that the money belonged to a group of hardened criminals, the hunter becomes the hunted in this tense cat-and-mouse struggle in the backwoods of West Virginia.

 


[Trailer] Passion

http://youtu.be/u5yYNss4BXc

 

Passion is the next film from director Brian De Palma, most popularly known as the director of Scarface. Starring Rachel McAdams (Mean Girls) as a business executive and Noomi Rapace (Prometheus) as a new executive who must do whatever they can to climb the corporate ladder. Based off of this trailer, the film embraces the thrill of eroticism and lust found in forbidden places driven by the urge to advance in the corporate world.

Passion is sexy, thrilling, and can hopefully keep up the same level of energy found in the trailer. Hopefully De Palma still has some left in his tank to ensure the full film can live up to the expectations when Passion hits Video on Demand on August 1st with a theatrical release to follow on August 30th.